50-532: Aa Gale Lag Jaa ( lit. ' Hug Me ' ) may refer to these in Indian entertainment: Aa Gale Lag Jaa (1973 film) , a 1973 Hindi romantic film directed by Manmohan Desai Aa Gale Lag Jaa (1994 film) , a 1994 Hindi film directed by Hamid Ali Khan Aa Gale Lag Jaa (TV series) , a 2002 Indian TV series Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with
100-408: A career as a skating teacher. His son Rahul can't walk due to a polio attack. After years, Prem again meets Preeti in a function. She thinks that Prem got married and had a son. In that function, Amar announces that he wouldn't marry till he makes Rahul walk. He starts treating Rahul and meanwhile Preeti grows attached to Rahul without knowing that he is her son. She tries to talk to Prem, who then knows
150-520: A few albums, including Pantera (1987), a Latin Rock album produced by Pete Gavankar (father of Janina Gavankar ). The album was an international collaboration, for which Burman partnered with Jose Flores in San Francisco. In 1987, Burman, Gulzar and Asha Bhosle worked on an album titled Dil Padosi Hai , which was released on 8 September 1987, Asha Bhosle's birthday. Burman and Asha Bhosle also recorded
200-444: A letter for Preeti at her hospital explaining everything and asking her to come with him. But Heerachand meddles with the letter and rewrites it as if Prem was asking money to marry her. Preeti becomes surprised and decides to forget him and leaves for Bombay. There, she gets engaged with Dr. Amar, her long-term friend and admirer. He leaves for Germany for higher studies and then Preeti learns of her pregnancy. Her father wants to abort
250-455: A music session for Burman before Nasir Hussain. Teesri Manzil had six songs, all of which were written by Majrooh Sultanpuri, and sung by Mohammed Rafi. Four of these were duets with Asha Bhosle , whom Burman later married. Nasir Hussain went on to sign Burman and lyricist Majrooh Sultanpuri for six of his films including Baharon Ke Sapne (1967), Pyar Ka Mausam (1969) and Yaadon Ki Baaraat (1973). Burman's score for Padosan (1968)
300-747: A song for a small documentary film called Maa Ki Pukaar , in 1975. After his father S. D. Burman went into coma, Burman also completed the music of Mili (1975). Mohammed Rafi received the National Film Award for Best Male Playback Singer for the song "Kya Hua Tera Wada" from Hum Kisise Kum Naheen (1977), composed by Burman. He continued to compose several popular songs for films such as Kasme Vaade (1978), Ghar (1978), Gol Maal (1979) and Khubsoorat (1980). He received his first Filmfare Best Music Director Award for Sanam Teri Kasam (1981). In 1981, he also composed hit music for Rocky , Satte Pe Satta and Love Story . Abhijeet
350-968: Is a 113-minute biopic on Burman, directed by Brahmanand Singh . A postage stamp, bearing Burman's likeness was released by India Post to honour him on 3 May 2013. In India, Pancham Magic from Pune and Euphony from Kolkata hosts shows most likely on 4th Jan and 27 June every year with musicians, artists or otherwise worked with Burman every year. Besides this many events are celebrated in various parts of India every now or then with new talents or people who worked with Burman. Out of Burman's 331 released film scores, 292 were in Hindi, 31 in Bengali, 3 in Telugu, 2 each in Tamil and Oriya, and 1 in Marathi. Burman also composed for 5 TV Serials in Hindi and Marathi. Pancham's non-film music comprises
400-426: Is a 1973 Hindi romantic film directed by Manmohan Desai , based on a story by Smt. Jeevanprabha Desai. It stars Shashi Kapoor , Sharmila Tagore and Shatrughan Sinha . The film became a box office hit and was the 10th highest grossing Hindi film of 1973. Poornima received a Filmfare nomination as Best Female Playback Singer for the song "Tera Mujhse Hai." Her nomination is the only Filmfare nomination for
