Mid 20th Century
118-643: The International Junior Heavyweight Championship is a professional wrestling championship in Japanese promotion Pro Wrestling Zero1 (Zero1, formerly Pro Wrestling Zero-One and Pro Wrestling Zero1-Max), contested exclusively among junior heavyweight (<100 kg (220 lb)) wrestlers. It was originally created on June 29, 2002, as the NWA/UPW/Zero-One International Junior Heavyweight Championship , symbolizing Pro Wrestling Zero-One (Zero-One)'s relationship with
236-446: A " gimmick " consisting of a specific persona , stage name , entrance theme , and other distinguishing traits. Matches are the primary vehicle for advancing storylines, which typically center on interpersonal conflicts, or feuds , between heroic " faces " and villainous " heels ". A wrestling ring , akin to the platform used in boxing , serves as the main stage ; additional scenes may be recorded for television in backstage areas of
354-413: A background in authentic wrestling no longer mattered. After this time, matches became more outlandish and gimmicky and any semblance professional wrestling had to catch wrestling faded. The personas of the wrestlers likewise grew more outlandish. Gorgeous George , who performed throughout the 1940s and 1950s, was the first wrestler whose entrance into the arena was accompanied by a theme song played over
472-520: A carny term for a shooting gallery gun whose sights were not deliberately misaligned. Wrestling in the United States blossomed in popularity after the Civil War , with catch wrestling eventually becoming the most popular style. At first, professional wrestlers were genuine competitive fighters, but they struggled to draw audiences because Americans did not find real wrestling to be very entertaining, so
590-513: A central authority. Nor could any of them stomach the idea of leaving the NWA themselves to compete directly with McMahon, for that would mean their territories would become fair game for the other NWA members. McMahon also had a creative flair for TV that his rivals lacked. For instance, the AWA's TV productions during the 1980s were amateurish, low-budget, and out-of-touch with contemporary culture, which lead to
708-574: A champion that Curley put forth: Dick Shikat . The National Wrestling Association shut down in 1980. In 1948, a number of promoters from across the country came together to form the National Wrestling Alliance (NWA). The NWA recognized one "world champion", voted on by its members, but allowed member promoters to crown their own local champions in their territories. If a member poached wrestlers from another member, or held matches in another member's territory, they risked being ejected from
826-421: A degree. Vince Russo, the boss of WCW in 2000, completely disregarded kayfabe by routinely discussing business matters and office politics in public, which alienated fans. I watch championship wrestling from Florida with wrestling commentator Gordon Solie . Is this all "fake"? If so, they deserve an Oscar . Improvisational theatre Improvisational theatre , often called improvisation or improv ,
944-410: A fee, a visitor could challenge the wrestler to a quick match. If the challenger defeated the champion in a short time frame, usually 15 minutes, he won a prize. To encourage challenges, the carnival operators staged rigged matches in which an accomplice posing as a visitor challenged the champion and won, giving the audience the impression that the champion was easy to beat. This practice taught wrestlers
1062-749: A few. The Open Theatre was founded in New York City by a group of former students of acting teacher Nola Chilton , and joined shortly thereafter by director Joseph Chaikin , formerly of The Living Theatre , and Peter Feldman. This avant-garde theatre group explored political, artistic, and social issues. The company, developing work through an improvisational process drawn from Chilton and Viola Spolin , created well-known exercises, such as "sound and movement" and "transformations", and originated radical forms and techniques that anticipated or were contemporaneous with Jerzy Grotowski 's " poor theater " in Poland. During
1180-507: A form of improvised community theatre which is often not comedic and replays stories as shared by members of the audience. The Groundlings is a popular and influential improv theatre and training center in Los Angeles , California. The late Gary Austin , founder of The Groundlings, taught improvisation around the country, focusing especially in Los Angeles. He was widely acclaimed as one of
1298-414: A genuine sport, and the phrase "professional wrestling" therefore has a more literal meaning in those places. A notable example is India's Pro Wrestling League . In numerous American states, professional wrestling is legally defined as a non-sport. For instance, New York defines professional wrestling as: Professional wrestling means an activity in which participants struggle hand-in-hand primarily for
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#17328863509851416-405: A legitimate sport. Firstly, wrestling was more entertaining when it was faked, whereas fakery did not make boxing any more entertaining. Secondly, in a rigged boxing match, the designated loser must take a real beating for his "defeat" to be convincing, but wrestling holds can be faked convincingly without inflicting injury. This meant that boxers were less willing to "take dives"; they wanted to have
