18-451: [REDACTED] Look up अनाड़ी in Wiktionary, the free dictionary. Anari may refer to: Films [ edit ] Anari (1959 film) , a Bollywood film directed by Hrishikesh Mukherjee Anari (1975 film) , a Bollywood film directed by Asit Sen, starring Shashi Kapoor, Sharmila Tagore and Moushumi Chatterjee Anari (1993 film) ,
36-610: A convent school , but was unable to complete her matriculation, as she had begun her film career by then. Shobhana also taught privately to make money. During this time, she met her future husband Kumarsen Samarth , who had just returned from Germany and was keen on directing films. They got engaged and she started work on her first film. Her uncle was opposed to her acting in films, and she and her mother moved out of his home (ironically his daughter and Shobhana's cousin Nalini Jaywant herself became an actress). Shobana's first film
54-477: A Hindi film directed by K. Muralimohana Rao and starring Karishma Kapoor and Venkatesh Places [ edit ] Anari, Iranshahr , Sistan and Baluchestan Province, Iran Anari River , a river of Rondônia state in western Brazil Other uses [ edit ] Anari cheese , a Cypriot cheese Anari (musician) (born 1970), Basque musician Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with
72-415: A film directed by her husband, Kumar Sen Samarth, called Ghar Javai (1941), where she was cast with Damuanna Malvankar. In 1942, came her career-defining film Bharat Milap , directed by Vijay Bhatt and starring Durga Khote as Kaikeyi, Shobhana as Sita and Prem Adib as Ram. Following this was Ram Rajya in 1943, and Shobhana became identified as Sita, leading to several other films where they recreated
90-408: A post-mortem and as a result, conclude that someone poisoned Mrs. D'sa. The police take Raj for questioning as the prime suspect, arrest him, and hold him in jail. In the trial, however, Ramnath admits full responsibility for the tainted medicine, clearing Raj of the charges. Aarti tells Raj she promised Mrs. D'sa she would take care of him, someone who is "as big an idiot as the world is clever," giving
108-407: A sense that they will marry. Motilal plays Nutan's uncle in the film. In real life, he lived with Nutan's mother, Shobhana Samarth . In the office scene Mukri says " Aaj ka kaam Kal Karo, Kal ka kaam parson..." this dialogue was repeated by Hrishikesh Mukherjee in his 1979 film Gol Maal . Shobhana Samarth Shobhana Samarth ( née Saroj Shilotri ; 17 November 1916 – 9 February 2000)
126-465: A son, Jaideep. Eventually, the couple parted amicably, and Shobhana became linked to actor Motilal Rajvansh . Two of her daughters, Nutan and Tanuja, also became actresses. Shobhana produced their debut films. Her other daughter, Chatura, is an artist and her son Jaideep is an advertising film producer. Chatura and Jaideep never acted in films. Nutan's son Mohnish Bahl is also an actor, as are Tanuja's daughters Kajol and Tanishaa Mukerji . Kajol
144-447: A wallet containing money and returns it to the owner, Mr. Ramnath. Ramnath admires Raj; satisfied with his honesty, he employs Raj to work in his office as a clerk. Raj meets Ramnath's maidservant Asha and they fall in love with each other. This all ends when Raj finds out that Asha is really Aarti, the niece of his employer. Unfortunately, his landlady Mrs. D'sa dies suddenly consuming medicine manufactured by Mr. Ramnath. The police conduct
162-599: Is a 1959 Indian Hindi -language comedy film directed by Hrishikesh Mukherjee . The film stars Raj Kapoor , Nutan , Motilal and Lalita Pawar . The music was by Shankar Jaikishan and the lyrics by Hasrat Jaipuri and Shailendra . This was among the few films in which Lalita Pawar played a positive role and Motilal a role with shades of grey. The film was remade in Tamil as Pasamum Nesamum (1964) and in Turkish as Derbeder (1960), Enayi [ tr ] (1974). Anari
