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118-546: Alternate reality (or Alternative reality , UK English) often refers to parallel universes in fiction , a self-contained separate world, universe or reality coexisting with the real world, which is used as a recurring plot point or setting used in fantasy and science fiction. Alternate reality may also refer to: Parallel universes in fiction Fiction has long borrowed an idea of "another world" from myth , legend and religion . Heaven , Hell , Olympus , and Valhalla are all "alternative universes" different from

236-479: A Canadian reprint of the English edition in 2008. In 1976, Marvel Comics published a new version of The Time Machine , as #2 in their Marvel Classics Comics series, with art by Alex Niño . (This adaptation was originally published in 1973 by Pendulum Press as part of their Pendulum Now Age Classics series; it was colorized and reprinted by Marvel in 1976.) In 1977, Polish painter Waldemar Andrzejewski adapted

354-579: A Scots word for rubbish, or a reference to the Morlacchi community in Dalmatia. The Time Machine can be read as a symbolic novel. The time machine itself can be viewed as a symbol, and there are several symbols in the narrative, including the Sphinx, flowers, and fire. The CBS radio anthology Escape adapted The Time Machine twice, in 1948 starring Jeff Corey , and again in 1950 starring Lawrence Dobkin as

472-612: A U.S. academic journal The Undying Fire , devoted to H.G. Wells studies, has published three articles since its inception in 2002. The name Eloi is the Hebrew plural for Elohim , or lesser gods, in the Old Testament . Wells's source for the name Morlock is less clear. It may refer to the Canaanite god Moloch associated with child sacrifice. The name Morlock may also be a play on mollocks – what miners might call themselves – or

590-447: A Wonderful Life , George Bailey makes a wish that he had never existed, which an angel, Clarence, asks God to grant to teach George how important his life really is; he is about to be arrested for fraud in relation to money having gone missing from the bank he runs. He gets to see what his gentle sleepy town would be like if he never lived, including the death of his brother Harry at a young age, which in turn results in many troops dying in

708-491: A central plot-point , or it may simply be mentioned and quickly dismissed, having served its purpose of establishing a realm unconstrained by realism. Discworld , for example, only very rarely mentions our world or any other worlds, as Pratchett set the books in a parallel universe instead of in "our" reality to allow for magic on the Disc . While technically incorrect, and looked down upon by hard science-fiction fans and authors,

826-458: A character claims that the universe is dangerous because the poem went unfinished, but whether this was his misapprehension or not is not established. Some fictional approaches definitively establish the independence of the parallel world, sometimes by having the world differ from the book's account; other approaches have works of fiction create and affect the parallel world: L. Sprague de Camp 's Solomon's Stone , taking place on an astral plane,

944-561: A draper's apprentice, having to work in a basement for hours on end. This work is an early example of the Dying Earth subgenre . The portion of the novella that sees the Time Traveller in a distant future where the sun is huge and red also places The Time Machine within the realm of eschatology ; that is, the study of the end times, the end of the world, and the ultimate destiny of humankind. Holt, Rinehart & Winston re-published

1062-537: A dream or some other altered state of consciousness . Examples include the Dream Cycle stories by H. P. Lovecraft or the Thomas Covenant stories of Stephen R. Donaldson . Often, stories of this type have as a major theme the nature of reality itself, questioning whether the dream-world is as real as the waking world. Science fiction often employs this theme in the ideas of cyberspace and virtual reality . In

1180-533: A fantastic island, as Jonathan Swift does in Gulliver's Travels or in the 1949 novel Silverlock by John Myers Myers , or be sucked up into a tornado and land in Oz . These " lost world " stories can be seen as geographic equivalents of a "parallel universe," as the worlds portrayed are separate from our own, and hidden to everyone except those who take the difficult journey there. The geographic "lost world" can blur into

1298-480: A female Eloi named Mara, played by Samantha Mumba , who essentially takes the place of Weena, from the earlier versions of the story. In this film, the Eloi have, as a tradition, preserved a "stone language" that is identical to English. The Morlocks are much more barbaric and agile, and the Time Traveller has a direct impact on the plot. In Time After Time , H.G. Wells invents a time machine and shows it to some friends in

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1416-599: A few cases, the interaction between the worlds is an important element, so that the focus is not on simply the fantasy world, but on ours as well. Sometimes the intent is to let them mingle and see what would happen, such as introducing a computer programmer into a high fantasy world as seen in Rick Cook 's Wizardry series, while other times an attempt to keep them from mingling becomes a major plot point, such as in Aaron Allston 's Doc Sidhe . In that story, our "grim world"

1534-480: A kamikaze attack, whom Harry would have saved if George was around to save Harry. At times, alternative universes have been featured in small scale independent productions such as Kevin Brownlow and Andrew Mollo's It Happened Here (1964), featuring an alternative United Kingdom which had undergone Operation Sea Lion in 1940 and had been defeated and occupied by Nazi Germany . It focused on moral questions related to

1652-431: A major outcome of this was the 1995 conference and substantial anthology of academic papers, which was collected in print as H.G. Wells's Perennial Time Machine . This publication then allowed the development of a guide-book for academic study at Master's and Ph.D. level: H.G. Wells's The Time Machine: A Reference Guide . The scholarly journal The Wellsian has published around twenty articles on The Time Machine , and