450-658: Is also a tribute to R.D. Burman. In 1995, Filmfare Awards constituted the Filmfare RD Burman Award for New Music Talent in his memory. The award is given to upcoming music talent in Hindi cinema. In 2009, the Brihanmumbai Municipal Corporation named a public square in Santa Cruz after Burman. Burman inspired many later Hindi film music composers, such as Vishal–Shekhar . Jatin–Lalit are considered to have carried on Burman's legacy through
500-471: Is an adaptation of Song for my Father by Horace Silver . Tera Mujhse Hai Pehle Ka Nata Koi was lifted off of Yellow Rose of Texas The film has enjoyed an unusual cult status in Algeria since its release. The cult following remains four decades since the film's release. The movie there is called JANITOU . Rahul Dev Burman Rahul Dev Burman ( pronunciation ; 27 June 1939 – 4 January 1994)
550-504: Is considered a landmark in documentary biopics in India and set a trend. A coffee-table book, co-authored by Brahmanand Siingh and Gaurav Sharma titled "Strings of Eternity" was released with Pancham Unmixed by Shemaroo. Mobius films, the producers of Pancham Unmixed, then went on to release an extended 5 hours version titled "Knowing Pancham". The launch was at prestigious venue Blue Frog in Mumbai and
SECTION 10
#1732891896553600-597: Is the name of the fifth scale degree: (IAST: Ṣaḍja, Ṛṣabha, Gandhāra, Madhyama, Pañcama , Dhaivata, Niṣāda). Another theory says that the baby was nicknamed Pancham because he could cry in five different notes. Yet another version is that when the veteran Indian actor Ashok Kumar saw a newborn Rahul uttering the syllable Pa repeatedly, he nicknamed the boy Pancham . Burman received his early education in West Bengal from Tirthapati Institution in Kolkata. His father S. D. Burman
650-797: The 1985 Hindi movie Pyar Jhukta Nahin were also inspired by this movie. Preeti is a young medico living in Mumbai along with her widower father, Heerachand. On a holiday to Simla, she meets a young man Prem, an amateur skater. He teases her initially but later falls for her. After some wooing, Preeti also reciprocates his feelings. During a trip to the hills, Preeti meets with an accident and loses consciousness. To save her from hypothermia, he gets close with her and one thing leads to another and become intimate. Immediately after, Prem tells her that he got close only to save her and proposes to her. She gladly accepts and directs him to her father. Her father, Heerachand doesn't want her daughter to marry him and offers him money to leave her. Prem doesn't agree and leaves
700-402: The 1990s. Notable musical assistants to Burman include Manohari Singh and Sapan Chakraborty. His instrumentalists included Hari Prasad Chaurasia , Shiv Kumar Sharma , Louis Banks , Bhupinder Singh and Kersi Lord . He is also noted for his partnership with the lyricist Gulzar , who wrote the words for several of his finest compositions. Pancham Unmixed , a winner of 2 National Awards,
750-441: The child, but she doesn't agree, at last, they decide to go to Khandala to give birth. She goes there and unbeknownst to her, Prem stays there along with his mother. Preeti gives birth to a healthy boy there. Knowing that Prem requests to take the child for himself. Heerachand agrees and gives him the child. Preeti is told that the baby was stillborn. She mourns and returns to Bombay. Prem comes to Bombay along with his son and starts
800-518: The country's pubs and discos. Several of his compositions were re-mixed by the South Asian DJs in the United Kingdom and North America, and feature in popular albums such as Bally Sagoo 's Bollywood Flashback . Kronos Quartet 's You've Stolen My Heart (2005) contains Burman's compositions sung by his wife Asha Bhosle. In the 2012 film Khiladi 786 , Himesh Reshammiya -composed song Balma
850-431: The film Padosan (1968) On multiple occasions, Burman experimented with recording the same song with different singers. For Kudrat (1981), he recorded the light semi-classical version of the song "Hume tumse pyar kitna" in the voice of Kishore Kumar, while the classical version was recorded in the voice of Parveen Sultana . Burman sometimes used Western dance music as a source of inspiration for his compositions. As