1534-754: A match against Gus Sonnenberg in January 1929. Bowser then broke away from the trust to form his own cartel, the American Wrestling Association (AWA), in September 1930, and he declared Sonnenberg to be the AWA champion. This AWA should not be confused with Wally Kadbo's AWA founded in 1960. Curley reacted to this move by convincing the National Boxing Association to form the National Wrestling Association , which in turn crowned
1652-440: A new city, attendance was high because there was a waiting fanbase cultivated in advance by the cable TV shows. The NWA's traditional anti-competitive tricks were no match for this. The NWA attempted to centralize and create their own national cable television shows to counter McMahon's rogue promotion, but it failed in part because the members of the NWA, ever protective of their territories, could not stomach submitting themselves to
1770-564: A popular longform improv format known as The Harold . Others include Keith Johnstone , the British teacher and writer–author of Impro , who founded the Theatre Machine and whose teachings form the foundation of the popular shortform Theatresports format, Dick Chudnow , founder of ComedySportz which evolved its family-friendly show format from Johnstone's Theatersports, and Bill Johnson, creator/director of The Magic Meathands, who pioneered
1888-525: A predetermined game , structure, or idea and driven by an audience suggestion. Many shortform exercises were first created by Viola Spolin, who called them theatre games, influenced by her training from recreational games expert Neva Boyd . The shortform improv comedy television series Whose Line Is It Anyway? has familiarized American and British viewers with shortform. Longform improv performers create shows in which short scenes are often interrelated by story, characters, or themes. Longform shows may take
2006-413: A range of styles of improvisational comedy as well as some non-comedic theatrical performances. It is sometimes used in film and television, both to develop characters and scripts and occasionally as part of the final product. Improvisational techniques are often used extensively in drama programs to train actors for stage, film, and television and can be an important part of the rehearsal process. However,
2124-477: A rich improv tradition. In 1984, Dick Chudnow (Kentucky Fried Theater) founded ComedySportz in Milwaukee , WI. Expansion began with the addition of ComedySportz-Madison (WI), in 1985. The first Comedy League of America National Tournament was held in 1988, with 10 teams participating. The league is now known as CSz Worldwide and boasts a roster of 29 international cities. In San Francisco, The Committee theater
2242-399: A technique by Viola Spolin. As with all improv 'offers', improvisers are encouraged to respect the validity and continuity of the imaginary environment defined by themselves and their fellow performers; this means, for example, taking care not to walk through the table or "miraculously" survive multiple bullet wounds from another improviser's gun. Because improvisers may be required to play
2360-613: A technique or as an effect, but rather in expanding the improv genre so as to incorporate techniques and approaches that have long been a legitimate part of European theatre. The Brave New Workshop Comedy Theater (BNW), is a sketch and improvisational comedy theater based in Minneapolis , Minnesota. Started by Dudley Riggs in 1958, the artists of the BNW have been writing, performing and producing live sketch comedy and improvisation performances for 62 years – longer than any other theater in
2478-611: A tool to gain insight into a person's thoughts, feelings, and relationships. The earliest well-documented use of improvisational theatre in Western history is found in the Atellan Farce of 391 BC. From the 16th to the 18th centuries, commedia dell'arte performers improvised based on a broad outline in the streets of Italy. In the 1890s, theatrical theorists and directors such as the Russian Konstantin Stanislavski and
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#17328863509852596-497: A typical American household only received four national channels by antenna, and ten to twelve local channels via UHF broadcasting . But cable television could carry a much larger selection of channels and therefore had room for niche interests. The WWF started with a show called All-American Wrestling airing on the USA Network in September 1983. McMahon's TV shows made his wrestlers national celebrities, so when he held matches in
2714-413: A variety of roles without preparation, they need to be able to construct characters quickly with physicality, gestures , accents , voice changes, or other techniques as demanded by the situation. The improviser may be called upon to play a character of a different age or sex. Character motivations are an important part of successful improv scenes, and improvisers must therefore attempt to act according to