1770-469: A manner similar to the first part of the novella. He does not know that one of his friends is Jack The Ripper. The Ripper, fleeing police, escapes to the future (1979), but without a key which prevents the machine from remaining in the future. When it does return home, Wells follows him in order to protect the future (which he imagines to be a utopia) from the Ripper. In turn, the film inspired a 2017 TV series of

1888-481: A more explicit "parallel universe" when the fantasy realm overlaps a section of the "real" world, but is much larger inside than out, as in Robert Holdstock 's novel Mythago Wood . However, increasing geographical knowledge meant that such locations had to be farther and farther off. Perhaps influenced by ideas from science fiction, many works chose a setting that takes place in another, separate reality. As it

2006-415: A new 100-minute radio dramatisation by Philip Osment, directed by Jeremy Mortimer as part of a BBC Radio Science Fiction season. This was the first adaptation of the novella for British radio. It was first broadcast on 22 February 2009 on BBC Radio 3 and later published as a 2-CD BBC audio book. The other cast members were: The adaptation retained the nameless status of the Time Traveller and set it as

2124-582: A parallel universe but is actually a distinct idea. A counter-Earth is a planet that shares Earth's orbit but is on the opposite side of the Sun, and thus cannot be seen from Earth. There would be no necessity that such a planet would be like Earth in any way, although typically in fiction it is practically identical to Earth. Since Counter-Earth is within our universe and the Solar System , reaching it can be accomplished with ordinary space travel. Convergent evolution

2242-531: A part of their " Classics Illustrated " series in 1978. It was a modernization of the Wells's story, making the Time Traveller a 1970s scientist working for a fictional US defence contractor , "the Mega Corporation". Dr. Neil Perry ( John Beck ), the Time Traveller, is described as one of Mega's most reliable contributors by his senior co-worker Branly (Whit Bissell, an alumnus of the 1960 adaptation). Perry's skill

2360-403: A person could travel through time. At dinner the following week, a weary, bedraggled Traveller recounts to his guests what he experienced on his journey to the future. In the new narrative , the Time Traveller goes into the future, observing things moving in quick motion around him. He sees his house disappear and turn into a lush garden. The Traveller stops in A.D. 802,701, and meets the Eloi,

2478-567: A person decides between jam or butter on his toast , two universes are created: one where that person chose jam, and another where that person chose butter. The concept of "sidewise" time travel, a term taken from Murray Leinster's " Sidewise in Time ", is used to allow characters to pass through many different alternative histories, all descendant from some common branch point. Often, worlds that are more similar to each other are considered closer to each other in terms of this sidewise travel. For example,

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2596-538: A pre-existing world. Occasionally, this approach becomes self-referential, treating the literary universe of the work itself as explicitly parallel to the universe where the work was created. Stephen King 's seven-volume Dark Tower series hinges upon the existence of multiple parallel worlds, many of which are King's own literary creations. Ultimately the characters become aware that they are only "real" in King's literary universe (this can be debated as an example of breaking

2714-589: A series of articles in the Pall Mall Gazette , but in response to a request by W. E. Henley , the editor of National Observer , he rewrote "The Chronic Argonauts" into a series of seven loosely connected and fictionalized essays which were anonymously published in the newspaper from 17 March to 23 June 1894. The series was never completed as Henley stepped down from his role as editor in National Observer . With his encouragement, Wells continued to work on

2832-448: A society of small, childlike humanoids. They live in small communities within large and futuristic yet deteriorating buildings, and adhere to a fruit-based diet . His efforts to communicate with them are hampered by their lack of curiosity or discipline. They appear happy and carefree but fear the dark, particularly moonless nights. They give no response to nocturnal disappearances, possibly because they are so afraid of them. After exploring

2950-489: A space ship accidentally travels to another dimension (implied to be hell ), turning the crew insane and driving them to kill each other. Some films present parallel realities that are actually different contrasting versions of the narrative itself. Commonly this motif is presented as different points of view revolving around a central (but sometimes unknowable) "truth", the seminal example being Akira Kurosawa 's Rashomon . Conversely, often in film noir and crime dramas ,

3068-471: A space-like dimension in which humans could travel with the right equipment. Wells also used the concept of parallel universes as a consequence of time as the fourth dimension in stories like The Wonderful Visit and Men Like Gods , an idea proposed by the astronomer Simon Newcomb , who talked about both time and parallel universes; "Add a fourth dimension to space, and there is room for an indefinite number of universes, all alongside of each other, as there

3186-421: A starting point for speculative fiction , asking the question "What if [event] turned out differently ?". Examples of the former include Terry Pratchett 's Discworld and C. S. Lewis 's The Chronicles of Narnia , while examples of the latter include Harry Turtledove 's Worldwar series . A parallel universe—or more specifically, continued interaction between a parallel universe and our own—may serve as

3304-604: A timeline is not explicitly stated to have been erased, it is still there. Parallel universes as a result of time travel can serve simply as the backdrop, or it may be a central plot point. The Guns of the South by Harry Turtledove , where the Confederate Army is given thousands of AK-47 rifles and ends up winning the American Civil War , is a good example of the former, while Fritz Leiber 's novel The Big Time where

3422-544: A true story told to the young Wells by the time traveller, which Wells then re-tells as an older man to the US journalist, Martha, whilst firewatching on the roof of Broadcasting House during the Blitz . It also retained the deleted ending from the novella as a recorded message sent back to Wells from the future by the traveller using a prototype of his machine, with the traveller escaping the anthropoid creatures to 30 million AD at