180-834: The arts. Samarth later produced and directed a pair of movies that launched the careers of her daughters, Nutan and Tanuja . Shobhana was born on 17 November 1916 in Bombay , British India, as Saroj Shilotri . An only child, her father Prabhakar Shilotri was a "pioneer banker", having started the Shilotri Bank in Bombay. Her mother Rattan Bai , in 1936, acted in the film Frontiers of Freedom , in Marathi ( Swarajyachya Seemewar ). Shobhna studied initially in Cathedral School, Bombay, for one year. In 1928, her father suffered financial losses and
198-468: The business went into liquidation. The family then shifted to Bangalore in 1931, where Shobhana attended Baldwin Girls High School . To earn a living, her father taught students on a private basis, while her mother taught in a Marathi school. In December that year, her father died of a heart attack and the mother and daughter returned to Bombay to stay with her maternal uncle. Shobhana studied in
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#1732877268053216-494: The dialogues by rote and it was only later that she picked up the language. She was with Kolhapur Cinetone for thirteen months, but acted in one film. She left Kolhapur Cinetone and joined Sagar Movietone (Sagar Film Company), where she acted in a film called Kokila (1937), directed by Sarvottam Badami , starring Motilal , Sabita Devi and Sitara Devi . Her other film for Sagar was Do Diwane (1936), directed by C. M. Luhar and co-starring Motilal, Yakub and Aruna Devi . By
234-555: The end of 1937, Shobhana left Sagar and joined General Films, acting in Industrial India (Nirala Hindustan), directed by Mohan Sinha with Prem Adib and Wasti. The second film for them was Pati Patni (1939), directed by V. M. Gunjal with co-stars Yakub, Sitara Devi and Wasti . By 1939, she had joined Hindustan Cinetone, making four films with them, which included Kaun Kisi ka (1939), Saubhagya (1940) by C. M. Luhar, and Apni Nagariya (1940) by V. M. Gunjal. She then worked in
252-518: The roles. Shobhana as Sita and Prem Adib as Rama became extremely popular and were accepted by the audiences and had them featuring as Rama and Sita on calendars. She was frequently cast as the leading lady with the top heroes of the era like Ashok Kumar , Prithviraj Kapoor , Prem Adib , Shahu Modak , Trilok Kapoor , Mahipal , Jairaj etc Shobhana was married to director and cinematographer Kumarsen Samarth from Vile Parle (E), Mumbai. They had three daughters, Nutan , Tanuja and Chatura and
270-483: The title Anari . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Anari&oldid=1150682387 " Categories : Disambiguation pages Place name disambiguation pages Hidden categories: Short description matches Wikidata All article disambiguation pages All disambiguation pages Anari (1959 film) Anari
288-449: Was Orphans Of Society (1935), also called Nigahe Nafrat or Vilasi Ishwar for Kolhapur Cinetone, directed by Vinayak and starring Vinayak and Baburao Pendharkar. The film was not a success, but Shobhana was critically acclaimed for her role. The film was bilingual, made in Urdu and Marathi. Shobhana claims in an interview that she did not know any Urdu at that time of filming, speaking
306-642: Was an Indian director, actress and producer, who began her career in the early days of talkie movies in the Hindi film industry and continued in lead roles into the 1950s. She started in Marathi cinema . Her first Hindi film, Nigahen Nafrat , was released in 1935. She is best remembered for her portrayal of Sita in Ram Rajya (1943). In 1997, she was honoured with the Filmfare Special Award for her contribution to
324-488: Was released on 16 January 1959 and met with critical acclaim. Film critics had praised the screenplay and performances of lead actors in the film. Subsequently, it became the highest-grossing film of 1959 with Box Office India declaring it "Super Hit". Raj Kumar is an honest, handsome, and intelligent young man. Working only as a sole trader painter, he is unable to earn a living, including paying rent to his kind-hearted and talkative landlady, Mrs. D'sa. One day, Raj finds
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