2832-575: A victory for all the pain to which they subjected themselves. In the 1910s, promotional cartels for professional wrestling emerged in the East Coast (outside its traditional heartland in the Midwest ). These promoters sought to make long-term plans with their wrestlers, and to ensure their more charismatic and crowd-pleasing wrestlers received championships, further entrenching the desire for worked matches. The primary rationale for shoot matches at this point
2950-410: Is a true sport. Wrestlers would at all times flatly deny allegations that they fixed their matches, and they often remained in-character in public even when not performing. When in public, wrestlers would sometimes say the word kayfabe to each other as a coded signal that there were fans present and they needed to be in character. Professional wrestlers in the past strongly believed that if they admitted
3068-412: Is also commonly used to enhance ideation in teams and groups. Many directors have made use of improvisation in the creation of both mainstream and experimental films. Many silent filmmakers such as Charlie Chaplin and Buster Keaton used improvisation in the making of their films, developing their gags while filming and altering the plot to fit. The Marx Brothers were notorious for deviating from
3186-616: Is an improvisational game show, much like Whose Line Is It Anyway? The BBC sitcoms Outnumbered and The Thick of It also had some improvised elements in them. In the field of the psychology of consciousness , Eberhard Scheiffele explored the altered state of consciousness experienced by actors and improvisers in his scholarly paper Acting: an altered state of consciousness . According to G. William Farthing in The Psychology of Consciousness comparative study, actors routinely enter into an altered state of consciousness (ASC). Acting
3304-428: Is distinguished by its scripted outcomes and emphasis on entertainment and showmanship . The staged nature of matches is an open secret , with both wrestlers and spectators nonetheless maintaining the pretense that performances are bona fide competitions, which is likened to the suspension of disbelief employed when engaging with fiction . Professional wrestlers perform as characters and usually maintain
3422-510: Is especially performed in Chicago, New York City, Los Angeles, Austin, Dallas, Boston, Minneapolis, Phoenix, Philadelphia, San Francisco, Seattle, Detroit, Toronto, Vancouver, and Washington, D.C., and is building a growing following in Baltimore, Denver, Kansas City, Montreal, Columbus, New Orleans, Omaha, Rochester, NY, and Hawaii. Outside the United States, longform improv has a growing presence in
3540-410: Is in his first reign. As of November 27, 2024. Professional wrestling 1970s and 1980s 1990s 2000s 2010s and 2020s Professional wrestling (often referred to as pro wrestling , or simply, wrestling ) is a form of athletic theater that combines mock combat with drama , with the premise that the performers are competitive wrestlers. Professional wrestling
3658-419: Is seen as altering most of the 14 dimensions of changed subjective experience which characterize ASCs according to Farthing, namely: attention, perception, imagery and fantasy, inner speech, memory, higher-level thought processes, meaning or significance of experiences, time experience, emotional feeling and expression, level of arousal, self-control, suggestibility, body image, and sense of personal identity. In
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3776-410: Is the form of theatre , often comedy , in which most or all of what is performed is unplanned or unscripted, created spontaneously by the performers. In its purest form, the dialogue, action, story, and characters are created collaboratively by the players as the improvisation unfolds in present time, without use of an already prepared, written script . Improvisational theatre exists in performance as
3894-550: Is the home of the longest running musical improv show in history at 11 years. In 2012, Lebanese writer and director Lucien Bourjeily used improvisational theater techniques to create a multi-sensory play entitled 66 Minutes in Damascus . This play premiered at the London International Festival of Theater, and is considered one of the most extreme kinds of interactive improvised theater put on stage. The audience play
4012-414: Is well-established on the west coast with companies such as San Francisco's BATS Improv . This format allows for full-length plays and musicals to be created improvisationally. Many people who have studied improv have noted that the guiding principles of improv are useful, not just on stage, but in everyday life. For example, Stephen Colbert in a commencement address said, Well, you are about to start
4130-656: The AWA Superstars of Wrestling (AWA) alliance on February 28, 2005, with the title becoming known as the AWA/Zero1-Max/UPW/World-1 International Junior Heavyweight Championship . On August 26, 2006, after Minoru Fujita won the annual Tenkaichi Jr. tournament, Fujita renamed the championship to the AWA World Junior Heavyweight Championship . When Zero1-Max left the AWA on December 15, 2007, it