3540-560: A universe where World War II ended differently would be "closer" to us than one where Imperial China colonized the New World in the 15th century. H. Beam Piper used this concept, naming it "paratime" and writing a series of stories involving the Paratime Police who regulated travel between these alternative realities as well as the technology to do so. Keith Laumer used the same concept of "sideways" time travel in his 1962 novel Worlds of

3658-450: A vehicle or device to travel purposely and selectively forward or backward through time. The term "time machine", coined by Wells, is now almost universally used to refer to such a vehicle or device. Utilizing a frame story set in then-present Victorian England , Wells' text focuses on a recount of the otherwise anonymous Time Traveller's journey into the far future. A work of future history and speculative evolution , The Time Machine

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3776-435: A war between two alternative futures manipulating history to create a timeline that results in or realizes their own world is a good example of the latter. Subscribing to the many-worlds interpretation of Quantum Physics , alternative histories in fiction can arise as a natural phenomenon of the universe. In these works, the idea is that each choice every person makes, each leading to a different result, both occur, so when

3894-684: Is a biological concept whereby unrelated species acquire similar traits because they adapted to a similar environment and/or played similar roles in their ecosystems. In fiction, the concept is extended whereby similar planets will result in races with similar cultures and/or histories. Again, this is not a true parallel universe since such planets exist within the same universe as our own, but the stories are similar in some respects. Star Trek frequently explored such worlds, in episodes including " Bread and Circuses ", " The Omega Glory ", and " Miri ". The 2017 episode of British science fiction television programme Doctor Who , " The Doctor Falls ", explains

4012-410: Is a police officer in one universe and a serial killer in another, who travels to other universes to destroy versions of himself, so that he can take their energy; and FAQ: Frequently Asked Questions (2004), the main character runs away from a totalitarian nightmare, and he enters into a cyber-afterlife alternative reality. The current Star Trek films are set in an alternative universe created by

4130-510: Is based on the premise that the essence of a being described as Satan , trapped in a glass canister and found in an abandoned church in Los Angeles, is actually an alien being that is the 'son' of something even more evil and powerful, trapped in another universe. The protagonists accidentally free the creature, who then attempts to release his "father" by reaching in through a mirror . In Event Horizon (1997), directed by Paul W. S. Anderson ,

4248-443: Is demonstrated by his rapid reprogramming of an off-course missile, averting a disaster that could destroy Los Angeles . His reputation secures a grant of $ 20 million for his time machine project. Although nearing completion, the corporation wants Perry to put the project on hold so that he can head a military weapon development project. Perry accelerates work on the time machine, permitting him to test it before being forced to work on

4366-509: Is for an indefinite number of sheets of paper when we pile them upon each other." There are many examples where authors have explicitly created additional spatial dimensions for their characters to travel in, to reach parallel universes. In Doctor Who , the Doctor accidentally enters a parallel universe while attempting to repair the TARDIS console in " Inferno ". Douglas Adams , in the last book of

4484-412: Is interpreted in modern times as a commentary on the increasing inequality and class divisions of Wells' era, which he projects as giving rise to two separate human species: the fair, childlike Eloi , and the savage, simian Morlocks , distant descendants of the contemporary upper and lower classes respectively. It is believed that Wells' depiction of the Eloi as a race living in plenitude and abandon

4602-408: Is not an example of a parallel universe. It is a more scientifically plausible use of hyperspace. (See wormhole .) While the use of hyperspace is common, it is mostly used as a plot device and thus of secondary importance. While a parallel universe may be invoked by the concept, the nature of the universe is not often explored. So, while stories involving hyperspace might be the most common use of

4720-625: Is now not possible to reach these worlds via conventional travel, a common trope is a portal or artifact that connects our world and the fantasy world together, examples being the wardrobe in C. S. Lewis ' The Lion, the Witch and the Wardrobe or the sigil in James Branch Cabell 's The Cream of the Jest . In some cases, physical travel is not even possible, and the character in our reality travels in

4838-439: Is paralleled by a "fair world" where the elves live and history echoes ours, where a major portion of the plot deals with preventing a change in interactions between the worlds. The idea of a multiverse is as fertile a subject for fantasy as it is for science fiction, allowing for epic settings and superhuman protagonists. One example of an epic and far-ranging fantasy "multiverse" is that of Michael Moorcock , who actually named

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4956-508: Is populated by the daydreams of mundane people, and in Rebecca Lickiss's Eccentric Circles , an elf is grateful to Tolkien for transforming elves from dainty little creatures. These stories often place the author, or authors in general, in the same position as Zelazny's characters in Amber. Questioning, in a literal fashion, if writing is an act of creating a new world, or an act of discovery of

5074-483: Is that you are imagining these things in the context of fiction while the physicists and mathematicians are imagining them in terms of science. I suspect it is the romantic imagination working, as it often does, perfectly efficiently in both the arts and the sciences." Unlike many science-fiction interpretations, Moorcock's Eternal Champion stories go far beyond alternative history to include mythic and sword and sorcery settings as well as worlds more similar to, or

5192-399: Is the concept of hyperspace . Used in science fiction, the concept of "hyperspace" often refers to a parallel universe that can be used as a faster-than-light shortcut for interstellar travel . Rationales for this form of hyperspace vary from work to work, but the two common elements are: Sometimes "hyperspace" is used to refer to the concept of additional coordinate axes . In this model,

