Misplaced Pages

#914085

53-508: Born in the Pitti Palace in Florence , Tuscany , he was the youngest son of Emperor Leopold II and Maria Louisa of Spain . In 1803 or 1804, Rudolph began taking lessons in piano and composition from Ludwig van Beethoven . The two became friends, and Rudolph became a supporter and patron of Beethoven; their meetings continued until 1824. Beethoven dedicated 14 compositions to Rudolph, including

106-400: A corps de logis ( French pronunciation: [kɔʁ də lɔʒi] ) is the principal or main block, or central building of a mansion , country or manor house , castle , or palace . It contains the rooms of principal business, the state apartments and the ceremonial or formal entry. The grandest and finest rooms within the corps de logis are often found not at grade level, but on

159-479: A collection of mid-20th century costume jewellery . The Sala Meridiana originally sponsored a functional solar meridian instrument, built into the fresco decoration by Anton Domenico Gabbiani . This ground floor museum exhibits carriages and other conveyances used by the Grand Ducal court mainly in the late 18th and 19th century. The extent of the exhibition prompted one visitor in the 19th century to wonder, "In

212-468: A collection of small biscuit figurines . Situated in a wing known as the " Palazzina della Meridiana  [ it ] ", this gallery contains a collection of theatrical costumes dating from the 16th century until the present. It is also the only museum in Italy detailing the history of Italian fashions. One of the newer collections to the palazzo, it was founded in 1983 by Kirsten Aschengreen Piacenti ;

265-501: A fountain centered on the axis; it was later replaced by the Fontana del Carciofo ("Fountain of the Artichoke"), designed by Giambologna 's former assistant, Francesco Susini , and completed in 1641. In 1616, a competition was held to design extensions to the principal urban façade by three bays at either end. Giulio Parigi won the commission; work on the north side began in 1618, and on

318-696: A suite of fourteen rooms, the Meridiana apartments, were completed in 1858. In addition to theatrical costumes, the gallery displays garments worn between the 18th century and the present day. Some of the exhibits are unique to the Palazzo Pitti; these include the 16th-century funeral clothes of Grand Duke Cosimo I de' Medici , and his wife Eleonora of Toledo and their son Garzia , both of whom died of malaria . Their bodies would have been displayed in state wearing their finest clothes, before being reclad in plainer attire before interment . The gallery also exhibits

371-738: The Archduke Trio , the Hammerklavier Sonata , the Emperor Concerto and the Missa Solemnis . Piano Sonata No. 26 - Les Adieux ("The Farewells") was gifted to Rudolf just before his flight from Vienna with the imperial family on the occasion of the 1809 invasion by Napoleon . The movements are "Lebewohl", "Abwesenheit", and "Wiedersehen" ('farewell', 'absence', and 'reunion'). Rudolph dedicated one of his own compositions to Beethoven. The letters Beethoven wrote to Rudolph are today kept at

424-628: The Gesellschaft der Musikfreunde in Vienna. Franz Schubert and Ferdinand Ries also dedicated works to Rudolf. On 24 March 1819, aged 31, Rudolph was appointed Archbishop of Olomouc in the present day Czech Republic but then known as Olmütz which was part of the Austrian Empire . He was made Cardinal-Priest of the titular church of S. Pietro in Montorio by Pope Pius VII on 4 June 1819. He

477-701: The Gesellschaft der Musikfreunde . He died on 24 July 1831 of a cerebral hemorrhage in Baden bei Wien at the age of 43 and was interred in the Imperial Crypt in Vienna ; his heart was buried in the crypt in Saint Wenceslas Cathedral in Olomouc. Rudolph of Austria never married and had no children. Pitti Palace The Palazzo Pitti ( Italian: [paˈlattso ˈpitti] ), in English sometimes called

530-676: The King of the Two Sicilies , and Archbishops and other Florentine dignitaries. Today, transformed from a royal palace to a museum, the Palazzo Pitti is owned by the Italian state. Once under the management of the Polo Museale Fiorentino, an institution which administered twenty museums, since 2015 it has been a department of the Gallerie degli Uffizi , as a separate and independent structure within