4248-653: The Canadian Improv Games . In the United States, the Improv Olympics were later produced by Charna Halpern under the name "ImprovOlympic" and now as "IO"; IO operates training centers and theaters in Chicago and Los Angeles. At IO, Halpern combined Shepherd's "Time Dash" game with Del Close's "Harold" game; the revised format for the Harold became the fundamental structure for the development of modern longform improvisation. In 1975 Jonathan Fox founded Playback Theatre ,
4366-559: The National Wrestling Alliance (NWA) and Ultimate Pro Wrestling (UPW); Leonardo Spanky defeated Smelly to become the first champion. When Zero-One left the NWA on October 31, 2004, the title was renamed to incorporate Steve Corino 's Pro Wrestling World-1 (Word-1), becoming the Zero-One/UPW/World-1 International Junior Heavyweight Championship . The name was again altered when the newly renamed Pro Wrestling Zero1-Max (Zero1-Max) joined
4484-609: The New Jersey State Athletic Control Board that professional wrestling is not a real sport because its matches have predetermined outcomes. Shortly thereafter, New Jersey deregulated professional wrestling. The WWF then rebranded itself as a " sports entertainment " company. In the early years of the 20th century, the style of wrestling used in professional wrestling matches was catch wrestling . Promoters wanted their matches to look realistic and so preferred to recruit wrestlers with real grappling skills. In
4602-762: The United States , Mexico , Japan , and northwest Europe (the United Kingdom , Germany/Austria and France ), which have each developed distinct styles, traditions, and subgenres within professional wrestling. Professional wrestling has developed its own culture and community , including a distinct vernacular . It has achieved mainstream success and influence within popular culture , with many terms, tropes , and concepts being referenced in everyday language as well as in film , music , television , and video games . Likewise, numerous professional wrestlers have become national or international icons with recognition by
4720-493: The props that might be useful in a scene. Improv companies may have at their disposal some number of readily accessible props that can be called upon at a moment's notice, but many improvisers eschew props in favor of the infinite possibilities available through mime . In improv, this is more commonly known as 'space object work' or 'space work', rather than 'mime', and the props and locations created by this technique, as 'space objects' created out of 'space substance', developed as
4838-577: The 1920s, a group of wrestlers and promoters known as the Gold Dust Trio introduced moves which have since become staples of the mock combat of professional wrestling, such as body slams, suplexes , punches, finishing moves, and out-of-ring count-outs. By the early 1930s, most wrestlers had adopted personas to generate public interest. These personas could broadly be characterized as either faces (likeable) or heels (villainous). Native Americans, cowboys, and English aristocrats were staple characters in
International Junior Heavyweight Championship (Zero1) - Misplaced Pages Continue
4956-400: The 1930s and 1940s. Before the age of television, some wrestlers played different personas depending on the region they were performing in. This eventually came to an end in the age of national television wrestling shows, which forced wrestlers to stick to one persona. Wrestlers also often used some sort of gimmick, such as a finishing move, eccentric mannerisms, or out-of-control behavior (in
5074-506: The 1990s, WCW became a credible rival to the WWF, but by end it suffered from a series of creative missteps that led to its failure and purchase by the WWF. One of its mistakes was that it diminished the glamor of its World Heavyweight Championship . Between January 2000 and March 2001, the title changed hands eighteen times, which sapped fan enthusiasm, particularly for the climactic pay-per-view matches. In professional wrestling, two factors decide
5192-411: The 19th century, who later sought to make matches shorter, more entertaining, and less physically taxing. As the public gradually realized and accepted that matches were predetermined, wrestlers responded by increasingly adding melodrama, gimmickry, and outlandish stunt work to their performances to further enhance the spectacle . By at least the early 20th century, professional wrestling had diverged from
5310-641: The Atlantic Athletic Corporation (AAC). The AAC shut down in 1960. In 1958, Omaha promoter and NWA member Joe Dusek recognized Verne Gagne as the world champion without the approval of the NWA. Gagne asked for a match against the recognized NWA champion Pat O'Connor. The NWA refused to honor the request, so Gagne and Minneapolis promoter Wally Karbo established the American Wrestling Association in 1960. This AWA should not be confused with Paul Bowser's AWA, which ceased operations just two months prior. Gagne's AWA operated out of Minnesota . Unlike
5428-492: The French Jacques Copeau , founders of two major streams of acting theory, both heavily utilized improvisation in acting training and rehearsal. Modern theatrical improvisation games began as drama exercises for children, which were a staple of drama education in the early 20th century thanks in part to the progressive education movement initiated by John Dewey in 1916. Some people credit American Dudley Riggs as
