Misplaced Pages

#598401

77-527: Population: 22,341 (2014 census) Area: 323 km House Museum of famous Georgian writer, Acad. Konstantine Gamsakhurdia Abasha Municipal Assembly ( Georgian : აბაშის საკრებულო) is a representative body in Abasha Municipality, consisting of 30 members which is elected every four years. The last election was held in October 2021 . Giga Gabelaia of Georgian Dream was elected mayor. Abasha municipality

154-519: A "secret language" to explore "twisted and precious ideas". Not only did À rebours define an ideology and a literature, but it also created an influential perspective on visual art. The character of Des Esseintes explicitly heralded the paintings of Gustave Moreau , the 17th-century Dutch engraver Jan Luyken 's illustrations to the Martyrs Mirror and the lithographs of Rodolphe Bresdin and Odilon Redon . The choice of these works established

231-629: A Russian decadence that included the idealism that eventually inspired the French symbolists to disassociate from the more purely materialistic Decadent movement. The first Russian writers to achieve success as followers of this Decadent movement included Konstanin Balmont, Fyodor Sologub , Valery Bryusov , and Zinaida Gippius . As they refined their craft beyond imitation of Baudelaire and Verlaine, most of these authors became much more clearly aligned with symbolism than with decadence. Some visual artists adhered to

308-522: A conclusion quite in contrast to Moréas' search for shadow truth: "Lying, the telling of beautiful untrue things, is the proper aim of Art." In France, the Decadent movement could not withstand the loss of its leading figures. Many of those associated with the Decadent movement became symbolists after initially associating freely with decadents. Paul Verlaine and Stéphane Mallarmé were among those, though both had been associated with Baju's Le Décadent for

385-598: A cry of denouncement against injustice and oppression. However, Ramón Casas and José María López Mezquita can be considered the model artists of this period. Their paintings are an image of the social conflicts and police repression that was happening in Spain at the time. Spanish writers also wanted to be part of this movement, such as Emilia Pardo Bazán , with works like Los pazos de Ulloa , where terror and Decadent topics appear. El monstruo ("The Monster"), written by Antonio de Hoyos y Vinent  [ es ] , belongs to

462-462: A decadent and heralded their work, his own work was more frustrated, hopeless, and empty of the pleasure that had attracted him to the movement in the first place. Largely, he focused on cynically describing the impossibility of a true American decadence. German doctor and social critic Max Nordau wrote a lengthy book titled Degeneration (1892). It was an examination of decadence as a trend, and specifically attacked several people associated with

539-402: A decadent perspective on art which favored madness and irrationality, graphic violence, frank pessimism about cultural institutions, and a disregard for visual logic of the natural world. It has been suggested that a dream vision that Des Esseintes describes is based on the series of satanic encounters painted by Félicien Rops. Capitalizing on the momentum of Huysmans' work, Anatole Baju founded

616-433: A love triangle involving a codependent man, a married woman and an ugly, sick and vampire-like figure, the femme fatale Fosca. In a similar way, Camillo Boito 's Senso and his short stories venture into tales of sexual decadence and disturbing obsessions, such as incest and necrophilia. Other Scapigliati were the novelists Carlo Dossi and Giuseppe Rovani , the poet Emilio Praga , the poet and composer Arrigo Boito and

693-624: A means of clairvoyance to regain the purity of things. Finally, the third period, which can be seen as a postlude to Decadentism, is marked by the voices of Italo Svevo , Luigi Pirandello and the Crepusculars . Svevo, with his novel Zeno's Conscience , took the idea of sickness to its logical conclusion, while Pirandello proceeded to the extreme disintegration of the self with works such as The Late Mattia Pascal , Six Characters in Search of an Author and One, No One, and One Hundred Thousand . On