583-514: The Macchiaioli movement and other modern Italian schools of the late 19th and early 20th centuries. The pictures by the Macchiaioli artists are of particular note, as this school of 19th-century Tuscan painters led by Giovanni Fattori were early pioneers and the founders of the impressionist movement. The title "gallery of modern art" to some may sound incorrect, as the art in the gallery covers

SECTION 10

#1732863322915

636-675: The Ministry of Culture , and has ultimate responsibility for 250,000 catalogued works of art. In spite of its metamorphosis from royal residence to a state-owned public building, the palazzo, sitting on its elevated site overlooking Florence, still retains the air and atmosphere of a private collection in a grand house. This is to a great extent due to the Amici di Palazzo Pitti (Friends of the Palazzo Pitti), an organisation of volunteers and patrons founded in 1996, which raises funds and makes suggestions for

689-565: The Pitti Palace , is a vast, mainly Renaissance , palace in Florence , Italy . It is situated on the south side of the River Arno , a short distance from the Ponte Vecchio . The core of the present palazzo dates from 1458 and was originally the town residence of Luca Pitti , an ambitious Florentine banker. The palace was bought by the Medici family in 1549 and became the chief residence of

742-473: The 19th century. They contain a collection of Medici portraits, many of them by the artist Giusto Sustermans . In contrast to the great salons containing the Palatine collection, some of these rooms are much smaller and more intimate, and, while still grand and gilded, are more suited to day-to-day living requirements. Period furnishings include four-poster beds and other necessary furnishings not found elsewhere in

795-607: The Boboli Gardens. The porcelain is from many of the most notable European porcelain factories, with Sèvres porcelain and Meissen porcelain being well represented. Many items in the collection were gifts to the Florentine rulers from other European sovereigns, while other works were specially commissioned by the grand ducal court. Of particular note are several large dinner services by the Vincennes factory, later renamed Sèvres, and

848-478: The Florentine banker Luca Pitti (1398–1472), a principal supporter and friend of Cosimo de' Medici . The early history of the Palazzo Pitti is a mixture of fact and myth. Pitti is alleged to have instructed that the windows be larger than the entrance of the Palazzo Medici . The 16th-century art historian Giorgio Vasari proposed that Brunelleschi was the palazzo's architect , and that his pupil Luca Fancelli

901-427: The Florentine love of the new style all'antica . This original design has withstood the test of time: the repetitive formula of the façade was continued during the subsequent additions to the palazzo, and its influence can be seen in numerous 16th-century imitations and 19th-century revivals. Work stopped after Pitti suffered financial losses following the death of Cosimo de' Medici in 1464. Luca Pitti died in 1472 with

954-522: The Grand Dukes (Tesoro dei Granduchi), formerly called the Silver Museum (Museo degli Argenti), contains a collection of priceless silver, cameos , and works in semi-precious gemstones , many of the latter from the collection of Lorenzo de' Medici , including his collection of ancient vases, many with delicate silver gilt mounts added for display purposes in the 15th century. These rooms, formerly part of

1007-451: The Italian people by King Victor Emmanuel III in 1919. The palazzo is now the largest museum complex in Florence. The principal palazzo block, often in a building of this design known as the corps de logis , is 32,000 square metres. It is divided into several principal galleries or museums detailed below. The construction of this severe and forbidding building was commissioned in 1458 by

1060-625: The Palazzo Vecchio. It was not until the reign of Eleonora's son Francesco I and his wife Johanna of Austria that the palazzo was occupied on a permanent basis and became home to the Medicis' art collection. Land on the Boboli hill at the rear of the palazzo was acquired in order to create a large formal park and gardens, today known as the Boboli Gardens . The landscape architect employed for this

1113-526: The Parisian palais of Marie de' Medici , the Luxembourg . In the principal façade Ammanati also created the finestre inginocchiate ("kneeling" windows, in reference to their imagined resemblance to a prie-dieu , a device of Michelangelo 's), replacing the entrance bays at each end. During the years 1558–70, Ammanati created a monumental staircase to lead with more pomp to the piano nobile , and he extended

