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Arma Angelus

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Arma Angelus (formerly known as Novena ) was a metalcore band from Chicago, Illinois . The band was formed in 1998 and disbanded in 2002. Members of the band were Pete Wentz (vocals, now bass guitarist and backing vocalist in Fall Out Boy ), Tim McIlrath (bass guitar, now lead singer and rhythm guitarist of Rise Against ), Jay Jancetic (guitar, last played guitar for Chicago bands Holy Roman Empire and Harm's Way ), Daniel Binaei (guitarist, formerly of Racetraitor ), Adam Bishop (guitarist, now an English teacher at San Dieguito Academy High School in Encinitas, California ) and Timothy Miller (drums, last played drums for Arizona punk band Last Action Zeros and now owns Immortal Art Tattoo & Body Piercing in Scottsdale, Arizona ).

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118-571: After McIlrath left to form Rise Against , he was replaced in 1999 by Christopher Gutierrez. Gutierrez was a touring author and spoken word artist and founded and runs The Catcade in Chicago. Gutierrez was replaced as bass guitarist for one tour by Joe Trohman (also a guitarist in Fall Out Boy and in The Damned Things ). He was replaced mid-tour when the band flew Chris Gutierrez out to New York for

236-601: A Sick of It All concert, and recalled seeing him perform with his previous band Baxter . Impressed with McIlrath's gritty vocals, Principe gave him a seven track demo he had recorded, and invited him to join the nascent band. McIlrath accepted the invitation, and dropped out of Northeastern Illinois University . The initial jam sessions were problematic, as McIlrath was unaccustomed to Principe's and Wleklinski's fast-paced style of play. McIlrath described these early sessions as "the meeting of different worlds and worlds colliding", and noted how many of his friends questioned

354-527: A "political band". Some journalists have stated that the band has specifically targeted the Republican administrations of George W. Bush and Donald Trump , while promoting anarchist ideologies. As the band's primary lyricist , McIlrath is wary of the political label. "In this sort of current climate of music, we stand out simply because I think there are bands that are avoiding the question. So, it makes us sort of an anomaly and I think that's where we get

472-538: A "record group" which is, in turn, controlled by a music group. The constituent companies in a music group or record group are sometimes marketed as being "divisions" of the group. From 1929 to 1998, there were six major record labels, known as the Big Six: PolyGram was merged into Universal Music Group (UMG) in 1999, leaving the remaining record labels to be known as the Big Five. In 2004, Sony and BMG agreed to

590-405: A 50% profit-share agreement, aka 50–50 deal, not uncommon. In addition, independent labels are often artist-owned (although not always), with a stated intent often being to control the quality of the artist's output. Independent labels usually do not enjoy the resources available to the "big three" and as such will often lag behind them in market shares. However, frequently independent artists manage

708-558: A US Senate committee, that the Byrds never received any of the royalties they had been promised for their biggest hits, " Mr. Tambourine Man " and " Turn! Turn!, Turn! ". A contract either provides for the artist to deliver completed recordings to the label, or for the label to undertake the recording with the artist. For artists without a recording history, the label is often involved in selecting producers, recording studios , additional musicians, and songs to be recorded, and may supervise

826-547: A United States band or other musical ensemble is a stub . You can help Misplaced Pages by expanding it . Rise Against Rise Against is an American punk rock band from Chicago , formed in 1999. The group's current line-up comprises vocalist/rhythm guitarist Tim McIlrath , lead guitarist Zach Blair , bassist Joe Principe and drummer Brandon Barnes . Rooted in hardcore punk and melodic hardcore , Rise Against's music emphasizes melody , catchy hooks , an aggressive sound and playstyle, and rapid tempos . Lyrically,

944-470: A bigger company. If this is the case it can sometimes give the artist greater freedom than if they were signed directly to the big label. There are many examples of this kind of label, such as Nothing Records , owned by Trent Reznor of Nine Inch Nails ; and Morning Records, owned by the Cooper Temple Clause , who were releasing EPs for years before the company was bought by RCA . If an artist and

1062-571: A clarifying message stating that "the record is not a concept record and, fret not, has absolutely nothing to do with the Dixie Chicks ." The first single from the album, " Help Is on the Way ", debuted on KROQ on January 17. A second song from the album, "Architects", was debuted and released digitally on February 15. As a promotion effort, the band embarked on a short tour of South America in February and then

1180-408: A conventional cash advance to sign the artist, who would receive a royalty for sales after expenses were recouped. With the release of the artist's first album, however, the label has an option to pay an additional $ 200,000 in exchange for 30 percent of the net income from all touring, merchandise, endorsements, and fan-club fees. Atlantic would also have the right to approve the act's tour schedule, and

1298-519: A half minutes of airtime on TV that means we can play anything, we can make a video that would be intense even on mute". Rise Against has garnered some controversy for their music videos, particularly for perceived violent themes. The video for "Re-Education (Through Labor)" features the Chicago sect of the Moped Army planting and detonating bombs throughout the city. Some viewers saw this as an act of condoning terrorism. The video for "The Violence", which

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1416-452: A headlining North American tour in fall 2017 with Pierce the Veil and White Lung supporting. On March 29, 2018, the band's Instagram account published a video announcing a project entitled The Ghost Note Symphonies, Vol. 1 . A later announcement described the album as having "the songs stripped down, with alternate instrumentation, unique orchestration and a surprise or two" and announced

1534-609: A joint venture and merged their recorded music division to create the Sony BMG label (which would be renamed Sony Music Entertainment after a 2008 merger); BMG kept its music publishing division separate from Sony BMG and later sold BMG Music Publishing to UMG. In 2007, the remaining record labels—then known as the Big Four—controlled about 70% of the world music market , and about 80% of the United States music market. In 2012,