770-461: A sense of classicism. Konstantine Gamsakhurdia's son, Zviad , became a notable Soviet-era dissident who was subsequently elected the first President of Georgia in 1991, but died under suspicious circumstances in the civil war in 1993. Born into a petty noble family in Abasha in western Georgian province of Mingrelia , then under Imperial Russian rule, Gamsakhurdia received his early education at

847-429: A spiritual and moral perversity". He referred to all such literature as "a new and beautiful and interesting disease". Later, however, he described the Decadent movement as an "interlude, half a mock interlude" that distracted critics from seeing and appreciating the larger and more important trend, which was the development of Symbolism. It is true that the two groups share an ideological descent from Baudelaire and for

SECTION 10

#1732894099599

924-415: A time they both considered themselves as part of one sphere of new, anti-establishment literature. They worked together and met together for quite a while, as if they were part of the same movement. Maurice Barrès referred to this group as decadents, but he also referred to one of them ( Stéphane Mallarmé ) as a symbolist. Even Jean Moréas used both terms for his own group of writers as late as 1885. Only

1001-612: A time, his work exemplified both the ideals and style of the movement, but a significant portion of his career was in traditional journalism and fiction that praised virtue. At the time when he was flourishing, however, multiple contemporary critics, as well as other decadent writers, explicitly considered him one of them. Writer James Huneker was exposed to the Decadent movement in France and tried to bring it with him to New York. He has been lauded to his dedication to this cause throughout his career, but it has been suggested that, while he lived as

1078-467: A time. Others kept a foot in each camp. Albert Aurier wrote decadent pieces for Le Décadent and also wrote symbolist poetry and art criticism. Decadent writer Rachilde was staunchly opposed to a symbolist take over of Le Décadent even though her own one-act drama The Crystal Spider is almost certainly a symbolist work. Others, once strong voices for decadence, abandoned the movement altogether. Joris-Karl Huysmans grew to consider Against Nature as

1155-434: A transcendent moment in "Flowers". Decadence, in contrast, actually belittles nature in the name of artistry. In Huysmans' Against Nature , for instance, the main character Des Esseintes says of nature: "There is not one of her inventions, no matter how subtle or imposing it may be, which human genius cannot create ... There can be no doubt about it: this eternal, driveling, old woman is no longer admired by true artists, and

1232-788: A year later, however, Jean Moréas wrote his Symbolist Manifesto to assert a difference between the symbolists with whom he allied himself and this the new group of decadents associated with Anatole Baju and Le Décadent . Even after this, there was sufficient common ground of interest, method, and language to blur the lines more than the manifesto might have suggested. In the world of visual arts, it can be even more difficult to distinguish decadence from symbolism. In fact, Stephen Romer has referred to Félicien Rops , Gustave Moreau , and Fernand Khnopff as "Symbolist-Decadent painters and engravers". Nevertheless, there are clear ideological differences between those who continued on as symbolists and those who have been called "dissidents" for remaining in

1309-644: Is divided into one city (ქალაქი, kalaki), 15 communities (თემი, temi), and 35 villages (სოფელი, sopeli): This Georgia location article is a stub . You can help Misplaced Pages by expanding it . Konstantine Gamsakhurdia Konstantine Gamsakhurdia ( Georgian : კონსტანტინე გამსახურდია , romanized : k'onst'ant'ine gamsakhurdia ) (May 3, 1893 – July 17, 1975) was a Georgian writer and public figure. Educated and first published in Germany, he married Western European influences to purely Georgian thematic to produce his best works, such as The Right Hand of

1386-624: Is no oblique approach to ultimate truth because there is no secret, mystical truth. They despise the very idea of searching for such a thing. If there is truth of value, it is purely in the sensual experience of the moment. The heroes of Decadent novels, for instance, have the unquenchable accumulation of luxuries and pleasure, often exotic, as their goal, even the gory and the shocking. In The Temptation of Saint Anthony , decadent Gustave Flaubert describes Saint Anthony's pleasure from watching disturbing scenes of horror. Later Czech decadent Arthur Breisky has been quoted by scholars as speaking to both