SECTION 20

#1732863322915

1166-560: The Sala della Stufa with a series depicting the Four Ages of Man which were very well received; the Age of Gold and Age of Silver were painted in 1637, followed in 1641 by the Age of Bronze and Age of Iron . They are regarded among his masterpieces. The artist was subsequently asked to fresco the grand ducal reception rooms; a suite of five rooms at the front of the palazzo. In these five Planetary Rooms,

1219-405: The amusement of the cultivated Medici court, they featured elaborate sets designed by the court architect Baldassarre Lanci . With the garden project well in hand, Ammanati turned his attentions to creating a large courtyard immediately behind the principal façade, to link the palazzo to its new garden. This courtyard has heavy-banded channelled rustication that has been widely copied, notably for

1272-579: The building unfinished. The building was sold in 1549 to Eleonora di Toledo . Raised at the luxurious court of Naples , Eleonora was the wife of Cosimo I de' Medici of Tuscany, later the Grand Duke. On moving into the palace, Cosimo had Vasari enlarge the structure to fit his tastes; the palace was more than doubled by the addition of a new block along the rear. Vasari also built the Vasari Corridor , an above-ground walkway from Cosimo's old palace and

1325-518: The cycle by the 1660s. They were to inspire the later Planet Rooms at Louis XIV 's Palace of Versailles , designed by Charles Le Brun . The collection was first opened to the public in the late 18th century, albeit rather reluctantly, by Grand Duke Leopold I , Tuscany's first enlightened ruler, keen to obtain popularity after the demise of the Medici. The Palatine Gallery has 28 rooms, among them: The Royal Apartments include 14 rooms. Their decoration

1378-457: The edge. The palazzo remained the principal Medici residence until Gian Gastone de' Medici, Grand Duke of Tuscany , the last of the male Medici line, died in 1737. It was then occupied briefly by his sister, the elderly Electress Palatine ; on her death, the Medici dynasty became extinct and the palazzo passed to the new Grand Dukes of Tuscany , the Austrian House of Habsburg-Lorraine , in

1431-524: The first home of the newly formed "Modern Art Museum". Following the Risorgimento and the expulsion of the grand ducal family from the palazzo, all the grand ducal modern art works were brought together under one roof in the newly titled "Modern gallery of the Academy". The collection continued to expand, particularly so under the patronage of Victor Emmanuel II. However it was not until 1922 that this gallery

1484-511: The first or even the second floor above. This floor is often referred to as the Italian piano nobile , the French bel étage , or the German beletage . The corps de logis is usually flanked by lower, secondary wings, such as the barchesse of Venetian villas. When the secondary wings form a three sided courtyard, the courtyard is known as the cour d'honneur , as opposed to a quadrangle when

1537-412: The gallery is still that of a private collection, and the works of art are displayed and hung much as they would have been in the grand rooms for which they were intended rather than following a chronological sequence, or arranged according to school of art. The finest rooms were decorated by Pietro da Cortona in the high baroque style. Initially Cortona frescoed a small room on the piano nobile called

1590-421: The gardens is the bizarre grotto designed by Bernardo Buontalenti . The lower façade was begun by Vasari but the architecture of the upper storey is subverted by "dripping" pumice stalactites with the Medici coat of arms at the centre. The interior is similarly poised between architecture and nature; the first chamber has copies of Michelangelo 's four unfinished slaves emerging from the corners which seem to carry

1643-551: The hierarchical sequence of the deities is based on Ptolomeic cosmology ; Venus, Apollo, Mars, Jupiter (the Medici Throne room) and Saturn, but minus Mercury and the Moon which should have come before Venus. These highly ornate ceilings with frescoes and elaborate stucco work essentially celebrate the Medici lineage and the bestowal of virtuous leadership. Cortona left Florence in 1647, and his pupil and collaborator, Ciro Ferri , completed