1652-471: A label want to work together, whether an artist has contacted a label directly, usually by sending their team a demo, or the Artists & Repertoire team of the label has scouted the artist and reached out directly, they will usually enter in to a contractual relationship. A label typically enters into an exclusive recording contract with an artist to market the artist's recordings in return for royalties on

1770-462: A large international media group , or somewhere in between. The Association of Independent Music (AIM) defines a 'major' as "a multinational company which (together with the companies in its group) has more than 5% of the world market(s) for the sale of records or music videos." As of 2012 , there are only three labels that can be referred to as "major labels": Universal Music Group , Sony Music , and Warner Music Group . In 2014, AIM estimated that

1888-565: A month-long tour of Europe in March. Upon returning to the United States, the band announced a U.S. spring tour with Bad Religion and Four Year Strong . Endgame is notable for being the first album to establish Rise Against's stance on homophobia with the third song on the album, " Make It Stop (September's Children) ," which references the September 2010 suicides of teenagers in the LGBT community. Upon

2006-509: A musical shift for Rise Against to a more mainstream and radio-friendly sound, which led to division among critical opinions. Some critics commended the album's more radio-friendly sound, while other critics found the music to be stale, and bemoaned Rise Against for abandoning their punk roots. Like with the previous two albums, three songs from Appeal to Reason were released as singles: " Re-Education (Through Labor) ", " Audience of One ", and " Savior ". All three songs charted highly on

2124-407: A noticeable turn toward a more accessible and radio-friendly sound, with greater emphasis on production value. The New York Times reviewer Jon Pareles felt Appeal to Reason was more tune-oriented than the band's previous material, while Davey Boy of Sputnikmusic wrote how Endgame was "slickly produced to enhance the melodic nature of songs". Principe believes the shift in sound resulted from

2242-445: A raw punk sound, while Revolutions per Minute featured an overall darker tone. According to Principe: " The Unraveling was more of us just trying to figure out how we functioned as a band and what type of band we wanted to be. It all just came together with [ Revolutions per Minute ], my songwriting style and Tim's, it really meshes well together and I think it shows on that record. Although this darker tone carried into Siren Song of

2360-490: A release date of July 27, 2018. The band released an acoustic version of "House on Fire" from Wolves as a single for the album on May 18 and an acoustic version of "Like the Angel" from Revolutions per Minute on June 8. Following touring for Wolves , Rise Against chose to take a more relaxed approach to writing their next album. In an interview with Kerrang!, McIlrath explained that "we don't want to feel rushed, we'll put out

2478-530: A result, they decided to return to Stevenson and Livermore, who they felt had accurately captured the raw punk sound they strove for on Revolutions per Minute . Unlike the stressful recording sessions for Siren Song of the Counter Culture , the band had a much more enjoyable time with The Sufferer & the Witness , as they no longer sought the approval of Geffen executives. According to McIlrath: "It went great,

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2596-605: A return by recording for a much smaller production cost of a typical big label release. Sometimes they are able to recoup their initial advance even with much lower sales numbers. On occasion, established artists, once their record contract has finished, move to an independent label. This often gives the combined advantage of name recognition and more control over one's music along with a larger portion of royalty profits. Artists such as Dolly Parton , Aimee Mann , Prince , Public Enemy , among others, have done this. Historically, companies started in this manner have been re-absorbed into

2714-442: A sense of heaviness missing in traditional hardcore, Arma Angelus’ thick, angular attack comes from a rock and roll sense of composition that's every bit as heavy as their metal-infused counterparts. True, elements of Where Sleeplessness is Rest from Nightmares do delve into death metal territory (vocals, tuning), the majority of Arma Angelus’ material pummels to the tune of catchy, head-bashing song structure." Upon their disbandment,

2832-539: A statement in response to criticism of Vans' use of sweatshops . In addition to their support of animal rights, the band has voiced their support for Democratic and Progressive causes . During the 2004 United States presidential election , the band was part of Punkvoter, a political activist group, and appeared on the Rock Against Bush, Vol. 1 compilation. The Rock Against Bush project raised over $ 1 million for then presidential candidate John Kerry . During

2950-602: A strong rapport with Stevenson and Livermore, and the two parties would eventually collaborate on four of next five Rise Against albums. Revolutions per Minute was released on April 8, 2003. Like The Unraveling , it failed to reach any major record charts, but did reach number thirty-five on the Independent Albums chart in the United States. Critics praised the album for its impassioned lyrics and unique blend of hardcore punk and melodic hardcore; Brian Hiatt of Rolling Stone called Revolutions per Minute "easily among

3068-413: A tribute album of Bob Dylan songs produced in February 2012 to commemorate Amnesty International 's 50th anniversary. Rise Against embarked on a two-leg US tour with A Day to Remember and The Menzingers in the spring of 2012. Leg one ended with the band launching another European tour. The band continued back to Europe for the summer months while doing a slew of festivals along the way. To end 2012,

3186-419: Is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture , distribution , marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists , artist financing and maintaining contracts with recording artists and their managers. The term "record label" derives from

3304-485: Is also known for their advocacy of progressivism , supporting organizations such as Amnesty International and the It Gets Better Project . The band actively promotes animal rights and most of the members are straight edge , PETA supporters and vegetarians . Rise Against was formed in 1999, by bassist Joe Principe and guitarist Dan Wleklinski. Before Rise Against, Principe and Wleklinski were members of