5546-408: The NWA, at which point his territory became fair game for everyone. The NWA would blacklist wrestlers who worked for independent promoters or who publicly criticized an NWA promoter or who did not throw a match on command. If an independent promoter tried to establish himself in a certain area, the NWA would send their star performers to perform for the local NWA promoter to draw the customers away from
5664-477: The NWA, which only allowed faces to be champions, Gagne occasionally allowed heels to win the AWA championship so that they could serve as foils for him. In August 1983, the World Wrestling Federation (WWF), a promotion in the north-east , withdrew from the NWA. Vince K. McMahon then took over as its boss. No longer bound by the territorial pact of the NWA, McMahon began expanding his promotion into
5782-587: The UK Channel 4 and ABC television series Whose Line Is It Anyway (and its spinoffs Drew Carey's Green Screen Show and Drew Carey's Improv-A-Ganza ), Nick Cannon's improv comedy show Wild 'N Out , and Thank God You're Here . A very early American improv television program was the weekly half-hour What Happens Now? which premiered on New York's WOR-TV on October 15, 1949, and ran for 22 episodes. "The Improvisers" were six actors (including Larry Blyden , Ross Martin , and Jean Alexander – Jean Pugsley at
5900-687: The United Kingdom , especially in cities such as London, Bristol, Glasgow, and at the Edinburgh Festival Fringe . Other forms of improvisational theatre training and performance techniques are experimental and avant-garde in nature and not necessarily intended to be comedic . These include Playback Theatre and Theatre of the Oppressed , the Poor Theatre , the Open Theatre , to name only
6018-401: The arena's loudspeakers, his being Pomp and Circumstance . He also wore a costume: a robe and hairnet, which he removed after getting in the ring. He also had a pre-match ritual where his "butler" would spray the ring with perfume. In the 1980s, Vince McMahon made entrance songs, costumes, and rituals standard for his star wrestlers. For instance, McMahon's top star Hulk Hogan would delight
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#17328863509856136-418: The art of staging rigged matches and fostered a mentality that spectators were marks to be duped. The term kayfabe comes from carny slang. By the turn of the 20th century, most professional wrestling matches were "worked" and some journalists exposed the practice: American wrestlers are notorious for the amount of faking they do. It is because of this fact that suspicion attaches to so many bouts that
6254-550: The audience by tearing his shirt off before each match. The first major promoter cartel emerged on the East Coast, although up to that point, wrestling's heartland had been in the Midwest. Notable members of this cartel included Jack Curley , Lou Daro, Paul Bowser and Tom and Tony Packs. The promoters colluded to solve a number of problems that hurt their profits. Firstly, they could force their wrestlers to perform for less money. As
6372-410: The audience. Improv groups frequently solicit suggestions from the audience as a source of inspiration, a way of getting the audience involved, and as a means of proving that the performance is not scripted. That charge is sometimes aimed at the masters of the art, whose performances can seem so detailed that viewers may suspect the scenes are planned. In order for an improvised scene to be successful,
6490-637: The basis for his own theatre, The Empty Stage, which in turn bred multiple troupes utilizing this style. In the late 1990s, Matt Besser , Amy Poehler , Ian Roberts , and Matt Walsh founded the Upright Citizens Brigade Theatre in New York and later they founded one in Los Angeles, each with an accompanying improv/sketch comedy school. In September 2011 the UCB opened a third theatre in New York City's East Village, known as UCBeast. Hoopla Impro are
6608-412: The broader public. In the United States, wrestling is generally practiced in an amateur context. No professional league for competitive wrestling exists due to a lack of popularity. For example, Real Pro Wrestling , an American professional freestyle wrestling league, dissolved in 2007 after just two seasons. In other countries, such as Iran and India , wrestling enjoys widespread popularity as
6726-424: The cartel grew, there were fewer independent promoters where independent wrestlers could find work, and many were forced to sign a contract with the cartel to receive steady work. The contracts forbade them from performing at independent venues. A wrestler who refused to play by the cartel's rules was barred from performing at its venues. A second goal of the wrestling cartels was to establish an authority to decide who
6844-418: The case of heels). The matches could also be gimmicky sometimes, with wrestlers fighting in mud and piles of tomatoes and so forth. The most successful and enduring gimmick to emerge from the 1930s were tag-team matches. Promoters noticed that matches slowed down as the wrestlers in the ring tired, so they gave them partners to relieve them. It also gave heels another way to misbehave by double-teaming. Towards