1463-662: The Kutaisi gymnasium and then studied in St. Petersburg , where he quarreled with Nicholas Marr . He spent most of the World War I years in Germany, France, and Switzerland, taking his doctorate at Berlin University in 1918. As a Russian subject, he was briefly interned at Traunstein in Bavaria, where Thomas Mann sent him chocolate. Gamsakhurdia published his first poems and short stories early in

1540-686: The Mtatsminda Pantheon because he detested that Jesus and Judas were buried side by side there, referring to the proximity of the graves of the national writer Ilia Chavchavadze and his outspoken critic and political foe, the Bolshevik Filipp Makharadze , who is believed to have been involved in Chavchavadze's assassination. Decadent movement The Decadent movement (from the French décadence , lit.   ' decay ' )

1617-641: The Tbilisi State University where he taught German literature . Soon he was arrested and deported to the Solovetsky Islands in the White Sea where he was to spend a few years. On his release, Gamsakhurdia was forced to keep silence. On the verge of suicide, the writer fought his depression by translating Dante . Early in the 1930s, he obtained Lavrentiy Beria 's protection and was able to resume writing, with an attempt at "socialist" novel Stealing

SECTION 20

#1732894099599

1694-532: The natural world . The concept of decadence dates to the 18th century, especially from the writings of Montesquieu , the Enlightenment philosopher who suggested that the decline ( décadence ) of the Roman Empire was in large part due to its moral decay and loss of cultural standards. When Latin scholar Désiré Nisard turned toward French literature, he compared Victor Hugo and Romanticism in general to

1771-399: The 1880s and 1890s, the time of fin de siècle , or end-of-the-century gloom. As part of that overall transition, many scholars of Decadence, such as David Weir , regard Decadence as a dynamic transition between Romanticism and Modernism , especially considering the Decadent tendency to dehumanize and distort in the name of pleasure and fantasy. Symbolism has often been confused with

1848-683: The 1910s, influenced by German Expressionism and by French Post- Symbolist literature. While in Germany he regularly wrote for German press on Georgia and the Caucasus , and was involved in organizing a Georgian Liberation Committee . After Georgia's declaration of independence in 1918, he became an attaché in Georgia 's embassy in Berlin, responsible for repatriation of Georgian World War I prisoners and placing Georgian students in German universities. Gamsakhurdia met

1925-656: The 1921 Bolshevik takeover of Georgia with hostility. He edited the Tbilisi -based literary journals and for a short time led an "academic group" of writers which placed artistic values above political correctness . Gamsakhurdia published his writings in defiance of growing ideological pressure, and went on to lead a peaceful protest-rally on the anniversary of Georgia's forcible Sovietization in 1922. In 1925 Gamsakhurdia published his first and one of his most impressive novels, The Smile of Dionysus  [ ka ] ( დიონისოს ღიმილი) , which took him eight years to write. It tells

2002-586: The Baju-esque late Decadent movement approach to sexuality as purely an act of pleasure, often ensconced in a context of material luxury. They also shared the same emphasis on shocking society, purely for the scandal. Among them were Konstantin Somov , Nikolai Kalmakov  [ ru ] , and Nikolay Feofilaktov. Some art historians consider Francisco de Goya one of the roots of the Decadent movement in Spain, almost 100 years before its start in France. His works were

2079-454: The Decadent movement who were in the public eye. In 1930, Italian art and literature critic Mario Praz completed a broad study of morbid and erotic literature, translated and published in English as The Romantic Agony (1933). The study included decadent writing (such as Baudelaire and Swinburne), but also anything else that he considered dark, grim, or sexual in some way. His study centered on

2156-481: The Decadent movement, as well as other figures throughout the world who deviated from cultural, moral, or political norms. His language was colorful and vitriolic, often invoking the worship of Satan. What made the book a success was its suggestion of a medical diagnosis of "degeneration", a neuro-pathology that resulted in these behaviors. It also helped that the book named such figures as Oscar Wilde, Algernon Charles Swinburne, Paul Verlaine, and Maurice Barrès, members of