5310-553: The Hitchhiker's Guide to the Galaxy series, Mostly Harmless , uses the idea of probability as an extra axis in addition to the classical four dimensions of space and time similar to the many-worlds interpretation of quantum physics , although according to the novel they were more a model to capture the continuity of space, time and probability. Robert A. Heinlein , in The Number of

5428-406: The geographic coordinate system , with travel along latitude corresponding to time travel moving through past, present and future, and travel along longitude corresponding to travel perpendicular to time and to other realities. In modern literature, parallel universes can serve two main purposes: to allow stories with elements that would ordinarily violate the laws of nature ; and to serve as

5546-460: The "Holt text" and "Heinemann text", respectively. Nearly all modern reprints reproduce the Heinemann text. The story reflects Wells's own socialist political views, his view on life and abundance, and the contemporary angst about industrial relations . It is also influenced by Ray Lankester 's theories about social degeneration and shares many elements with Edward Bulwer-Lytton 's novel Vril,

5664-400: The 1960 film. (H.G. Wells himself can also be said to have a "cameo" appearance, in the form of a photograph on the wall of Alex's home, near the front door.) The film was directed by Wells's great-grandson Simon Wells , with an even more revised plot that incorporated the ideas of paradoxes and changing the past. The place is changed from Richmond, Surrey, to downtown New York City , where

5782-410: The 2000 film The Family Man , the 2001 cult film Donnie Darko , which deals with what it terms a "tangent universe" that erupts from our own universe; Super Mario Bros. (1993) has the eponymous heroes cross over into a parallel universe ruled by humanoids who evolved from dinosaurs; The One (2001) starring Jet Li , in which there is a complex system of realities in which Jet Li's character

5900-415: The 8th Dimension , where the "8th dimension" is essentially a "phantom zone" used to imprison the villainous Red Lectroids. Uses in horror films include the 1986 film From Beyond (based on the H. P. Lovecraft story of the same name) where a scientific experiment induces the experimenters to perceive aliens from a parallel universe, with bad results. The 1987 John Carpenter film Prince of Darkness

6018-691: The Beast , Heinlein quantizes that the many parallel, fictional universes – in terms of works of fiction. He postulates that all fictional universes are accessible by the "time twister" in the air vehicle named the Gay Deceiver . Heinlein also " breaks the fourth wall " by having both Robert and his wife Virginia visit an inter-universal science-fiction-and-fantasy convention in the book's last chapter. Heinlein continues this literary conceit in The Cat Who Walks Through Walls and To Sail Beyond

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6136-417: The Beast , postulated a six-dimensional universe. In addition to the three spatial dimensions, he invoked symmetry to add two new temporal dimensions, so there would be two sets of three. Like the fourth dimension of H. G. Wells' "Time Traveller," these extra dimensions can be traveled by persons using the right equipment. Perhaps the most common use of the concept of a parallel universe in science fiction

6254-540: The Beast . Fletcher Pratt and L. Sprague de Camp took the protagonist of the Harold Shea series through the worlds of Norse myth, Edmund Spenser 's The Faerie Queene , Ludovico Ariosto 's Orlando Furioso , and the Kalevala – without ever quite settling whether writers created these parallel worlds by writing these works, or received impressions from the worlds and wrote them down. In an interlude set in " Xanadu ",

6372-594: The Eloi, they have lost the spirit, intelligence, and physical fitness of humanity at its peak. Returning to the site where he arrived, the Traveller finds his machine missing; he is confident that it at least has not traveled through time, as he had removed its levers. Later, he encounters the Morlocks, ape -like troglodytes who live in darkness underground and surface only at night. Deducing that they must have taken his time machine, he explores one of many "wells" that lead to

6490-473: The Elven world lies through a patch of mist in the woods. It was constructed when the Elven were thrown out of our world. Travel to and fro is possible by those in the know, but can have lethal consequences. Isekai is a subgenre of Japanese fantasy light novels, manga, anime, and video games revolving around a normal person being transported to or trapped in a parallel universe. Often, this universe already exists in

6608-534: The Imperium . More recently, novels such as Frederik Pohl 's The Coming of the Quantum Cats and Neal Stephenson 's Anathem explore human-scale readings of the "many worlds" interpretation , postulating that historical events or human consciousness spawns or allows "travel" among alternative universes. Universe 'types' frequently explored in sidewise and alternative history works include worlds whose Nazis won

6726-440: The Morlocks' dwellings and discovers them operating the machinery and industry that makes the above-ground paradise of the Eloi possible. He realizes that the Morlocks control and feed upon the Eloi. The Traveller speculates that the human race has diverged into two species: the favored aristocracy has become the Eloi, and their mechanical servants have become the Morlocks. Meanwhile, he rescues Eloi Weena from drowning, as none of

6844-536: The Power of the Coming Race (1871). It is also thought that Wells' Eloi race shares many features with the works of other English socialists, most notably William Morris and his work News from Nowhere (1890), in which money is depicted as irrelevant and work is merely undertaken as a form of pleasure. Other science fiction works of the period, including Edward Bellamy 's novel Looking Backward: 2000–1887 (1888) and

6962-553: The Scientific Romances ) and studies of utopias/dystopias in science fiction (such as Mark R. Hillegas's The Future as Nightmare: H.G. Wells and the Anti-Utopians ). Much critical and textual work was done in the 1970s, including the tracing of the very complex publication history of the text, its drafts, and unpublished fragments. A further resurgence in scholarship came around the time of the novella's centenary in 1995, and