900-587: The film Anamika (Bengali version: Mone Pore Rubi Roy), "Pyar Diwana Hota Hai" from Kati Patang (Bengali version: Aaj Gun Gun Gun Kunje Amar),"Diye Jalte Hain Phool Khilte Hain" from Namak Haraam (Bengali version: Deke Deke Kato), "Do Nainon Mein Ansoo Bhare Hai" from Khushboo (Bengali version: Tomate Amate Dekha Hoyechhilo) and "Tere Bina Zindagi Se Koi" from Aandhi (Bengali version: Jete Jete Pathe Holo). Even there
950-460: The film took too long to release and due to his untimely death, director Mazhar Khan signed in the then little known Anu Malik for the music of the film. The film got released later in 2000, even after Mazhar Khan died. Thenmavin Kombath , a Malayalam film by Priyadarshan was the last film he signed, but he died before he could score for the film. The music of 1942: A Love Story (1994), which
1000-460: The film. Aa Gale Lag Jaa is noted for its wonderful hit songs which had music by R.D. Burman with lyrics by Sahir Ludhianvi. The film was remade in Telugu as Manchi Manushulu , in Tamil as Uthaman and in Persian as Ranande-ye-ejbari . The Sinhalese movie Yali Hamuwennai directed by Sena Samarasinghe in the 1980s is said to be a direct copy of this film. The 1977 Pakistani movie Aina and
1050-552: The issue became a controversy. In the 1970s, Burman became highly popular with the Kishore Kumar songs in Rajesh Khanna -starrer films. Kati Patang (1970), a musical hit, was the beginning of a series of the 1970s films directed by Shakti Samanta of Aradhana fame. Its songs "Yeh Shaam Mastani" and "Yeh Jo Mohabbat Hai", sung by Kishore Kumar, became instant hits. Apart from Kishore Kumar, Burman also composed several of
SECTION 20
#17328918965531100-404: The late 1980s, he was overshadowed by Bappi Lahiri and Laxmikant-Pyarelal . Many filmmakers stopped patronizing him, as films featuring his compositions flopped at the box office one after the other. Nasir Hussain , who had signed him up for every single one of his productions since Teesri Manzil (1966), did not sign him up for Qayamat Se Qayamat Tak (1988). Hussain defended Burman in
1150-626: The most memorable numbers in his career. Nicknamed Pancham , he was the only son of the composer Sachin Dev Burman and his Bengali lyricist wife Meera Dev Burman. He was mainly active in the Hindi film industry as a composer, and also provided vocals for a few compositions. He served as an influence to the next generation of Indian music directors, and his songs continue to be popular in India and overseas. Many years after his death, his songs continue to be inspiration for new singers and composers. Burman
1200-437: The music director duo Vishal–Shekhar into the limelight, is also a tribute to him. In Khwahish (2003), Mallika Sherawat 's character is a Burman fan; the film features repeated references to him. In 2010, Brahmanand Singh released a 113-minute documentary titled Pancham Unmixed: Mujhe Chalte Jaana Hai , which received critical acclaim. Pancham Unmixed won 2 National Awards and was premiered at IFFLA, Los Angeles. The film
1250-454: The music director for Chhote Nawab . Burman later developed a close association with Mehmood, and made a cameo in Mehmood's Bhoot Bangla (1965). Burman's first hit film as a music director was Teesri Manzil (1966). Burman gave credit to lyricist Majrooh Sultanpuri for recommending him to Nasir Hussain , the producer and writer of the film. Vijay Anand also said that he had arranged
1300-402: The opening beats of "Mehbooba, Mehbooba". Similarly, he used cups and saucers to create the tinkling sound for the song "Chura Liya Hai" from the film Yaadon Ki Baaraat (1973). For Satte Pe Satta (1982), he made the singer Annette Pinto gargle to produce a background sound. He also rubbed a comb on a rough surface to produce a whooshing sound in the song "Meri Samne Wali Khidki Main" from