2233-449: The Decadent movement, despite their shared heritage. Moréas and Gustave Kahn , among others, formed rival publications to reinforce the distinction. Paul Verlaine embraced the label at first, applauding it as a brilliant marketing choice by Baju. After seeing his own words exploited and tiring of Le Décadent publishing works falsely attributed to Arthur Rimbaud , however, Verlaine came to sour on Baju personally, and he eventually rejected

2310-415: The Decadent movement. Arthur Symons , a British poet and literary critic contemporary with the movement, at one time considered Decadence in literature to be a parent category that included both Symbolism and Impressionism , as rebellions against realism. He defined this common, decadent thread as "an intense self-consciousness, a restless curiosity in research, an over-subtilizing refinement upon refinement,

2387-501: The Decadent movement. Often, there was little doubt that Baju and his group were producing work that was decadent, but there is frequently more question about the work of the symbolists. Both groups reject the primacy of nature, but what that means for them is very different. Symbolism uses extensive natural imagery as a means to elevate the viewer to a plane higher than the banal reality of nature itself, as when Stéphane Mallarmé mixes descriptions of flowers and heavenly imagery to create

Abasha Municipality - Misplaced Pages Continue

2464-650: The Decadent movement. But the Decadent movement is overlapped by the Fin de Siglo Movement , with the authors of the Generación del 98 being part-Decadent: Ramón María del Valle-Inclán , Unamuno and Pío Baroja are the most essential figures of this period. Few prominent writers or artists in the United States were connected with the Decadent movement. Those who were connected struggled to find an audience, for Americans were reluctant to see value for them in what they considered

2541-401: The Decadent tradition, such as Octave Mirbeau , but Decadence was no longer a recognized movement, let alone a force in literature or art. Beginning with the association of decadence with cultural decline, it is not uncommon to associate decadence in general with transitional times and their associated moods of pessimism and uncertainty. In France, the heart of the Decadent movement was during

2618-447: The Grain ), Joris-Karl Huysmans identified likely candidates for the core of the Decadent movement, which he seemed to view Baudelaire as sitting above Paul Verlaine , Tristan Corbière , Theodore Hannon and Stéphane Mallarmé . His character Des Esseintes hailed these writers for their creativity and their craftsmanship, suggesting that they filled him with "insidious delight" as they used

2695-666: The Grand Master and David the Builder . Hostile to the Soviet rule , he was, nevertheless, one of the few leading Georgian writers to have survived the Stalin -era repressions, despite exile to a White Sea island and several arrests. His works are noted for their character portrayals of great psychological insight. Another major feature of Gamsakhurdia's writings is a new subtlety he infused into Georgian diction, imitating an archaic language to create

2772-684: The Moon (მთვარის მოტაცება, 1935-6), a story of love and collectivization in Abkhazia. Next came the psychological novella Khogais Mindia (ხოგაის მინდია, 1937), yet another appeal in classical Georgian literature to this Khevsur myth. Beria was critical of these works, though. Soon Gamsakhurdia was arrested for an affair with Lida Gasviani, a young charming Trotskyist director of the State Publishing House, but interrogated and released by Beria who told him ironically that sexual relations with enemies of

2849-485: The Roman decadence, men sacrificing their craft and their cultural values for the sake of pleasure. The trends that he identified, such as an interest in description, a lack of adherence to the conventional rules of literature and art, and a love for extravagant language, were the seeds of the Decadent movement. The first major development in French decadence appeared when writers Théophile Gautier and Charles Baudelaire used

2926-464: The art forms of fin de siècle France. An exception to this is the decadent poet George Sylvester Viereck , who wrote (1907) "Nineveh and Other Poems". Viereck states in his "The Candle and the Flame" (1912): I have no reason to be ungrateful to America. Few poets have met with more instant recognition... My work almost from the beginning was discussed simultaneously in the most conservative periodicals and