7080-620: The Second World War , as in The Man in the High Castle by Philip K. Dick , SS-GB by Len Deighton , Fatherland by Robert Harris , and Earthside by Dennis E. Taylor , and worlds whose Roman Empire never fell, as in Roma Eterna by Robert Silverberg , Romanitas by Sophia McDougall , and Warlords of Utopia by Lance Parkin . The concept of counter-Earth might seem similar to

7198-482: The Sunset , using characters from throughout his science-fictional career, hauled forth from their own fictional universe. Heinlein also wrote a stand-alone novel, Job: A Comedy of Justice , whose two protagonists fall from alternative universe into alternative universe and after a number of such adventures die and enter a stereotypically Fundamentalist Christian Heaven (with many of its internal contradictions explored in

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7316-460: The Time Traveller moves forward in time to find answers to his questions on 'Practical Application of Time Travel;' first in 2030 New York, to witness an orbital lunar catastrophe in 2037, before moving on to 802,701 for the main plot. He later briefly finds himself in 635,427,810 with toxic clouds and a world laid waste (presumably by the Morlocks) with devastation and Morlock artifacts stretching out to

7434-413: The Traveller flees into the next day, finding that the creature has apparently eaten the tiny humanoid. The Dover Press and Easton Press editions of the novella restore this deleted segment. Significant scholarly commentary on The Time Machine began from the early 1960s, initially contained in various broad studies of Wells's early novels (such as Bernard Bergonzi's The Early H.G. Wells: A Study of

7552-402: The Traveller's escape from the Morlocks. He finds himself in the distant future in a frost-covered moorland with simple grasses and black bushes, populated with furry, hopping herbivores resembling kangaroos . He stuns or kills one with a rock, and upon closer examination realises they are probably the descendants of humans / Eloi / Morlocks. A gigantic, centipede-like arthropod approaches and

7670-457: The Traveller's house the next day, finding him preparing for another journey and promising to return in a short time. After waiting for three years, however, the narrator says that the Traveller has not returned. A section from the thirteenth chapter of the serial published in New Review (May 1895, partway down p. 577 to p. 580, line 29) does not appear in either of the 1895 editions of

7788-622: The Wasp: Quantumania . This series of universes overlaps or encompasses with universes depicted in Sony's Spider-Man Universe and the animated Spider-Verse franchise. The success of Marvel's Multiverse Saga, particularly Avengers: Endgame in 2019, led to a noticeable rise in the popularity of multiverses and shared universes in films of the early 2020s, predominantly for superhero films but also in Hollywood more broadly. Notable examples include

7906-601: The aforementioned Spider-Verse franchise, 2022's Academy Award-winning Everything Everywhere All at Once , the DC Extended Universe film The Flash , and Mighty Morphin Power Rangers: Once & Always . Some filmmakers and critics, including Endgame co-director Joe Russo , have expressed concern that film studios may be embracing multiverse-centric plotlines to capitalize on characters and intellectual property with pre-existing popularity, ultimately to

8024-704: The alternative narrative is a fiction created by a central character, intentionally – as in The Usual Suspects – or unintentionally – as in Angel Heart . Less often, the alternative narratives are given equal weight in the story, making them truly alternative universes, such as in the German film Run Lola Run , the short-lived British West End musical Our House and the British film Sliding Doors . More recent films that have explicitly explored parallel universes are:

8142-533: The ambiguity. Some writers depict the land of the elves as a full-blown parallel universe, with portals the only entry – as in Josepha Sherman 's Prince of the Sidhe series or Esther Friesner 's Elf Defense – and others have depicted it as the next land over, possibly difficult to reach for magical reasons – Hope Mirrlees 's Lud-in-the-Mist , or Lord Dunsany 's The King of Elfland's Daughter . In some cases,

8260-454: The area around the Eloi's residences, the Traveller reaches the top of a hill overlooking what was once London and finds the ruins of what once was a metropolis . He concludes that the entire planet became a garden, with little trace of human society or engineering from the hundreds of thousands of years prior, and that communism has at last been achieved. He also theorizes that intelligence springs from necessity; with no real challenges facing

8378-554: The book in 2000, paired with The War of the Worlds , and commissioned Michael Koelsch to illustrate a new cover art. A Victorian Englishman, identified only as the Time Traveller , tells his weekly dinner guests that he has experimental verification of a machine that can travel through time. He shows them what he says is a small model, and they watch it disappear. He says he has a big machine nearly finished in his laboratory, in which

8496-405: The book. It was drafted at the suggestion of Wells's editor, William Ernest Henley , who wanted Wells to "oblige your editor" by lengthening the text with, among other things, an illustration of "the ultimate degeneracy" of humanity. "There was a slight struggle," Wells later recalled, "between the writer and W. E. Henley who wanted, he said, to put a little 'writing' into the tale. But the writer

8614-477: The boundary between Elfland and more ordinary lands is not fixed. Not only the inhabitants but Faerie itself can pour into more mundane regions. Terry Pratchett 's Discworld series proposes that the world of the Elves is a "parasite" universe, that drifts between and latches onto others such as Discworld and our own world (referred to as "Roundworld" in the novels). In the young teenage book Mist by Kathryn James ,

8732-485: The concept in a 1963 science fiction novel The Sundered Worlds . Like many authors after him, Moorcock was inspired by the many worlds interpretation of quantum mechanics , saying, "It was an idea in the air, as most of these are, and I would have come across a reference to it in New Scientist (one of my best friends was then editor) ... [or] physicist friends would have been talking about it. ... Sometimes what happens