6962-423: The character in shows must be considered fictional, wholly separate from the life of the performer. This is similar to other entertainers who perform with a persona that shares their own name. Some wrestlers also incorporate elements of their real-life personalities into their characters, even if they and their in-ring persona have different names. Kayfabe is the practice of pretending that professional wrestling
7080-508: The commission. The Commission did on very rare occasions hand out such authorizations, such as for a championship match between Jim Londos and Jim Browning in June 1934. This decree did not apply to amateur wrestling, which the commission had no authority over. Wrestling fans widely suspected that professional wrestling was fake, but they did not care as long as it entertained. In 1933, a wrestling promoter named Jack Pfefer started talking about
7198-468: The competitive sport to become an artform and genre of sports entertainment . Professional wrestling is performed around the world through various " promotions ", which are roughly analogous to production companies or sports leagues . Promotions vary considerably in size, scope, and creative approach, ranging from local shows on the independent circuit , to internationally broadcast events at major arenas. The largest and most influential promotions are in
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#17328863509857316-449: The concept of "Commun-edy Outreach" by tailoring performances to non-traditional audiences, such as the homeless and foster children. David Shepherd , with Paul Sills, founded The Compass Players in Chicago. Shepherd was intent on developing a true "people's Theatre", and hoped to bring political drama to the stockyards. The Compass went on to play in numerous forms and companies, in a number of cities including New York and Hyannis, after
7434-423: The cornerstone of modern improv training. By the mid-1960s, Viola Spolin's classes were handed over to her protégé, Jo Forsberg , who further developed Spolin's methods into a one-year course, which eventually became The Players Workshop , the first official school of improvisation in the United States. During this time, Forsberg trained many of the performers who went on to star on The Second City stage. Many of
7552-453: The corporate world. In a New York Times article titled "Can Executives Learn to Ignore the Script?" , Stanford professor and author, Patricia Ryan Madson notes, "executives and engineers and people in transition are looking for support in saying yes to their own voice. Often, the systems we put in place to keep us secure are keeping us from our more creative selves." Applying improv principles
7670-540: The current fashion of wrestling is the universal discussion as to the honesty of the matches. And certainly the most interesting phrase of this discussion is the unanimous agreement: "Who cares if they're fixed or not—the show is good." Newspapers tended to shun professional wrestling, as journalists saw its theatrical pretense to being a legitimate sport as untruthful. Eventually promoters resorted to publishing their own magazines in order to get press coverage and communicate with fans. The first professional wrestling magazine
7788-503: The demise of the Compass Players, Paul Sills began The Second City. They were the first organized improv troupes in Chicago, and the modern Chicago improvisational comedy movement grew from their success. Many of the current "rules" of comedic improv were first formalized in Chicago in the late 1950s and early 1960s, initially among The Compass Players troupe, which was directed by Paul Sills. From most accounts, David Shepherd provided
7906-405: The end of the 1930s, faced with declining revenues, promoters chose to focus on grooming charismatic wrestlers with no regard for their skill because it was charisma that drew the crowds, and wrestlers who were both skilled at grappling and charismatic were hard to come by. Since most of the public by this time knew and accepted that professional wrestling was fake, realism was no longer paramount and
8024-597: The facade of kayfabe as best as they could. In 1989, Vince McMahon testified before the New Jersey government that professional wrestling was not a true sport and therefore should be exempted from sports-related taxes. Many wrestlers and fans resented McMahon for this, but Lou Thesz accepted it as the smart move as it gave the industry more freedom to do as it pleased, and because by that point professional wrestling no longer attempted to appear real. The demise of WCW in 2001 provided some evidence that kayfabe still mattered to
8142-664: The film. This Is Spinal Tap and other mockumentary films of director Christopher Guest were created with a mix of scripted and unscripted material. Blue in the Face is a 1995 comedy directed by Wayne Wang and Paul Auster created in part by the improvisations during the filming of Smoke . Some of the best known American film directors who used improvisation in their work with actors are John Cassavetes , Robert Altman , Christopher Guest, and Rob Reiner . Improv comedy techniques have also been used in hit television shows such as HBO's Curb Your Enthusiasm created by Larry David ,