3003-423: The author a prestigious Shota Rustaveli State Prize in 1962. Gamsakhurdia also wrote a biographical novel about Goethe , and literary criticism of Georgian and foreign authors. Publication of his memoirs, Flirting with Ghosts (ლანდებთან ლაციცი, 1963) and of his testament (1959) was aborted at that time. He died in 1975 and was interred at his mansion which he called a " Colchian Tower", refusing to be buried in

3080-712: The basic idea of a dandy , and his work is almost entirely focused on developing a philosophy in which the Dandy is the consummate human, surrounded by riches and elegance, theoretically above society, just as doomed to death and despair as they. Influenced through general exposure but also direct contact, the leading decadent figures in Britain associated with decadence were Irish writer Oscar Wilde , poet Algernon Charles Swinburne , and illustrator Aubrey Beardsley , as well as other artists and writers associated with The Yellow Book . Others, such as Walter Pater , resisted association with

3157-461: The composer Franco Faccio . As for the visual arts, Medardo Rosso stands out as one of the most influential European sculptors of that time. Most of the Scapigliati died of illness, alcoholism or suicide. The second period of Italian Decadentism is dominated by Gabriele D'Annunzio , Antonio Fogazzaro and Giovanni Pascoli . D'Annunzio, who was in contact with many French intellectuals and had read

Abasha Municipality - Misplaced Pages Continue

3234-404: The decadent movement on a larger scale, proposing that its main features could be used to define a full historical period, running from the 1860s to the 1920s. For this reason, the term Decadentism , modeled on "Romanticism" or "Expressionism", became more substantial and widespread than elsewhere. However, most critics today prefer to distinguish between three periods. The first period is marked by

3311-480: The development of this early stage of the Decadent movement. A friend of Baudelaire, he was a frequent illustrator of Baudelaire's writing, at the request of the author himself. Rops delighted in breaking artistic convention and shocking the public with gruesome, fantastical horror. He was explicitly interested in the Satanic, and he frequently sought to portray the double-threat of Satan and Woman. At times, his only goal

3388-407: The devoted architect Konstantine Arsakidze , from whom King Giorgi I commissions a cathedral, but Arsakidze becomes the king's rival in love for the beautiful Shorena, a daughter of the rebellious nobleman. The clash of powerful human passions, between illicit love and duty, culminates in the mutilation and execution of Arsakidze at Giorgi's behest. The story conveys a subtle allegorical message, and

3465-543: The experience of Scapigliatura , a sort of proto-decadent movement. The Scapigliati (literally meaning "unkempt" or "dishevelled") were a group of writers and poets who shared a sentiment of intolerance for the suffocating intellectual atmosphere between the late Risorgimento (1860s) and the early years of unified Italy (1870s). They contributed to rejuvenate Italian culture through foreign influences and introduced decadent themes like illness and fascination with death. The novel Fosca (1869) by Igino Ugo Tarchetti tells of

3542-404: The front of the 1868 Les Fleurs du mal , Gautier at first rejects the application of the term decadent, as meant by the critic, but then works his way to an admission of decadence on Baudelaire's own terms: a preference for what is beautiful and what is exotic, an ease with surrendering to fantasy, and a maturity of skill with manipulating language. The Belgian Félicien Rops was instrumental in

3619-420: The fusion of man with nature, the exalted vitality coexisting with the triumph of death. His novel The Pleasure , published one year before The Picture of Dorian Gray , is considered one of the three genre-defining books of the Decadent movement, along with Wilde's novel and Huysmans's Against Nature . Less flashy and more isolated than D'Annunzio, and close to the French symbolists, Pascoli redefined poetry as