8850-412: The detriment of originality and creativity in filmmaking. The Time Machine The Time Machine is an 1895 dystopian post-apocalyptic science fiction novella by H. G. Wells about a Victorian scientist known as the Time Traveller who travels approximately 802,701 years into the future. The work is generally credited with the popularization of the concept of time travel by using

8968-515: The different origins of the Cybermen as parallel evolution , due to the inevitability of humans and human-like species attempting to upgrade themselves through technology; this perspective resolves continuity differences in the Cybermen's history. Convergent evolution may also be due to contamination. In this case, a planet may start out differently from Earth, but due to the influence of Earth's culture,

9086-453: The distraught Traveller, not understanding that he can use it to escape. He reattaches the levers before travelling further ahead to roughly 30 million years from his own time. There, he sees some of the last living things on a dying Earth: crab-like creatures wandering blood-red beaches chasing enormous butterflies , in a world covered in lichenoid vegetation. He continues to make jumps forward through time, seeing Earth's rotation cease and

9204-406: The end of the universe before disappearing or dying there. On 5 September 2017, Big Finish Productions released an adaptation of The Time Machine . This adaptation was written by Marc Platt and starred Ben Miles as the Time Traveller. Platt explained in an interview that adapting The Time Machine to audio was not much different from writing Doctor Who , and that he could see where some of

9322-521: The familiar material realm. Plato reflected deeply on parallel realities, resulting in the worlds of Platonism , in which the upper reality is perfect while the lower (earthly) reality is an imperfect shadow of the heavenly equivalent. One of the first science-fiction examples of a parallel universe is Murray Leinster 's short story Sidewise in Time , published in 1934, which portions of alternative universes replace corresponding geographical regions in this universe. Sidewise in Time analogizes time to

9440-399: The fantasy world. Before the mid-20th century, this was most often done by hiding fantastic worlds within unknown, distant locations on Earth; peasants who seldom, if ever, traveled far from their villages could not conclusively say that it was impossible that an ogre or other fantastical beings could live an hour away. Characters in the author's world could board a ship and find themselves on

9558-464: The first film's villain traveling back in time, thus allowing the franchise to be rebooted without affecting the continuity of any other Star Trek film or show. The 2011 science-fiction thriller Source Code employs the concepts of quantum reality and parallel universes. The characters in The Cloverfield Paradox , the third installment of the franchise , accidentally create a ripple in

9676-517: The fourth wall ), and even travel to a world – twice – in which (again, within the novel) they meet Stephen King and alter events in the real Stephen King's world outside of the books. An early instance of this was in works by Gardner Fox for DC Comics in the 1960s, in which characters from the Golden Age (which was supposed to be a series of comic books within the DC Comics universe) would cross over into

9794-414: The future world. Because the tiring journey back to Weena's home is too much for them, they stop in the forest for the night. They are eventually attacked by Morlocks, and Weena faints. The Traveller escapes when a small fire he left behind them to repel the Morlocks turns into a forest fire ; Weena and the Morlocks are lost in the blaze. The Morlocks open the Sphinx and use the machine as bait to capture

9912-546: The horizon. It was met with mixed reviews and earned $ 56 million before VHS/DVD sales. The Time Machine used a design that was very reminiscent of the one in the Pal film but was much larger and employed polished turned brass construction, along with rotating glass reminiscent of the Fresnel lenses common to lighthouses. (In Wells's original book, the Time Traveller mentioned his 'scientific papers on optics'.) Hartdegen becomes involved with

10030-475: The idea of another " dimension " has become synonymous with the term "parallel universe". The usage is particularly common in movies, television and comic books and much less so in modern prose science fiction. The idea of a parallel world was popularized in comic books with the publication of The Flash No. 123, Flash of Two Worlds in 1961. In written science fiction, "new dimension" more commonly—and more accurately—refer to additional coordinate axes , beyond

10148-459: The land in which the confrontation takes place – at other times the otherworldly aspects are clear. Most frequently, time can flow differently for those trapped by the fairy dance than in the lands they come from; although, in an additional complication, it may only be an appearance, as many returning from Faerie, such as Oisín , have found that time "catches up" with them as soon as they have contact with ordinary lands. Fantasy writers have taken up

10266-432: The later film Metropolis (1927), dealt with similar themes. In his later reassessment of the book, published as the 1931 preface to The Time Machine , Wells wrote that the text has "lasted as long as the diamond-framed safety bicycle , which came in at about the date of its first publication", and is "assured it will outlive him", attesting to the power of the book. Based on Wells's personal experiences and childhood,

10384-467: The main DC Comics universe. One comic book did provide an explanation for a fictional universe existing as a parallel universe. The parallel world does "exist" and it resonates into the "real world". Some people in the "real world" pick up on this resonance, gaining information about the parallel world which they then use to write stories. Robert Heinlein introduces an extension of his Future History series called The World as Myth . In The Number of

10502-455: The new project. The 1960 film was remade in 2002, starring Guy Pearce as the Time Traveller, a mechanical engineering professor named Alexander Hartdegen, Mark Addy as his colleague David Philby, Sienna Guillory as Alex's ill-fated fiancée Emma, Phyllida Law as Mrs. Watchit, and Jeremy Irons as the Uber-Morlock. Playing a quick cameo as a shopkeeper was Alan Young , who featured in