Archduke Rudolf of Austria - Misplaced Pages Continue

1696-469: The main gallery of Palazzo Pitti, contains a large ensemble of over 500 principally Renaissance paintings , which were once part of the Medicis' and their successors' private art collection. The gallery, which overflows into the royal apartments, contains works by Raphael , Titian , Perugino ( Lamentation over the Dead Christ ), Correggio , Peter Paul Rubens , and Pietro da Cortona . The character of

1749-455: The name of all that is extraordinary, how can they find room for all these carriages and horses". Some of the carriages are highly decorative, being adorned not only by gilt but by painted landscapes on their panels. Those used on the grandest occasions, such as the "Carrozza d'Oro" (golden carriage), are surmounted by gilt crowns which would have indicated the rank and station of the carriage's occupants. Other carriages on view are those used by

1802-500: The ongoing maintenance of the palazzo and the collections, and for the continuing improvement of their visual display. The Königsbau wing ('King's building / den') of the Munich Residenz , the former royal palace in the capital of Bavaria , was modelled after the Palazzo Pitti. 43°45′55″N 11°15′00″E  /  43.7652°N 11.2501°E  / 43.7652; 11.2501 Corps de logis In architecture ,

1855-516: The original palazzo would have been no rival to the Florentine Medici residences in terms of either size or content. Whoever the architect of the Palazzo Pitti was, he was moving against the contemporary flow of fashion. The rusticated stonework gives the palazzo a severe and powerful atmosphere, reinforced by the three-times-repeated series of seven arch-headed apertures, reminiscent of a Roman aqueduct . The Roman -style architecture appealed to

1908-404: The palazzo to the nation in 1919. The palazzo and other buildings in the Boboli Gardens were then divided into five separate art galleries and a museum, housing not only many of its original contents, but priceless artefacts from many other collections acquired by the state. The 140 rooms open to the public are part of an interior, which is in large part a later product than the original portion of

1961-502: The palazzo. The Kings of Italy last used the Palazzo Pitti in the 1920s. By that time it had already been converted to a museum, but a suite of rooms in the Meridian wing (now the Gallery of Modern Art) was reserved for them when visiting Florence officially. This gallery originates from the remodeling of the Florentine academy in 1748, when a gallery of Modern Art was established. The gallery

2014-476: The period from the 18th to the early 20th century. No examples of later art are included in the collection since in Italy, "modern art" refers to the period before World War II; what has followed is generally known as "contemporary art" ( arte contemporanea ). In Tuscany this art can be found at the Centro per l'arte contemporanea Luigi Pecci at Prato , a city about 15 km (9 mi) from Florence. The Treasury of

2067-613: The person of Francis III . The Austrian tenancy was briefly interrupted by Napoleon , who used the palazzo during his period of control over Italy. When Tuscany passed from the House of Habsburg-Lorraine to the House of Savoy in 1860, the Palazzo Pitti was included. After the Risorgimento , when Florence was briefly the capital of the Kingdom of Italy , Victor Emmanuel II resided in the palazzo until 1871. His grandson, Victor Emmanuel III , presented

2120-471: The private royal apartments, are decorated with 17th-century frescoes , the most splendid being by Giovanni da San Giovanni , from 1635 to 1636. The Silver Museum also contains a fine collection of German gold and silver artefacts purchased by Grand Duke Ferdinand III after his return from exile in 1815, following the French occupation. First opened in 1973, this museum is housed in the Casino del Cavaliere in

2173-477: The red brocade on the walls and by the Japanese and Chinese vases (17th–18th century). The Blue Room contains collected furniture (17th–18th century) and the portraits of members of the Medici family painted by Sustermans (1597–1681). This is a suite of 14 rooms, formerly used by the Medici family, and lived in by their successors. These rooms have been largely altered since the era of the Medici, most recently in

Archduke Rudolf of Austria - Misplaced Pages Continue

2226-501: The ruling families of the Grand Duchy of Tuscany . It grew as a great treasure house as later generations amassed paintings, plates, jewelry and luxurious possessions. The Medici added the Boboli Gardens to the palace estate. In the late 18th century, the palazzo was used as a power base by Napoleon and later served for a brief period as the principal royal palace of the newly united Italy . The palace and its contents were donated to