3696-447: The hallucination and succeed in substituting the dream reality for the reality itself." Both groups are disillusioned with the meaning and truth offered by the natural world, rational thought, and ordinary society. Symbolism turns its eyes toward Greater Purpose or on the Ideal, using dreams and symbols to approach these esoteric primal truths. In Mallarmé's poem "Apparition", for instance,

3773-531: The harassed artists of Stalin's era can be recognized in Arsakidze. Gamsakhurdia's major post- World War II works are The Flowering of the Vine (ვაზის ყვავილობა, 1955), which deals with a Georgian village shortly before the war; and the monumental novel David the Builder (დავით აღმაშენებელი, 1942–62), which is a tetralogy about the venerated king David the Builder who ruled Georgia from 1089 to 1125. This work won for

3850-512: The height of the Stalinist terror, Gamsakhurdia turned to the more favored genre of historical and patriotic prose, embarking on his magnum opus , the novel The Right Hand of the Grand Master (დიდოსტატის მარჯვენა, 1939), set in the early 11th century around the legend of the building of the Cathedral of Living Pillar against a broad panorama of 11th-century Georgia. It deals with the tragic fate of

3927-403: The impact was felt more broadly. Typically, the influence was felt as an interest in pleasure, an interest in experimental sexuality, and a fascination with the bizarre, all packaged with a somewhat trangressive spirit and an aesthetic that values material excess. Many were also influenced by the Decadent movement's aesthetic emphasis on art for its own sake. Czech writers who were exposed to

SECTION 50

#1732894099599

4004-423: The importance of illusion and of beauty: "But isn't it necessary to believe a beautiful mask more than reality?" Ultimately, the distinction may best be seen in their approach to art. Symbolism is an accumulation of "symbols" that are there not to present their content but to evoke greater ideas that their symbolism cannot expressly utter. According to Moréas, it is an attempt to connect the objects and phenomena of

4081-405: The label, as well. Decadence continued on in France, but it was limited largely to Anatole Baju and his followers, who refined their focus even further on perverse sexuality, material extravagance, and up-ending social expectations. Far-fetched plots were acceptable if they helped generate the desired moments of salacious experience or glorification of the morbid and grotesque. Writers who embraced

4158-571: The magazine Le Décadent in 1886, an effort to define and organize the Decadent movement in a formal way. This group of writers did not only look to escape the boredom of the banal, but they sought to shock, scandalize, and subvert the expectations and values of society, believing that such freedom and creative experimentation would improve humanity. Not everyone was comfortable with Baju and Le Décadent , even including some who had been published in its pages. Rival writer Jean Moréas published his Symbolist Manifesto , largely to escape association with

4235-459: The miraculous stamp of Truth Herself Incarnate...how impossible it is for language to express things...in the Poet's hands...by the consistent virtue and necessity of an art which lives on fiction, it achieves its full efficacy. Moréas asserted in his manifesto on symbolism that words and images serve to dress the incomprehensible in such a way that it can be approached, if not understood. Decadence, on

4312-405: The moment has come to replace her by artifice." Symbolism treats language and imagery as devices that can only approximate meaning and merely evoke complex emotions and call the mind toward ideas it might not be able to comprehend. In the words of symbolist poet Stéphane Mallarmé : Languages are imperfect because multiple; the supreme language is missing...no one can utter words which would bear

4389-416: The most ultra-saffron complexioned journals I have given a new lyric impetus to my country I have loosened the tongue of young American poets. I have been told by many of our young singers that my success of Nineveh [1907] encouraged them to break the harassing chains of Puritan tradition [Introduction p.xv] Poet Francis Saltus Saltus was inspired by Charles Baudelaire, and his unpracticed style occasionally

4466-558: The movement, even though their works seemed to reflect similar ideals. While most of the influence was from figures such as Baudelaire and Verlaine, there was also very strong influence at times from more purely decadent members of the French movement, such as the influence that Huysmans and Rachilde had on Wilde, as seen explicitly in The Picture of Dorian Gray . British decadents embraced the idea of creating art for its own sake, pursuing all possible desires, and seeking material excess. At