3422-411: Is known for their outspoken social commentary , which often permeates their lyrics. Throughout the years, the band has discussed a wide range of topics, including animal rights , economic injustice, environmental disasters , forced displacement , homophobia , and modern warfare. Political corruption is another subject commonly found in their lyrics, and as a result, Rise Against is often labeled as

3540-454: Is often marketed as a "unit" or "division" of the parent label, though in most cases, they operate as pseudonym for it and do not exist as a distinct business operation or separate business structure (although trademarks are sometimes registered). A record label may give a musical act an imprint as part of their branding, while other imprints serve to house other activities, such as side ventures of that label. Music collectors often use

3658-684: Is owned by Sony Group Corporation ). Record labels and music publishers that are not under the control of the big three are generally considered to be independent ( indie ), even if they are large corporations with complex structures. The term indie label is sometimes used to refer to only those independent labels that adhere to independent criteria of corporate structure and size, and some consider an indie label to be almost any label that releases non-mainstream music, regardless of its corporate structure. Independent labels are often considered more artist-friendly. Though they may have less sales power, indie labels typically offer larger artist royalty with

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3776-411: Is the concept of self-reflection. The Unraveling is an early example of this style of songwriting, as the majority of the album's songs focus on friendships and memories. It was not until Revolutions per Minute that McIlrath began to integrate social issues into their music. Despite the grim subject matter, Rise Against songs are often hopeful in nature, a decision the band conscientiously made from

3894-513: The 2008 presidential election , the band members endorsed Barack Obama . In a news bulletin in early 2009, the band stated: "Few things are more exciting than watching Bush finally release America as his eight year hostage." In 2017, McIlrath said: "The Trump administration has made our job really easy because we’ve been trying to point out some of what the right wing tries to get away with—and now they’re not even trying to get away with it. They’re just telling you they’re fucking you!" Following

4012-445: The 2020 election , he commented that "The groundwork that existed to create a candidate like Trump or even to create voters for him was there before he was there, and just because he’s out of office doesn’t mean the problems of the world or in our country suddenly disappear." Following the overturning of Roe v. Wade in 2022, the band issued a statement condemning the decision for how it "only ended safe abortion for people without

4130-624: The Appeal To Reason Tour , which began with United States–based tour with Thrice , Alkaline Trio , and The Gaslight Anthem . Rise Against then co-headlined a 2009 tour with Rancid throughout the summer months, which was followed by a short tour of the United Kingdom in November, supported by the bands Thursday and Poison the Well . Some of the 2009 performances were recorded and compiled in

4248-469: The Canadian Albums Chart , making it the band's first album to chart outside of the United States. It was certified gold in three countries, and platinum by Music Canada . The album was well received by critics, who praised the production value, and noted how Rise Against was able to mature in their sound and simultaneously retain their punk roots. Three songs from The Sufferer &

4366-714: The Durban , Johannesburg and Cape Town legs of RAMFest , where they headlined the festival along with the UK band Bring Me the Horizon . The extensive touring schedule surrounding Endgame took a toll on the band members, and in 2013 they decided to take a year long hiatus. According to Blair: "You're constantly gone. You don't feel like you live anywhere". He also discussed how the other three band members lives had evolved, and were away from their families for months on end. "It's an interesting thing to kind of realize that and kind of get out of

4484-459: The free software and open source movements and the success of Linux . In the mid-2000s, some music publishing companies began undertaking the work traditionally done by labels. The publisher Sony/ATV Music, for example, leveraged its connections within the Sony family to produce, record, distribute, and promote Elliott Yamin 's debut album under a dormant Sony-owned imprint , rather than waiting for

4602-505: The "parent" of any sublabels. Vanity labels are labels that bear an imprint that gives the impression of an artist's ownership or control, but in fact represent a standard artist/label relationship. In such an arrangement, the artist will control nothing more than the usage of the name on the label, but may enjoy a greater say in the packaging of their work. An example of such a label is the Neutron label owned by ABC while at Phonogram Inc. in

4720-558: The 2010 DVD Another Station: Another Mile . These performances were interspersed with interviews of the band members about the process of recording an album. Rise Against finished recording their sixth studio album, Endgame , in January 2011, after recording some last-minute guest vocals. The lyrics of the album focus on real world events, such as Hurricane Katrina and the Deepwater Horizon oil spill . According to McIlrath, although

4838-525: The Bush administration and specific problems of 2006, and I want people to relate to that, even if they're listening to [our music] 10 years from now." Principe noted the band does not attempt to preach their beliefs, but instead encourage listeners to become involved, and learn about pertinent issues affecting society. Not all Rise Against songs discuss controversial topics. More personal stories about broken relationships and forgiveness are common lyrical themes, as

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4956-520: The Chicago punk rock band 88 Fingers Louie . This band toured and recorded to moderate success, but disbanded on two separate occasions in the late 1990s. Following the second breakup, Principe and Wleklinski decided to form a new band called Transistor Revolt, and recruited drummer Tony Tintari, guitarist Kevin White, and lead vocalist Tim McIlrath . Principe met McIlrath in Indianapolis while attending

5074-503: The Counter Culture . The band went into the album with the assumption that Dreamworks was going to drop them at any moment, so they wanted to take advantage of the opportunity by working with their "dream producer". They chose Garth Richardson , who was known for his work with heavier sounding bands like Rage Against the Machine and Sick of It All. While writing songs for the album, Rise Against's lineup once again changed; Mohney quit, and

5192-488: The Counter Culture was praised for its lyrical content, but drew some criticism for a lack of individually memorable songs and perceived overproduction. Three songs from the album were released as singles : " Give It All ", " Swing Life Away ", and "Life Less Frightening". All three songs charted on the Modern Rock Tracks chart in the United States. "Give It All" and "Swing Life Away" in particular are credited as