1350-400: The popular songs sung by Lata Mangeshkar , Mohammed Rafi and Asha Bhosle. In 1970, Burman composed the music for Dev Anand 's Hare Rama Hare Krishna (1971). The Asha Bhosle song " Dum Maro Dum " from this film proved to be a seminal rock number in Hindi film music. The filmmaker Dev Anand did not include the complete version of "Dum Maro Dum" in the film, because he was worried that
1400-591: The press, saying that the latter did not give weak music in Zamane Ko Dikhana Hai (1982) and Manzil Manzil (1984). He also said that the composer was going through a lean phase during the recording of Zabardast (1985). But after these three films flopped, Hussain stepped down as a director, and his son and successor Mansoor Khan switched to other composers. The filmmaker Subhash Ghai promised Burman Ram Lakhan (1989), but gave it instead to Laxmikant–Pyarelal . In 1986, Burman composed songs for Ijaazat ;
1450-446: The same film directors and worked with the same set of musicians. Music Assistants String Instruments Percussion Instruments Keyboard Instruments Wind Instruments Several Hindi films made after Burman's death contain his original songs or their remixed versions. Dil Vil Pyar Vyar (2002), which contains several re-arranged hit songs of Burman, was made as a tribute to him. Jhankaar Beats (2003), which catapulted
1500-596: The score is regarded as one of his best. However, the film belonged to the Parallel Cinema genre of ( art films ), so it did not stop the decline of Burman's commercial film career. All four songs in Ijaazat were sung by Asha Bhosle and written by Gulzar. Burman was greatly appreciated by the critics for setting the non-rhyming lyrics of the song " Mera Kuchh Saamaan " to music. While both Asha Bhosle ( Best Female Playback ) and Gulzar ( Best Lyrics ) received National Awards for
1550-475: The score, Burman received none. Burman suffered from a heart attack in 1988, and underwent heart bypass surgery a year later at The Princess Grace Hospital in London. During this period, he composed many tunes, which were never released. He composed music for Vidhu Vinod Chopra 's film Parinda in 1989. He composed one song called "Chhod Ke Na Jaana" which was sung by Asha Bhosle for the film Gang . But since
Aa Gale Lag Jaa - Misplaced Pages Continue
1600-406: The song " Bow Down Mister " with Boy George . In addition, he scored a large number of non-film songs in Bengali, which are available in different albums, and from which many numbers were later adapted in Hindi films. Burman also did playback singing in eighteen films for which he himself composed the scores. Burman laid the foundation for numerous Hindi film music directors to pave the path for
1650-854: The song would overshadow the film. In the same year, Burman composed the music for Amar Prem . The Lata Mangeshkar song "Raina Beeti Jaye" from this soundtrack is regarded as a classical music gem in Hindi film music. Burman's other hits in 1971 included the romantic song "Raat kali ek khwab mein" from Buddha Mil Gaya and the Helen -starrer cabaret song " Piya Tu Ab To Aaja " from Caravan . He received his first Filmfare Award nomination for Caravan . In 1972, Burman composed music for several films, including Seeta Aur Geeta , Rampur Ka Lakshman , Mere Jeevan Saathi , Bombay To Goa , Apna Desh and Parichay . His success continued with hits such as Yaadon Ki Baaraat (1973), Aap Ki Kasam (1974), Sholay (1975) and Aandhi (1975). He also composed
1700-623: The studio pianist Kersi Lord. According to Douglas Wolk , Burman "wrapped sugary string swoops around as many ideas as he could squeeze in at once". Biswarup Sen describes his popular music as one featuring multicultural influences, and characterized by "frenetic pacing, youthful exuberance and upbeat rhythms". Burman was influenced by Western, Latin, Oriental and Arabic music, and incorporated elements from these in his own music. He also experimented with different musical sounds produced from methods such as rubbing sandpaper and knocking bamboo sticks together. He blew into beer bottles to produce
