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8-604: The first floor of the museum tells the story of the local impact of Algeria's battle for independence from France including a list of local people executed by the French between 1954 and 1962. The museum also includes artwork in the form of ancient sculptures, some mosaics and terracotta portraits and paintings including works by 20th-century Algerian artists and French Orientalists including Eugene Fromentin . 35°41′45″N 0°38′43″W  /  35.69583°N 0.64528°W  / 35.69583; -0.64528 This article about

16-550: A genius that was perhaps even more felicitously expressed in literature, though with less profusion. Dominique , first published in the Revue des deux mondes in 1862, and dedicated to George Sand , is remarkable among the fiction of the century for delicate and imaginative observation and for emotional earnestness. Fromentin's other literary works include Visites artistiques (1852); Simples Pèlerinages (1856); Un été dans le Sahara (1857); Une année dans le Sahel (1858). In 1876 he

24-472: A medal of the second class. In 1852, he paid a second visit to Algeria, accompanying an archaeological mission, and then completed that minute study of the scenery of the country and of the habits of its people which enabled him to give to his after-work the realistic accuracy that comes from intimate knowledge. His books include Les Maîtres d'autrefois ("The Masters of Past Time", 1876), an influential appreciation of Early Netherlandish painting and

32-564: A museum in Algeria is a stub . You can help Misplaced Pages by expanding it . Eugene Fromentin Eugène Fromentin ( French pronunciation: [øʒɛn fʁɔmɑ̃tɛ̃] ; 24 October 1820 – 27 August 1876) was a French painter and writer. He was born in La Rochelle . After leaving school he studied for some years under Louis Cabat , the landscape painter. Fromentin was one of

40-501: A painter himself. He also puts the work in a social, political and economic context, as the Dutch Golden Age painting develops shortly after Holland won its independence. Bernhard Berenson wrote of the book, "I carry Fromentin with me, and read him each evening about the pictures I have seen that he criticizes. He is the only writer on pictures worth his salt, but I do not always agree with him." Fromentin, who maintained that "art

48-551: Is the expression of the invisible by means of the visible," was much influenced in style by Eugène Delacroix . His works are distinguished by striking composition, great dexterity of handling and brilliancy of colour. In them is given with great truth and refinement the unconscious grandeur of barbarian and animal attitudes and gestures. His later works, however, show signs of an exhausted vein and of an exhausted spirit, accompanied or caused by physical enfeeblement. But it must be observed that Fromentin's paintings show only one side of

56-588: The Northern Baroque of the Old Masters of Belgium and Holland, Dominique and A Summer in the Sahara . In Les Maîtres d'autrefois he deals with the complexity of paintings by Rubens , Rembrandt and others, their style and the artists' emotions at the time of creating their masterpieces. He is also one of the first "art critics" to approach the subject of The Old Masters from a personal point of view – being

64-497: The earliest pictorial interpreters of Algeria , having been able, while quite young, to visit the land and people that suggested the subjects of most of his works, and to store his memory as well as his portfolio with the picturesque and characteristic details of North African life. His first great success was produced at the Salon of 1847, by the Gorges de la Chiffa . In 1849, he was awarded

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