5310-584: The Counter Culture was released on August 10, 2004. For the first six months, the album sold poorly, and attracted little fanfare. Rise Against's incessant touring resulted in greater exposure and an eventual increase in sales. It became the band's first album to reach the Billboard 200 , peaking at number 136, and was certified gold by the Recording Industry Association of America  (RIAA), denoting shipments of 500,000 copies. Siren Song of

5428-446: The Counter Culture , McIlrath specially mentioned that The Sufferer & the Witness was an attempt to return to Rise Against's punk roots. Corey Apar of AllMusic wrote "[ The Sufferer & the Witness ] is basically one shout-along, mosh-worthy song after another". In early Rise Against songs, McIlrath would often shift between clean vocals and screaming vocals . With the release of Appeal to Reason , Rise Against's music took

5546-405: The Machine , Ramones , Rancid , Refused , Samiam , Gil Scott-Heron , Screeching Weasel , Shades Apart , Sidekick Kato, Sick of It All , Patti Smith , Social Distortion and Touché Amoré . During the early part of its career, Rise Against's music was characterized by a gritty sound described by critics as both hardcore punk and melodic hardcore. The Unraveling accentuated

5664-535: The Modern Rock Tracks chart; "Savior" in particular held the record for the most consecutive weeks spent on both the Hot Rock Songs and Modern Rock Tracks charts, with sixty-three and sixty-five weeks respectively. In the midst of Appeal to Reason 's singles, Rise Against also released three EPs in 2009, including a short split album with Anti-Flag. To promote the album, Rise Against embarked on

5782-456: The UK. At one point artist Lizzie Tear (under contract with ABC themselves) appeared on the imprint, but it was devoted almost entirely to ABC's offerings and is still used for their re-releases (though Phonogram owns the masters of all the work issued on the label). However, not all labels dedicated to particular artists are completely superficial in origin. Many artists, early in their careers, create their own labels which are later bought out by

5900-519: The United States , and features interviews with farmers who are struggling to stay afloat. Rise Against's narrative videos are also usually political in nature. In the video for "Prayer of the Refugee" the band destroys products in a retail store, with intermittent shots of foreign workers making the store products. The goal was for the video to showcase how conventional business models allow for various human rights violations. Some narrative videos follow

6018-546: The United States would typically bear a 4th & B'way logo and would state in the fine print, "4th & B'way™, an Island Records, Inc. company". Collectors discussing labels as brands would say that 4th & B'way is a sublabel or imprint of just "Island" or "Island Records". Similarly, collectors who choose to treat corporations and trademarks as equivalent might say 4th & B'way is an imprint and/or sublabel of both Island Records, Ltd. and that company's sublabel, Island Records, Inc. However, such definitions are complicated by

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6136-464: The United States, and was Rise Against's first album to chart in countries outside of North America. With the release of Appeal to Reason (2008), Rise Against's music shifted toward a more accessible and radio-friendly sound, with greater emphasis on production value. The album's third single, " Savior ", broke the record for the most consecutive weeks spent on both the Hot Rock Songs and Alternative Songs charts. Rise Against's popularity grew with

6254-470: The Witness were released as singles: " Ready to Fall ", " Prayer of the Refugee ", and " The Good Left Undone ". These three songs also charted on the Modern Rock Tracks chart, with "Prayer of the Refugee" and "The Good Left Undone" in particular peaking within the top ten. Rise Against supported the album with The Sufferer & the Witness Tour throughout the second half of 2006 and all of 2007. The band

6372-453: The album Sky Blue Sky when he joined Wilco . Blair was already well acquainted with Stevenson before joining Rise Against, as he and Stevenson were in Only Crime. Stevenson helped Blair replicate the sound of past Rise Against guitarists. Appeal to Reason was released on October 7, 2008. It was the first Rise Against album to be released by Interscope Records . In the United States,

6490-543: The album peaked at number three on the Billboard 200, making it Rise Against's highest-charting album at the time. The album sold 64,000 copies in its first week of release, and by December 2010, it had sold 482,000 copies. Rise Against's popularity continued to grow internationally, with Appeal to Reason charting highly in several countries including number one in Canadian Albums Chart. Appeal to Reason marked

6608-407: The album will sell better if the artist complies with the label's desired requests or changes. At times, the record label's decisions are prudent ones from a commercial perspective, but these decisions may frustrate artists who feel that their art is being diminished or misrepresented by such actions. In other instances, record labels have shelved artists' albums with no intention of any promotion for

6726-482: The album's release, the band put a message on their website inviting listeners to apply the songs' messages to current events, in addition to those on which they were originally based. On May 10, 2011, the band released a 7" split vinyl with Face to Face . The 7" features two songs, with each band covering a song by the other band. In August 2011, Rise Against made appearances at the Reading and Leeds Festivals. The band

6844-511: The announcement of Nowhere Generation on March 17, 2021. Along with "Broken Dreams, Inc" being included on the track list, the band also released the title track as the second single. Additional singles, "The Numbers" and "Talking to Ourselves" were also released prior to the album, which released on June 4, 2021. The band embarked on a US tour in support of the album that summer with the Descendents and The Menzingers as opening acts. This

6962-411: The artist from their contract, leaving the artist in a state of limbo. Artists who have had disputes with their labels over ownership and control of their music have included Taylor Swift , Tinashe , Megan Thee Stallion , Kelly Clarkson , Thirty Seconds to Mars , Clipse , Ciara , JoJo , Michelle Branch , Kesha , Kanye West , Lupe Fiasco , Paul McCartney , and Johnny Cash . In