2279-506: The seat of government, the Palazzo Vecchio , through the Uffizi , above the Ponte Vecchio to the Palazzo Pitti. This enabled the Grand Duke and his family to move easily and safely from their official residence to the Palazzo Pitti. Initially the Palazzo Pitti was used mostly for lodging official guests and for occasional functions of the court, while the Medicis' principal residence remained

2332-491: The south side in 1631 by Alfonso Parigi . During the 18th century, two perpendicular wings were constructed by the architect Giuseppe Ruggeri to enhance and stress the widening of via Romana, which creates a piazza centered on the façade, the prototype of the cour d'honneur that was copied in France. Sporadic lesser additions and alterations were made for many years thereafter under other rulers and architects. To one side of

2385-476: The structure, mostly created in two phases, one in the 17th century and the other in the early 18th century. Some earlier interiors remain, and there are still later additions such as the Throne Room. In 2005 the surprise discovery of forgotten 18th-century bathrooms in the palazzo revealed remarkable examples of contemporary plumbing very similar in style to the bathrooms of the 21st century. The Palatine Gallery,

2438-428: The vault with an open oculus at its centre and painted as a rustic bower with animals, figures and vegetation. Figures, animals and trees made of stucco and rough pumice adorn the lower walls. A short passage leads to a small second chamber and to a third which has a central fountain with Giambologna's Venus in the centre of the basin, peering fearfully over her shoulder at the four satyrs spitting jets of water at her from

2491-447: The wings on the garden front that embraced a courtyard excavated into the steeply sloping hillside at the same level as the piazza in front, from which it was visible through the central arch of the basement. On the garden side of the courtyard Amannati constructed a grotto , called the "grotto of Moses" on account of the porphyry statue that inhabits it. On the terrace above it, level with the piano nobile windows, Ammanati constructed

2544-448: Was changed to Empire style by the Savoy monarchs, but there are still some rooms maintaining decorations and furniture from the age of the Medici. The Green Room, was frescoed by Castagnoli in early 19th Century. It exhibits an intarsia cabinet from the 17th century and a collection of gilded bronzes; the throne room was decorated for King Victor Emmanuel II of Italy and is characterized by

2597-470: Was intended to hold those art works which were prize-winners in the academy's competitions. The Palazzo Pitti was being redecorated on a grand scale at this time and the new works of art were being collected to adorn the newly decorated salons. By the mid-19th century so numerous were the grand ducal paintings of modern art that many were transferred to the Palazzo della Crocetta  [ it ] , which became

2650-453: Was merely his assistant in the task, but today it is Fancelli who is generally credited. Besides obvious differences from the elder architect's style, Brunelleschi died 12 years before construction of the palazzo began. The design and fenestration suggest that the unknown architect was more experienced in utilitarian domestic architecture than in the humanist rules defined by Alberti in his book De Re Aedificatoria . Though impressive,

2703-413: Was moved to the Palazzo Pitti where it was complemented by further modern works of art in the ownership of both the state and the municipality of Florence. The collection was housed in apartments recently vacated by members of the Italian royal family. The gallery was first opened to public viewing in 1928. Today, further enlarged and spread over 30 rooms, this large collection includes works by artists of

SECTION 50

#1732863322915

2756-462: Was ordained a priest on 29 August 1819, and consecrated a bishop on 26 September. In 1823–24, he was one of the 50 composers who composed a variation on a waltz by Anton Diabelli for Vaterländischer Künstlerverein . In Rudolph's case, the music was published anonymously, as by "S.R.D" (standing for Serenissimus Rudolfus Dux ). He acquired a significant library of musical compositions, comprising over 18,000 works from 2,400 composers, now held by

2809-438: Was the Medici court artist Niccolò Tribolo , who died the following year; he was quickly succeeded by Bartolommeo Ammanati . The original design of the gardens centred on an amphitheatre, behind the corps de logis of the palazzo. The first play recorded as performed there was Andria by Terence in 1476. It was followed by many classically inspired plays of Florentine playwrights such as Giovan Battista Cini . Performed for

#914085