10620-487: The novel as a 22-page comic book, written in Polish by Antoni Wolski. From April 1990, Eternity Comics published a three-issue miniseries adaptation of The Time Machine , written by Bill Spangler and illustrated by John Ross — this was collected as a trade paperback graphic novel in 1991. In 2018, US imprint Insight Comics published an adaptation of the novel, as part of their "H. G. Wells" series of comic books. In 2024

10738-581: The novel). Elfland , or Faerie, the otherworldly home not only of elves and fairies but goblins , trolls , and other folkloric creatures, has an ambiguous appearance in folklore. On one hand, the land often appears to be contiguous with 'ordinary' land. Thomas the Rhymer might, on being taken by the Queen of Faerie, be taken on a road like one leading to Heaven or Hell. This is not exclusive to English or French folklore. In Norse mythology , Elfland ( Alfheim )

10856-452: The novella's handling of its thematic concerns, with Marina Warner writing that the book was the most significant contribution to understanding fragments of desire before Sigmund Freud 's The Interpretation of Dreams , with the novel "[conveying] how close he felt to the melancholy seeker after a door that he once opened on to a luminous vision and could never find again". The Time Machine has been adapted into two feature films of

10974-460: The original timeline with a new one. As a result, travel between alternative histories is not possible without reverting the timeline back to the original. There are exceptions to the above, and an alternate history doesn't necessarily overwrite the old one. There are no rules written in stone regarding this. Modern ideas of time travel pose the idea of branching timelines, such as the 2009 Star Trek reboot and Avengers: Endgame . Technically, if

11092-399: The other Eloi take any notice of her plight. The Traveller takes Weena with him on an expedition to "The Palace of Green Porcelain", a distant structure which turns out to be a derelict museum. Here, the Traveller finds fresh matches and fashions a crude weapon against Morlocks, whom he must fight to recover his machine. He plans to take Weena back to his own time to save her from the horrors of

11210-501: The parallel universe concept in fiction, it is not the most common source of fiction about parallel universes. Time travel can result in multiple universes if a time traveller can change the past. In one interpretation, alternative histories as a result of time travel are not parallel universes: while multiple parallel universes can co-exist simultaneously, only one history or alternative history can exist at any one moment, as alternative history usually involves, in essence, overriding

11328-453: The parts of the Eloi. The drama is approximately two hours long and is more faithful to the story than several of the film adaptations. Some changes are made to reflect modern language and knowledge of science. In 2000, Alan Young read The Time Machine for 7th Voyage Productions, Inc., in 2016 to celebrate the 120th Anniversary of H.G. Wells's novella. Robert Glenister starred as the Time Traveller, with William Gaunt as H. G. Wells in

11446-473: The planet comes to resemble Earth in some way. Star Trek also frequently used this theory as well, for example, in " Patterns of Force " and " A Piece of the Action ". Simulated realities are digital constructs featured in science fiction such as The Matrix or The Thirteenth Floor which can parallel ours very closely. It is common in fantasy for authors to find ways to bring a protagonist from "our" world to

11564-462: The possibilities of even greater dimensions. Isaac Asimov , in his foreword to the Signet Classics 1984 edition, described Flatland as "The best introduction one can find into the manner of perceiving dimensions". In 1895, The Time Machine by H. G. Wells used time as an additional "dimension" in this sense, taking the four-dimensional model of classical physics and interpreting time as

11682-501: The professional ethics of Pauline, a nurse forced into Nazi collaboration. Another common use of the theme is as a prison for villains or demons . The idea is used in the first two Superman movies starring Christopher Reeve where Kryptonian villains were sentenced to the Phantom Zone from where they eventually escaped. An almost exactly parallel use of the idea is presented in the film The Adventures of Buckaroo Banzai Across

11800-597: The protagonist's world as a fictional universe, but it may also be unbeknownst to them. The most famous treatment of the alternative universe concept in film could be considered The Wizard of Oz , which portrays a parallel world, famously separating the magical realm of the Land of Oz from the mundane world by filming it in Technicolor while filming the scenes set in Kansas in sepia . In Frank Capra's 1946 Christmas classic, It's

11918-421: The relationships between them can vary quite dramatically, but the essence of them remains the same." There are many examples of the meta-fictional idea of having the author's created universe (or any author's universe) rise to the same level of "reality" as the universe we're familiar with. The theme is present in works as diverse as H. G. Wells' Men Like Gods , Myers' Silverlock , and Heinlein's Number of

12036-446: The roots of early Doctor Who came from. The first visual adaptation of the book was a live teleplay broadcast from Alexandra Palace on 25 January 1949 by the BBC , which starred Russell Napier as the Time Traveller and Mary Donn as Weena. No recording of this live broadcast was made; the only record of the production is the script and a few black and white still photographs. A reading of

12154-535: The same as, our own. The term 'polycosmos' was coined as an alternative to 'multiverse' by the author and editor Paul le Page Barnett (also known by the pseudonym John Grant), and is built from Greek rather than Latin morphemes . It is used by Barnett to describe a concept binding together a number of his works, its nature meaning that "all characters, real or fictional [...] have to co-exist in all possible real, created or dreamt worlds; [...] they're playing hugely different roles in their various manifestations, and

12272-456: The same name, as well as two television versions and many comic book adaptations. It has also indirectly inspired many more works of fiction in many media productions. Wells had considered the notion of time travel before, in a short story titled " The Chronic Argonauts " (1888). This work, published in his college newspaper, was the foundation for The Time Machine . He frequently stated that he had thought of using some of this material in