8260-433: The first vaudevillian to use audience suggestions to create improvised sketches on stage. Improvisation exercises were developed further by Viola Spolin in the 1940s, 50s, and 60s, and codified in her book Improvisation For The Theater , the first book that gave specific techniques for learning to do and teach improvisational theater. In 1977, Clive Barker 's book Theatre Games (several translations and editions) spread
8378-470: The first place. "Double-crosses", where a wrestler agreed to lose a match but nevertheless fought to win, remained a problem in the early cartel days. At times a promoter would even award a victorious double-crosser the title of champion to preserve the facade of sport. But promoters punished such wrestlers by blacklisting them, making it quite challenging to find work. Double-crossers could also be sued for breach of contract, such as Dick Shikat in 1936. In
8496-410: The form of an existing type of theatre, for example a full-length play or Broadway -style musical such as Spontaneous Broadway . One of the better-known longform structures is the Harold , developed by ImprovOlympic co-founder Del Close . Many such longform structures now exist. Actors such as Will Ferrell, Tina Fey, and Steve Carrell found their start in longform improv. Longform improvisation
8614-548: The founding of The Second City. A number of Compass members were also founding members of The Second City. In the 1970s, Shepherd began experimenting with group-created videos. He is the author of That Movie In Your Head , about these efforts. In the 1970s, David Shepherd and Howard Jerome created the Improvisational Olympics, a format for competition based improv. The Improv Olympics were first demonstrated at Toronto's Homemade Theatre in 1976 and have been continued on as
8732-610: The game is not popular here. Nine out of ten bouts, it has been said, are pre-arranged affairs, and it would be no surprise if the ratio of fixed matches to honest ones was really so high. The wrestler Lou Thesz recalled that between 1915 and 1920, a series of exposés in the newspapers about the integrity of professional wrestling alienated a lot of fans, sending the industry "into a tailspin". But rather than perform more shoot matches, professional wrestlers instead committed themselves wholesale to fakery. Several reasons explain why professional wrestling became fake whereas boxing endured as
8850-455: The government. They pledged to stop allocating exclusive territories to its promoters, to stop blacklisting wrestlers who worked for outsider promoters, and to admit any promoter into the Alliance. The NWA would flout many of these promises, but its power was nonetheless weakened by the lawsuit. Paul Bowser's AWA joined the NWA in 1949. The AWA withdrew from the Alliance in 1957 and renamed itself
8968-479: The greatest acting teachers in America. His work was grounded in the lessons he learned as an improviser at The Committee with Del Close, as well as in his experiences as founding director of The Groundlings. The Groundlings is often seen as the Los Angeles training ground for the "second generation" of improv performers and troupes. Stan Wells developed the "Clap-In" style of longform improvisation here, later using this as
9086-413: The greatest improvisation of all. With no script. No idea what's going to happen, often with people and places you have never seen before. And you are not in control. So say "yes." And if you're lucky, you'll find people who will say "yes" back. Tina Fey , in her book Bossypants , lists several rules of improv that apply in the workplace. There has been much interest in bringing lessons from improv into
9204-555: The growing field of Drama Therapy , psychodramatic improvisation, along with other techniques developed for Drama Therapy , are used extensively. The "Yes, and" rule has been compared to Milton Erickson 's utilization process and to a variety of acceptance-based psychotherapies. Improv training has been recommended for couples therapy and therapist training, and it has been speculated that improv training may be helpful in some cases of social anxiety disorder . Improvisational theatre often allows an interactive relationship with
9322-691: The ideas of improv internationally. British playwright and director Keith Johnstone wrote Impro: Improvisation and the Theatre , a book outlining his ideas on improvisation, and invented Theatresports , which has become a staple of modern improvisational comedy and is the inspiration for the popular television show Whose Line Is It Anyway? Viola Spolin influenced the first generation of modern American improvisers at The Compass Players in Chicago , which led to The Second City . Her son, Paul Sills , along with David Shepherd , started The Compass Players. Following
9440-404: The improvisers involved must work together responsively to define the parameters and action of the scene, in a process of co-creation . With each spoken word or action in the scene, an improviser makes an offer , meaning that he or she defines some element of the reality of the scene. This might include giving another character a name, identifying a relationship, location, or using mime to define