4543-462: The other hand, sees no path to higher truth in words and images. Instead, books, poetry, and art itself are seen as the creators of valid new worlds, thus the allegory of decadent Wilde's Dorian Gray being poisoned by a book like a drug. Words and artifice are the vehicles for human creativity, and Huysmans suggests that the illusions of fantasy have their own reality: "The secret lies in knowing how to proceed, how to concentrate deeply enough to produce

4620-676: The other side, the Crepuscular poets (literally "twilight poets") turned Pascoli's innovations into a mood-conveying poetry, which describes the melancholy of everyday life in shady and monotonous interiors of provincial towns. These atmospheres were explored by the painters Mario Sironi , Giorgio de Chirico and Giorgio Morandi . Guido Gozzano was the most brilliant and ironic of the Crepusculars, but we can also remember Sergio Corazzini , Marino Moretti and Aldo Palazzeschi . The Decadent movement reached into Russia primarily through exposure to

4697-514: The people were permitted. Gamsakhurdia survived the Joseph Stalin - Lavrentiy Beria purges , which destroyed a large part of Georgian literary society, but resolutely refused to denounce others. He had to pay a tribute to the Stalinist dogma, conceiving a novel on Stalin's childhood in 1939. However, as the first published part of this work was not approved by the authorities, it was promptly discontinued and withdrawn from public libraries. At

SECTION 60

#1732894099599

4774-496: The poetry and fiction of Edgar Allan Poe . Many were associated with Symbolism , others with Aestheticism . The pursuit of these authors, according to Arthur Symons , was "a desperate endeavor to give sensation, to flash the impression of the moment, to preserve the very heat and motion of life", and their achievement, as he saw it, was "to be a disembodied voice, and yet the voice of a human soul". In his 1884 Decadent novel À rebours (English: Against Nature or Against

4851-496: The present condition of things, presses so hardly upon almost everybody." Swinburne explicitly addressed Irish-English politics in poetry when he wrote "Thieves and murderers, hands yet red with blood and tongues yet black with lies | Clap and clamour – 'Parnell spurs his Gladstone well! ' " In many of their personal lives, they also pursued decadent ideals. Wilde had a secret homosexual life. Swinburne had an obsession with flagellation. Italian literary criticism has often looked at

4928-410: The same time, they were not shy about using the tools of decadence for social and political purpose. Beardsley had an explicit interest in the improvement of the social order and the role of art-as-experience in inspiring that transformation. Oscar Wilde published an entire work exploring socialism as a liberating force: "Socialism would relieve us from that sordid necessity of living for others which, in

5005-708: The sort of decadence featured in Le Décadent include Albert Aurier , Rachilde , Pierre Vareilles, Miguel Hernández , Jean Lorrain and Laurent Tailhade . Many of these authors did also publish symbolist works, however, and it unclear how strongly they would have identified with Baju as Decadents. In France, the Decadent movement is often said to have begun with either Joris-Karl Huysmans ' Against Nature (1884) or Baudelaire's Les Fleurs du mal . This movement essentially gave way to Symbolism when Le Décadent closed down in 1889 and Anatole Baju turned toward politics and became associated with anarchy. A few writers continued

5082-413: The starting point on his journey into Roman Catholic symbolist work and the acceptance of hope. Anatole Baju, once the self-appointed school-master of French decadence, came to think of the movement as naive and half-hearted, willing to tinker and play with social realities, but not to utterly destroy them. He left decadence for anarchy. While the Decadent movement, per se, was mostly a French phenomenon,

5159-558: The tale of a young Georgian intellectual in Paris who is detached from his native society and remains a complete stranger in the city of his ideals. This novel, like his earlier works, was partially " Decadent ", and did not please the Soviet ideologists, who suspected Gamsakhurdia of fostering discontent. After the suppression of the 1924 anti-Soviet uprising in Georgia, Gamsakhurdia was excluded from