12390-691: The same name. Classics Illustrated was the first to adapt The Time Machine into a comic book format, issuing an American edition in July 1956. The Classics Illustrated version was published in French by Classiques Illustres in Dec 1957, and Classics Illustrated Strato Publications (Australian) in 1957, and Kuvitettuja Klassikkoja (a Finnish edition) in November 1957. There were also Classics Illustrated Greek editions in 1976, Swedish in 1987, German in 1992 and 2001, and

12508-479: The script, however, suggests that this teleplay remained fairly faithful to the book. In 1960, the novella was made into a US science fiction film , also known promotionally as H.G. Wells's The Time Machine . The film starred Rod Taylor , Alan Young , and Yvette Mimieux . The film was produced and directed by George Pal , who also filmed a 1953 version of Wells's The War of the Worlds . The film won an Academy Award for time-lapse photographic effects showing

12626-608: The story, and at the end of the year when Henley was given the position as editor of Heinemann's periodical The New Review , he arranged for the story to be published there in serialized form in the January to May 1895 editions instead, which Wells was paid £ 100 (equal to about £15,000 today) for. Henry Holt and Company published the first book edition (possibly prepared from a different manuscript) on 7 May 1895; Heinemann published an English edition on 29 May. These two editions are different textually and are commonly referred to as

12744-490: The sun grow larger, redder, and dimmer , and the world falling silent and freezing as the last living things die out. Overwhelmed, he returns to his own time, arriving at the laboratory just three hours after he originally left. He arrives late to his own dinner party, whereupon, after eating, the Traveller relates his adventures to his disbelieving visitors, producing as evidence two unusual white flowers Weena put in his pocket. The original narrator relates that he returned to

12862-558: The three spatial axes with which we are familiar. By proposing travel along these extra axes, which are not normally perceptible , the traveller can reach worlds that are otherwise unreachable and invisible. In 1884, Edwin A. Abbott wrote the seminal novel exploring this concept called Flatland: A Romance of Many Dimensions . It describes a world of two dimensions inhabited by living squares, triangles, and circles, called Flatland, as well as Pointland (0 dimensions), Lineland (1 dimension), and Spaceland (three dimensions) and finally posits

12980-493: The time-space continuum and travel into an alternative universe, where the monster and the events in the first film transpired. This concept has been also been passively depicted in the view of a romantic couple in the Indian Tamil Film Irandam Ulagam . In the 2000 film The Beach , Leonardo DiCaprio's character Richard, while sitting on the beach with love interest Françoise ( Virginie Ledoyen ), describes

13098-468: The traveller. A script adapted by Irving Ravetch was used in both episodes. The Time Traveller was named Dudley and was accompanied by his skeptical friend Fowler as they travelled to the year 100,080. In 1994, an audio drama was released on cassette and CD by Alien Voices, starring Leonard Nimoy as the Time Traveller (named John in this adaptation) and John de Lancie as David Filby. John de Lancie's children, Owen de Lancie and Keegan de Lancie , played

13216-410: The universe is thought to be "crumpled" in some higher spatial dimension, and that traveling in this higher spatial dimension, a ship can move vast distances in the common spatial dimensions. An analogy is to crumple a newspaper into a ball and stick a needle straight through: the needle will make widely spaced holes in the two-dimensional surface of the paper. While this idea invokes a "new dimension", it

13334-821: The utopia they have found in Thailand as their own parallel universe. Following its introduction in the film Doctor Strange , the multiverse became central to the Multiverse Saga series of superhero films in the Marvel Cinematic Universe , being depicted in Avengers: Endgame , Shang-Chi and the Legend of the Ten Rings , Spider-Man: No Way Home , Doctor Strange in the Multiverse of Madness , and Ant-Man and

13452-488: The working class literally spent a lot of their time underground. His own family would spend most of their time in a dark basement kitchen when not being occupied in their father's shop. Later, his own mother would work as a housekeeper in a house with tunnels below, where the staff and servants lived in underground quarters. A medical journal published in 1905 would focus on these living quarters for servants in poorly ventilated dark basements. In his early teens, Wells became

13570-428: The world changing rapidly. In 1993, Rod Taylor hosted Time Machine: The Journey Back reuniting him with Alan Young and Whit Bissell, featuring the only sequel to Mr. Pal's classic film, written by the original screenwriter, David Duncan. In the special were Academy Award -winners special effect artists Wah Chang and Gene Warren . Sunn Classic Pictures produced a television film version of The Time Machine as

13688-485: Was also the name of what today is the Swedish province of Bohuslän . In the sagas, it said that the people of this petty kingdom were more beautiful than other people, as they were related to the elves , showing that not only the territory was associated with elves, but also the race of its people. While sometimes folklore seems to show fairy intrusion into human lands – " Tam Lin " does not show any otherworldly aspects about

13806-504: Was in reaction from that sort of thing, the Henley interpolations were cut out again, and he had his own way with his text." This portion of the story was published elsewhere as " The Final Men " (1940) and " The Grey Man ". The deleted text was also published by Forrest J Ackerman in an issue of the American edition of Perry Rhodan . The deleted text recounts an incident immediately after

13924-420: Was inspired by the utopic romance novel News from Nowhere (1890), though Wells' universe in the novel is notably more savage and brutal. In his 1931 preface to the book, Wells wrote that The Time Machine seemed "a very undergraduate performance to its now mature writer, as he looks over it once more", though he states that "the writer feels no remorse for this youthful effort". However, critics have praised

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