7080-415: The artist in question. Reasons for shelving can include the label deciding to focus its resources on other artists on its roster, or the label undergoing a restructure where the person that signed the artist and supports the artist's vision is no longer present to advocate for the artist. In extreme cases, record labels can prevent the release of an artist's music for years, while also declining to release

7198-425: The artist is established and has a loyal fan base. For that reason, labels now have to be more relaxed with the development of artists because longevity is the key to these types of pact. Several artists such as Paramore , Maino , and even Madonna have signed such types of deals. A look at an actual 360 deal offered by Atlantic Records to an artist shows a variation of the structure. Atlantic's document offers

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7316-484: The artists may be downloaded free of charge or for a fee that is paid via PayPal or other online payment system. Some of these labels also offer hard copy CDs in addition to direct download. Digital Labels are the latest version of a 'net' label. Whereas 'net' labels were started as a free site, digital labels represent more competition for the major record labels. The new century brought the phenomenon of open-source or open-content record labels. These are inspired by

7434-568: The band Only Crime . At the time he received the call about joining Rise Against, Blair was a construction worker living paycheck to paycheck. McIlrath and Principe had been writing songs for a new album throughout The Sufferer & Witness tour, and in December 2007, the band members went to the Blasting Room to record their fifth studio album Appeal to Reason . This was the third Rise Against album to be produced by Stevenson and Livermore, and

7552-723: The band announced the return to the US with a fall tour with Gaslight Anthem and Hot Water Music . The tour included two shows in Arizona, which the band had not played since 2009 due to the Sound Strike . On January 2, 2013, vocalist Tim McIlrath told Rolling Stone that Rise Against was "focusing on recharging [their] batteries" after two years of touring in support of Endgame . In March 2013, Rise Against played their first ever performances on African soil when they performed in South Africa for

7670-499: The band due to several complaints from McIlrath. Rumor spread that Wleklinski was fired because of his long hair, although McIlrath derided these claims. Phillip Hill stood in as the lead guitarist while on tour, after which White returned as a replacement. Less than a year later, White left the band for a second time, and was replaced by Todd Mohney, McIlrath's roommate and former bandmate. When it came time to record their second album, Revolutions per Minute , McIlrath noted that

7788-446: The band is known for their outspoken social commentary , covering a wide range of topics such as political injustice, animal rights , humanitarianism , and environmentalism . The band spent its first four years signed to the independent record label Fat Wreck Chords , on which they released two studio albums, The Unraveling (2001) and Revolutions per Minute (2003). Both the albums were met with underground success, and in 2003

7906-489: The band members had grown accustomed to the duo's work style. According to McIlrath: "[Stevenson's] got such a work ethic, just an amazing work ethic, and Livermore too, and the whole studio, all the people that work there." Blair went into the album with the goal to fit in seamlessly with the other band members, or as he put it "If you listen to every record this band had out, you could tell that Zach Blair played on this record". He took influence from how Nels Cline sounded on

8024-575: The band members liked them. Tintari suggested Rise Against, to which the band agreed upon. After signing with Fat Wreck Chords, Tintari and White left the band. The remaining members then spent the next few months looking for another drummer capable of playing double-time beats at a rapid pace. During this period, the band Good Riddance found their new drummer, and sent Rise Against the audition tape of their number two choice, Brandon Barnes . A mutual friend gave Barnes' phone number to Principe, and after listening to Transistor Revolt , Barnes accepted

8142-461: The band posted a new mysterious website which appeared to show a cryptic tracklist, song length and an announcement date "4.20.2017" for the new album. On April 20, 2017, Rise Against announced the title of their new album Wolves which was released on June 9, 2017, via Virgin Records . The album's lead single, " The Violence ", was released on April 20, 2017. To promote the album, the band announced

8260-508: The band released a cover of the Bob Dylan song " Ballad of Hollis Brown " as part of a benefit for Amnesty International . In addition to being vegetarians, all the members of Rise Against, with the exception of Brandon Barnes, are straight edge ; that is, they refrain from consuming alcohol or using drugs. After they endorsed a "completely vegan " line of Vans shoes in May 2007, the band released

8378-404: The band signed with the major label Dreamworks , which was absorbed by Geffen . Rise Against's major label debut Siren Song of the Counter Culture (2004) brought the band mainstream success, largely in part to the popularity of the singles " Give It All " and " Swing Life Away ". The band's next album, The Sufferer & the Witness (2006), peaked at number ten on the Billboard 200 in

8496-527: The band was suffering from an "identity crisis". Fat Wreck Chords was known for a specific pop punk sound, and Rise Against wanted to find a producer that could highlight the heavier side of their music. They decided on Bill Stevenson —the former drummer of the punk band Descendents —and Jason Livermore to produce the album. Revolutions per Minute was recorded at the Blasting Room in Fort Collins , from November to December 2002. The band members developed

8614-418: The band's breakthrough singles, helping Rise Against achieve mainstream appeal. After a year and a half of touring, Rise Against reconvened at the Blasting Room to record their fourth album, The Sufferer & the Witness . The band members were dissatisfied with Richardson's contributions to Siren Song of the Counter Culture , as he produced a more polished and heavier album than their previous works. As

8732-506: The band's invitation. With their new lineup finalized, Rise Against began work on their debut studio album , The Unraveling . Recording sessions took place in late 2000, at Sonic Iguana Studios in Lafayette . Wleklinski served as an assistant engineer under producer Mass Giorgini , and later remarked on the grueling workdays: "12-hour days for 4 of those weeks, and then 22 to 24 hours per day during that last week of tracking. These were