1750-537: The title Aa Gale Lag Jaa . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Aa_Gale_Lag_Jaa&oldid=1226167647 " Category : Disambiguation pages Hidden categories: Short description is different from Wikidata All article disambiguation pages All disambiguation pages Aa Gale Lag Jaa (1973 film) Aa Gale Lag Jaa ( transl. Come, embrace me )
1800-436: The truth from her and Rahul was her son. Amar saves Prem and everybody reconciles. Preeti and Prem marry and stay happy with their son. The songs of this movie were composed by legendary music composer Rahul Dev Burman and the lyrics were penned by Sahir Ludhianvi . The songs of this movie are popular till today, especially "Vaada Karo" and "Tera Mujhse Hai Pehle Ka Nata Koi" are remembered till this day. The song "Vaada Karo"
1850-444: The truth that Heerachand changed his letter. But he keeps mum for the sake of Amar. Amar learns the truth about Preeti and Prem and becomes troubled. He succeeds in making Rahul walk though. Prem gets mortally injured while saving Tikki (Amar's sister) from goons. He gives Rahul his wallet before going for surgery saying that his mother's photo is in there. Preeti sees it and questions her father about her child. He confesses that he hid
1900-478: Was a noted music director in Hindi language films , the Mumbai -based Hindi film industry. When he was seventeen years old, R. D. Burman composed his first song, Aye meri topi palat ke aa , which his father used in the film Funtoosh (1956). The tune of the song Sar jo tera chakraaye was also composed by him as a child; his father included it in the soundtrack of Guru Dutt 's Pyaasa (1957). In Mumbai , Burman
1950-638: Was a sequel to the song "Phire eso Anuradha" sung by himself. However, the sequel had Asha Bhosle's vocals too "Phire Elam Dure Giye". Both versions were superhits. Burman has been credited with revolutionizing Hindi film music. He incorporated a wide range of influences from several genres in his scores though his primary inspiration was Bengali folk. Burman's career coincided with the rise of Rajesh Khanna-starrer youth love stories. He made electronic rock popular in these popular love stories. He often mixed disco and rock elements with Bengali folk music. He also used jazz elements, which had been introduced to him by
2000-493: Was an Indian music director and actor, who is considered to be one of the greatest and most successful music directors of the Hindi film music industry. From the 1960s to the 1990s, Burman composed musical scores for 331 films, bringing a new level of music ensemble with his compositions. Burman did his major work with legendary singers Mohammed Rafi , Kishore Kumar , Lata Mangeshkar , and Asha Bhosle . He also worked extensively with lyricist Gulzar , with whom he has some of
2050-594: Was born to the Hindi film composer and singer, Sachin Dev Burman , and his lyricist wife Meera Dev Burman (née Dasgupta), in Calcutta. Initially, he was nicknamed Tublu by his maternal grandmother, although he later became known by the nickname Pancham. According to some stories, he was nicknamed Pancham because, as a child, whenever he cried, it sounded in the fifth note ( Pa ), G note on c major scale, of music notation; in Hindustani Classical Music, Pancham
Aa Gale Lag Jaa - Misplaced Pages Continue
2100-904: Was common in Hindi films, some of his songs featured the tunes of popular foreign songs. Often, the filmmakers forced him to copy these tunes for the soundtracks, resulting in allegations of plagiarism. For example, Ramesh Sippy insisted that the tune of the traditional Cyprus song "Say You Love Me" (arranged and sung by Demis Roussos ) be used for "Mehbooba Mehbooba" ( Sholay , 1975), and Nasir Hussain wanted to use ABBA 's " Mamma Mia " for Mil gaya hum ko sathi . Other examples of Burman songs inspired by foreign songs including "Aao twist karein" from Bhoot Bangla ( Chubby Checker 's " Let's Twist Again "), "Tumse milke" ( Leo Sayer 's " When I Need You "), and "Zindagi milke bitaayenge" ( Paul Anka 's "The Longest Day") and "Jahan teri yeh nazar hai" (Persian artist Zia Atabi's "Heleh maali") and "Dilbar mere" ( Alexandra 's "Zigeunerjunge"). Burman often collaborated with