5236-537: The word "dreaming" appears twice, followed by "Dream" itself with a capital D. In "The Windows", he speaks of this decadent disgust of contentment with comfort and an endless desire for the exotic. He writes: "So filled with disgust for the man whose soul is callous, sprawled in comforts where his hungering is fed." In this continuing search for the spiritual, therefore, Symbolism has been predisposed to concern itself with purity and beauty and such mysterious imagery as those of fairies . In contrast, Decadence states there

5313-429: The word proudly to represent a rejection of what they considered banal "progress". Baudelaire referred to himself as decadent in his 1857 edition of Les Fleurs du mal and exalted the Roman decline as a model for modern poets to express their passion. He later used the term decadence to include the subversion of traditional categories in pursuit of full, sensual expression. In his lengthy introduction to Baudelaire in

5390-404: The work of the Decadent movement saw in it the promise of a life they could never know. These Bohemian decadent writers included Karel Hlaváček , Arnošt Procházka, Jiří Karásek ze Lvovic , and Louisa Zikova. One Czech writer, Arthur Breisky , embraced the full spirit of Le Décadent with its exultation in material excess and a life of refinement and pleasure. From the Decadent movement he learned

5467-417: The works of Nietzsche in the French translation, imported the concepts of Übermensch and will to power into Italy, although in his own particular version. The poet's aim had to be an extreme aestheticization of life, and life the ultimate work of art. Recurrent themes in his literary works include the supremacy of the individual, the cult of beauty, exaggerated sophistication, the glorification of machines,

5544-471: The world to "esoteric primordial truths" that cannot ever be directly approached. Decadence, on the other hand, is an accumulation of signs or descriptions acting as detailed catalogs of human material riches as well as artifice. It was Oscar Wilde who perhaps laid this out most clearly in The Decay of Lying with the suggestion of three doctrines on art, here excerpted into a list: After which, he suggested

5621-556: The worship of beauty disguised as the worship of evil. For both of them, mortality and all manner of corruptions were always on their mind. The ability of Rops to see and portray the same world as they did made him a popular illustrator for other Decadent authors. The concept of decadence lingered after that, but it was not until 1884 that Maurice Barrès referred to a particular group of writers as Decadents . He defined this group as those who had been influenced heavily by Baudelaire, though they were also influenced by Gothic novels and

5698-414: The writings of Charles Baudelaire and Paul Verlaine. The earliest Russian adherents lacked idealism and focused on such decadent themes as subversion of morality, disregard for personal health, and living in blasphemy and sensual pleasure. Russian writers were especially drawn to the morbid aspects of decadence and in the fascination with death. Dmitry Merezhkovsky is thought to be the first to clearly promote

5775-511: Was a late 19th-century artistic and literary movement, centered in Western Europe , that followed an aesthetic ideology of excess and artificiality. The Decadent movement first flourished in France and then spread throughout Europe and to the United States. The movement was characterized by a belief in the superiority of human fantasy and aesthetic hedonism over logic and

5852-536: Was compared to the French poet's more refined experimentation. He embraced the most debauched lifestyle of the French decadents and celebrated that life in his own poetry. At the time, mostly before Baju's Le Décadent , this frivolous poetry on themes of alcohol and depravity found little success and no known support from those who were part of the Decadent movement. The younger brother of Francis, writer Edgar Saltus had more success. He had some interaction with Oscar Wilde, and he valued decadence in his personal life. For

5929-402: Was the portrayal of a woman he'd observed debasing herself in the pursuit of her own pleasure. It has been suggested that, no matter how horrific and perverse his images could be, Rops' invocation of supernatural elements was sufficient to keep Baudelaire situated in a spiritually aware universe that maintained a cynical kind of hope, even if the poetry "requires a strong stomach". Their work was

#598401