8850-424: The bubble, get out of the bus, and go 'Oh, geez, we actually have lives outside of what we do.'" In January 2014, the band members reconvened at the Blasting Room to record Rise Against's seventh album The Black Market . The band members used new recording techniques, such as greater usage of analog signals on a Kemper amplifier , and an Evertune bridge to keep the guitars in tune. As McIlrath put it: "I want

8968-533: The chart. The Black Market was an international success, in particular in Canada, where it became Rise Against's third consecutive album to reach number one. Reviews were generally positive; critics praised the more introspective lyrics, but often bemoaned the music as formulaic and stale. To promote the album, Rise Against toured throughout 2014 and 2015 with several other rock bands, such as Emily's Army , Touché Amoré , and Killswitch Engage . On April 18, 2017,

9086-650: The circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry , recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists , who assist performers in gaining positive media coverage, and arrange for their merchandise to be available via stores and other media outlets. Record labels may be small, localized and " independent " ("indie"), or they may be part of

9204-403: The company. Some independent labels become successful enough that major record companies negotiate contracts to either distribute music for the label or in some cases, purchase the label completely, to the point where it functions as an imprint or sublabel. A label used as a trademark or brand and not a company is called an imprint , a term used for a similar concept in publishing . An imprint

9322-400: The corporate mergers that occurred in 1989 (when Island was sold to PolyGram) and 1998 (when PolyGram merged with Universal). PolyGram held sublabels including Mercury, Island and Motown. Island remained registered as corporations in both the United States and UK , but control of its brands changed hands multiple times as new companies were formed, diminishing the corporation's distinction as

9440-416: The early days of the recording industry, recording labels were absolutely necessary for the success of any artist. The first goal of any new artist or band was to get signed to a contract as soon as possible. In the 1940s, 1950s, and 1960s, many artists were so desperate to sign a contract with a record company that they sometimes ended up signing agreements in which they sold the rights to their recordings to

9558-512: The end of their contract with EMI when their album In Rainbows was released as a " pay what you want " sales model as an online download, but they also returned to a label for a conventional release. Research shows that record labels still control most access to distribution. Computers and internet technology led to an increase in file sharing and direct-to-fan digital distribution, causing music sales to plummet in recent years. Labels and organizations have had to change their strategies and

9676-407: The final half of their tour, including a stop at CBGB's . In the last Arma Angelus concert, (which also had Fall Out Boy billed) Patrick Stump played drums, Pete Wentz sang and Trohman played guitar, along with Adam Bishop, and Christopher Gutierrez on bass guitar. AllMusic described the band's style as "dark and metallic hardcore ". Heather Weil of Verbicide Magazine stated the band "is one of

9794-577: The finest punk records of the past decade". To support the album, Rise Against traveled with other Fat Wreck Chord bands like Anti-Flag , None More Black , and No Use for a Name on North American and Japan based tours, and participated in the 2003 Warped Tour in North America. When asked about the band's early years with Fat Wreck Chords, Principe said: "Our goal was to be on Fat Wreck Chords and just sell enough records so that when we were home from tour, we wouldn't have to get jobs...Of course, that

9912-520: The future of the band. Despite these early issues, they were able to self-publish the extended play (EP) Transistor Revolt in 2000. The EP attracted the attention of the local punk community, as well as Fat Mike , the lead vocalist of NOFX and co-founder of the independent record label Fat Wreck Chords . Fat Mike offered to sign the band to a recording contract , with the stipulation that they change their name. He gave some suggestions, like Jimmy Cracked Corn And The I Don't Cares, although none of

10030-552: The handful of metal-influenced hardcore bands that actually know what they’re doing, and how to pull it off". Under the Gun reviews described their sound as "Sending out posi vibes to kids fighting in the crowd during the band’s last set, Pete screams his sober heart out while Joe Trohman filled in on guitar and Patrick Stump took role of drummer". In reference to their sole studio album, TeethOfTheDevine.com said that "Where most bands in this space use death and thrash metal devices to create

10148-509: The longevity of the Rise Against. He explained that the band members grew as musicians, and wanted to challenge themselves with new musical directions. For example, at the insistence of Blair, Rise Against began to incorporate more guitar solos into their music. McIlrath's screaming vocals became less prevalent in Appeal to Reason , a trend that would continue in subsequent albums. Rise Against

10266-455: The lyrics discuss grim topics, they actually take on a positive view and were written from the perspective of: "What if the place on the other side of this transition is a place we'd all rather be living in?" On January 12, 2011, Rise Against announced the release date of Endgame as March 15, 2011. Although Spin Magazine labeled Endgame as a concept album , on January 7, 2011, McIlrath tweeted

10384-725: The major divisions of EMI were sold off separately by owner Citigroup : most of EMI's recorded music division was absorbed into UMG; EMI Music Publishing was absorbed into Sony/ATV Music Publishing; finally, EMI's Parlophone and Virgin Classics labels were absorbed into Warner Music Group (WMG) in July 2013. This left the so-called Big Three labels. In 2020 and 2021, both WMG and UMG had their IPO with WMG starting trading at Nasdaq and UMG starting trading at Euronext Amsterdam and leaving only Sony Music as wholly-owned subsidiary of an international conglomerate ( Sony Entertainment which in turn

10502-433: The major labels (two examples are American singer Frank Sinatra 's Reprise Records , which has been owned by Warner Music Group for some time now, and musician Herb Alpert 's A&M Records , now owned by Universal Music Group). Similarly, Madonna 's Maverick Records (started by Madonna with her manager and another partner) was to come under control of Warner Music when Madonna divested herself of controlling shares in