2150-550: Was composed while he was at a hotel after the separation. Burman married Asha Bhosle in 1980. Together, they recorded many hit songs and also staged many live performances. However, towards the end of his life, they did not live together. Burman had financial difficulties, particularly later in his life. His mother Meera died in 2007, thirteen years after his death. She had been suffering from Alzheimer's even before her son's death. Just before her death she had been moved to an old age home, and moved back to her son's residence after
2200-401: Was featured in the film Solva Saal , and sung by Hemanta Mukhopadhyay . In 1959, Burman signed up as a music director for the film Raaz , directed by Guru Dutt 's assistant Niranjan. However, the film was never completed. The lyrics of this Guru Dutt and Waheeda Rehman -starrer film were written by Shailendra . Burman recorded two songs for the film before it was shelved. The first song
2250-693: Was given his major break by Burman in Anand Aur Anand (1984). Although he made his debut a long time ago, Hariharan was first noticed in a duet with Kavita Krishnamurthy in Hai Mubarak Aaj ka Din from Boxer (1984), which was composed by Burman. In 1985, Mohammed Aziz made his debut with Shiva Ka Insaaf (1985) under Burman. The trio Kishore Kumar-Rajesh Khanna-R.D.Burman have worked together in 32 films, and these films and songs continue to be popular till date. The trio were close friends. R.D.Burman composed for 40 films for Rajesh Khanna. During
2300-499: Was graced by Manoj Bajpayee, Ashutosh Gowariker, Dolly Thakore, Sachin, Atul Tiwari, Ketan Mehta, Deepa Sahi amongst others. Brahmanand and Gaurav Sharma authored another coffee-table book with the extended version, titled "Diamonds and Rust". The music of Lootera (2013) is a tribute to Burman. Other films which credit R. D. Burman include Gang (2000) and Monsoon Wedding (2001), for Chura liya hai . A number of Indian remix albums feature Burman's songs, which are also popular in
2350-581: Was released after his death, was highly successful. It posthumously won him the third and last of his Filmfare Awards . As per Lata Mangeshkar , Burman was quite unhappy during his final years as he was not getting much work from the industry after some of his music didn't do well at the box office. R. D. Burman was a prolific contributor to the Bengali tradition of composing songs for the Durga Puja festival, many of which he later adapted for Hindi films. This includes hit songs such as "Meri Bheegi Bheegi Si" from
2400-480: Was sung by Geeta Dutt and Asha Bhosle , and the second one had vocals by Shamshad Begum . Burman's first released film as an independent music director was Chhote Nawab (1961). When the noted Hindi film comedian Mehmood decided to produce Chhote Nawab , he first approached Burman's father Sachin Dev Burman for the music. However, S. D. Burman declined the offer, advising he was unavailable. At this meeting, Mehmood noticed Rahul playing tabla , and signed him as
2450-573: Was trained by Ustad Ali Akbar Khan ( sarod ) and Samta Prasad ( tabla ). He also considered Salil Chowdhury his guru. He served as an assistant to his father and often played harmonica in his orchestras. Some of the notable films in which Burman is credited as the music assistant include Chalti Ka Naam Gaadi (1958), Kaagaz Ke Phool (1959), Tere Ghar Ke Samne (1963), Bandini (1963), Ziddi (1964), Guide (1965) and Teen Devian (1965). Burman also played mouth organ for his father's hit composition "Hai Apna Dil To Aawara", which
2500-485: Was well received. Meanwhile, he continued to work as his father's assistant for films including Jewel Thief (1967) and Prem Pujari (1970). Burman's first wife was Rita Patel , whom he had met in Darjeeling . Rita, a fan, had bet her friends that she would be able to get a film-date with Burman. They two married in 1966, and divorced in 1971. The song Musafir Hoon Yaaron ("I'm a Traveller") from Parichay (1972)
#552447