10620-537: The majors had a collective global market share of some 65–70%. Record labels are often under the control of a corporate umbrella organization called a "music group ". A music group is usually affiliated to an international conglomerate " holding company ", which often has non-music divisions as well. A music group controls and consists of music-publishing companies, record (sound recording) manufacturers, record distributors, and record labels. Record companies (manufacturers, distributors, and labels) may also constitute

10738-827: The members stated that "the goal of Arma Angelus was to express and stimulate discourse within the punk and hardcore community and to express our distaste for apathy and uncaring, which we felt had become ideals with in the community" They have cited Damnation A.D. as their biggest influence. Final Line-Up Former members Unable to compile EasyTimeline input: Timeline generation failed: 2 errors found Line 52: bar:Chris from:01/02/2002 till:end color:uv width 3 till:01/01/1999 color:dr - Invalid attribute '3' ignored. Line 52: bar:Chris from:01/02/2002 till:end color:uv width 3 till:01/01/1999 color:dr - Invalid attribute 'width' ignored. Studio albums Extended plays Guest appearances This article on

10856-433: The music videos for "Ready to Fall", "Re-Education (Through Labor)", " Ballad of Hollis Brown ", and "I Don't Want to Be Here Anymore". These videos juxtapose footage of the band playing the song and footage of a certain societal issue such as gun violence or animal abuse, overlaid with damning facts about the issue. For example, the video "Ballad of Hollis Brown" is about the dangers of industrialized farming and poverty in

10974-507: The output of recording sessions. For established artists, a label is usually less involved in the recording process. The relationship between record labels and artists can be a difficult one. Many artists have had conflicts with their labels over the type of sound or songs they want to make, which can result in the artist's artwork or titles being changed before release. Other artists have had their music prevented from release, or shelved. Record labels generally do this because they believe that

11092-543: The record label in perpetuity. Entertainment lawyers are usually employed by artists to discuss contract terms. Due to advancing technology such as the Internet , the role of labels is rapidly changing, as artists are able to freely distribute their own material through online radio , peer-to-peer file sharing such as BitTorrent , and other services, at little to no cost, but with correspondingly low financial returns. Established artists, such as Nine Inch Nails , whose career

11210-552: The record when it's done, not to try and meet some deadline." New music began to be released in 2020, when the band collaborated with DC comics on the Dark Nights: Death Metal series. The band released a new song called " Broken Dreams, Inc " as the first single for the comic book storyline's soundtrack. News of a new Rise Against album began to surface in early 2021 when the band began posting cryptic videos on their social media accounts. These videos eventually lead to

11328-399: The release of Endgame (2011), which peaked at number two on the Billboard 200, and charted highly worldwide. The band's seventh and eighth albums, The Black Market (2014) and Wolves (2017) continued the trend of commercial success, and both peaked with the top ten on the Billboard 200. Their ninth and most recent album, Nowhere Generation , was released in 2021. Rise Against

11446-405: The resources to travel; disproportionately non-white working class communities." Current members Former members Major label [REDACTED] [REDACTED] [REDACTED] "Big Three" music labels A record label or record company is a brand or trademark of music recordings and music videos , or the company that owns it. Sometimes, a record label

11564-469: The salaries of certain tour and merchandise sales employees hired by the artist. In addition, the label also offers the artist a 30 percent cut of the label's album profits—if any—which represents an improvement from the typical industry royalty of 15 percent. With the Internet now being the dominant source for obtaining music, netlabels have emerged. Depending on the ideals of the net label, music files from

11682-418: The same belief, but eventually came to the conclusion that unlike other labels, DreamWorks supported their politically charged lyrics. According to McIlrath: "Their faith in what we do and the fact that they cared about stuff we cared about was an eye-opener." The band signed with Dreamworks in September 2003, and was given complete creative control to record their major record label debut album, Siren Song of

11800-419: The selling price of the recordings. Contracts may extend over short or long durations, and may or may not refer to specific recordings. Established, successful artists tend to be able to renegotiate their contracts to get terms more favorable to them, but Prince 's much-publicized 1994–1996 feud with Warner Bros. Records provides a strong counterexample, as does Roger McGuinn 's claim, made in July 2000 before

11918-476: The snare and kick of the drums. Likewise, drummer Barnes follows the guitars, stating: "Sometimes I'll do it naturally, or we'll talk about different ways to accent things - fills from the snare or toms, or some big crashes." The band members have noted the influence of several punk bands, in particular Black Flag and Minor Threat . In a 2006 interview with Punknews , McIlrath commented: "We're emulating Minor Threat and Black Flag. Who knows, maybe if Ian MacKaye

12036-503: The song's lyric thread, such as in the Hurricane Katrina –based video for "Help Is on the Way", while other videos are used to enforce the song's message, such as the band's anti-homophobic stance in the "Make It Stop (September's Children)" video. Discussing the "Ready to Fall" video and need for politicized music videos, McIlrath said: "We looked at it from the perspective of hijacking the airwaves. If they're gonna give us three and

12154-458: The songs just flowed out of us. There were really few questions and the song lyrics would just come out of us, it went really well and everyone really liked them." The Sufferer & the Witness was released on July 4, 2006. The album sold 48,327 copies in its first week of release in the United States, and peaked at number ten on the Billboard 200. The Sufferer & the Witness also charted in seven other countries, including number five on

12272-414: The songs to feel a certain way. I want the songs to hit the guy and the girl who don't really care about guitar tones." The Black Market was released on July 15, 2014. In the United States, the album entered at number three on the Billboard 200 and sold 53,000 copies in its first week. It was their fourth consecutive album to debut within the top ten on the Billboard 200, and it spent eleven weeks on

12390-419: The tag ' protest music ' or 'political punk rock'". He also noted how the band's lyrics discuss these topics in general terms, instead of delving into the specifics. In a 2006 interview, McIlrath said: "I think that a lot of the problems we deal with today in the world are the ones that have been plaguing society for centuries and probably will be here a hundred years from now...There's a bigger picture than just

12508-400: The term sublabel to refer to either an imprint or a subordinate label company (such as those within a group). For example, in the 1980s and 1990s, 4th & B'way Records (pronounced as "Broadway") was a trademarked brand owned by Island Records Ltd. in the UK and by a subordinate branch, Island Records, Inc., in the United States. The center label on a 4th & Broadway record marketed in

12626-455: The times of 'If you don't play it right, you have to play it again,' not 'That was good enough, I'll edit it so it's on time." The Unraveling was released on April 24, 2001. Although the album failed to reach any record charts , it did receive positive reviews from critics, who commended the raw and unadulterated music. To promote the album, Rise Against toured extensively throughout North America and Europe. While on tour, Wleklinski left

12744-427: The very beginning. Will Rausch of PopMatters wrote: "Unlike typical emo rants filled with despondency and arm chair philosophy, [Rise Against] songs deal with the reality that life sucks, but we must move on." Rise Against will often produce an accompanying music video for a single. These videos typically either tell a narrative or feature documentary-like footage. This documentary style of filming can be seen in

12862-433: The way they work with artists. New types of deals called "multiple rights" or "360" deals are being made with artists, where labels are given rights and percentages to artist's touring, merchandising, and endorsements . In exchange for these rights, labels usually give higher advance payments to artists, have more patience with artist development, and pay higher percentages of CD sales. These 360 deals are most effective when

12980-501: Was a headliner on the 2006 Warped Tour, during which author and filmmaker Davy Rothbart recorded several of the band's live performances, and interviewed some of their fans. This footage was used in the Rise Against DVD documentary Generation Lost . Prior to a 2007 tour with My Chemical Romance , Chasse left the band, citing touring fatigue as the reason for his departure; his role was filled shortly thereafter by Zach Blair of

13098-493: Was all before we had families and children and numerous responsibilities. That was the beauty. And then the longer we did it things just kept coming our way." Rise Against's extensive touring schedule helped to establish an early fanbase, and attracted the attention of major record labels, including Dreamworks Records . The general consensus among Fat Wreck Chords musicians was that major record labels sacrifice musical integrity in exchange for commercial profit. Rise Against held

13216-542: Was announced alongside the release of the single "Last Man Standing" on June 6, 2022, with the EP releasing four days later. Critics have described Rise Against's musical style as punk rock , hardcore punk and melodic hardcore . The band's songs emphasize melody , catchy hooks , aggressive movements , and rapid-paced tempo . Guitarists McIlrath and Blair focus on speed riffing and multi-layered choruses , while bassist Principe uses aggressive picking to lock in with

13334-455: Was developed with major label backing, announced an end to their major label contracts, citing that the uncooperative nature of the recording industry with these new trends is hurting musicians, fans and the industry as a whole. However, Nine Inch Nails later returned to working with a major label, admitting that they needed the international marketing and promotional reach that a major label can provide. Radiohead also cited similar motives with

13452-406: Was followed by multiple 2022 tours with Billy Talent , The Used , Senses Fail , Pennywise , and Stick To Your Guns . During the recording process for Nowhere Generation , Rise Against wrote a total of sixteen songs, but only included eleven of them on the album. The remaining five were eventually released in 2022 as Nowhere Generation II ; an EP that acts as a continuation of the album. It

13570-570: Was replaced by Chris Chasse of the band Reach the Sky . The recording sessions for Siren Song of the Counter Culture were marred by numerous distractions and inconveniences, the biggest of which was the transition from Dreamworks to Geffen Records . In November 2003, Dreamworks was acquired by Universal Music Group , and eventually merged with Geffen. The transition period between labels left Rise Against without an A&R representative, and little acknowledgement from Geffen executives. Siren Song of

13688-538: Was the main support act for the Foo Fighters ' fall US tour 2011. Rise Against supported the Foo Fighters on nine dates in September, with Mariachi El Bronx as the opening act. After this, the band announced a tour of Canada throughout October 2011, supported by Flogging Molly and Black Pacific . The tour consisted of nine dates. Rise Against contributed a cover of " Ballad of Hollis Brown " to Chimes of Freedom ,

13806-454: Was to feature the detonation of busts of the forty-three United States Presidents on a plot of farmland, was prohibited by the farm's board of directors for "anti-government themes". Their video for the single " Ready to Fall " contains footage of factory farming, rodeos, and sport hunting, as well as deforestation, melting ice caps, and forest fires. The group has called the video the most important video they have ever made. In February 2012,

13924-730: Was wearing eyeliner then I would be." Other bands that have influenced Rise Against include 7 Seconds , AFI , Bad Brains , Bad Religion , Berri Txarrak , Bikini Kill , Cave In , the Clash , Coalesce , Crosby, Stills, Nash & Young , the Cure , Dead Kennedys , Desaparecidos , Descendents , Down by Law , Echo & the Bunnymen , Earth Crisis , Face to Face , Flobots , Fugazi , Guns N' Roses , Ignite , Jawbreaker , Los Crudos , Janelle Monáe , NOFX , Pennywise , Propagandhi , Public Enemy , Quicksand , Rage Against

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