9558-513: The independent. By 1956, the NWA controlled 38 promotions within the United States, with more in Canada, Mexico, Australia and New Zealand. The NWA's monopolistic practices became so stifling that the independents appealed to the government for help. In October 1956 the US Attorney General's office filed an antitrust lawsuit against the NWA in an Iowa federal district court. The NWA settled with
9676-492: The individual wrestlers are paid or have been paid for their performance in a professional wrestling exhibition. All engagements of professional wrestling shall be referred to as exhibitions, and not as matches. In the industry's slang, a fixed match is referred to as a worked match, derived from the slang word for manipulation, as in "working the crowd". A shoot match is a genuine contest where both wrestlers fight to win and are therefore "straight shooters", which comes from
9794-471: The industry was anything but a competitive sport. The first wrestling promoter to publicly admit to routinely fixing matches was Jack Pfefer . In 1933, he started talking about the industry's inner workings to the New York Daily Mirror , resulting in a huge exposé. The exposé neither surprised nor alienated most wrestling fans, although some promoters like Jack Curley were furious and tried to restore
9912-487: The industry's inner workings to the New York Daily Mirror , maintaining no pretense that wrestling was real and passing on planned results just before the matches took place. While fans were neither surprised nor alienated, traditionalists like Jack Curley were furious, and most promoters tried to maintain the facade of kayfabe as best they could. Not the least interesting of all the minor phenomena produced by
10030-414: The irrational and the subconscious have been part of the stage tradition for centuries. From the 1990s onwards a growing number of European Improv groups have been set up specifically to explore the possibilities offered by the use of the abstract in improvised performance, including dance, movement, sound, music, mask work, lighting, and so on. These groups are not especially interested in comedy, either as
10148-539: The late 1960s, Augusto Boal 's "Forum Theatre" in South America in the early 1970s, and San Francisco's The Diggers ' work in the 1960s. Some of this work led to pure improvisational performance styles, while others simply added to the theatrical vocabulary and were, on the whole, avant-garde experiments. Joan Littlewood , an English actress and director who was active from the 1950s to 1960s, made extensive use of improv in developing plays for performance. However, she
10266-498: The members of wrestling cartels as the champion drew big crowds wherever he performed, and this would occasionally lead to schisms. By 1925, this cartel had divided the country up into territories which were the exclusive domains of specific promoters. This system of territories endured until Vince McMahon drove the fragmented cartels out of the market in the 1980s. This cartel fractured in 1929 after one of its members, Paul Bowser , bribed Ed "Strangler" Lewis to lose his championship in
10384-603: The nation. Notable alumni of the BNW include Louie Anderson , Mo Collins , Tom Davis , Al Franken , Penn Jillette , Carl Lumbly , Paul Menzel , Pat Proft , Annie Reirson, Taylor Nikolai, Nancy Steen , Peter Tolan , Linda Wallem , Lizz Winstead , Peter MacNicol , Melissa Peterman , and Cedric Yarbrough . Some key figures in the development of improvisational theatre are Viola Spolin and her son Paul Sills , founder of Chicago's famed Second City troupe and originator of Theater Games , and Del Close , founder of ImprovOlympic (along with Charna Halpern ) and creator of
10502-416: The objectives that they believe their character seeks. In improv formats with multiple scenes, an agreed-upon signal is used to denote scene changes. Most often, this takes the form of a performer running in front of the scene, known as a "wipe". Tapping a character in or out can also be employed. The performers not currently part of the scene often stand at the side or back of the stage, and can enter or exit
10620-673: The original cast of Saturday Night Live came from The Second City, and the franchise has produced such comedy stars as Mike Myers , Tina Fey , Bob Odenkirk , Amy Sedaris , Stephen Colbert , Eugene Levy , Jack McBrayer , Steve Carell , Chris Farley , Dan Aykroyd , and John Belushi . Simultaneously, Keith Johnstone's group The Theatre Machine, which originated in London , was touring Europe. This work gave birth to Theatresports , at first secretly in Johnstone's workshops, and eventually in public when he moved to Canada. Toronto has been home to
10738-572: The part of kidnapped tourists in today's Syria in a hyperreal sensory environment. Rob Wittig and Mark C. Marino have developed a form of improv for online theatrical improvisation called netprov . The form relies on social media to engage audiences in the creation of dynamic fictional scenarios that evolve in real-time. Modern improvisational comedy, as it is practiced in the West, falls generally into two categories: shortform and longform. Shortform improv consists of short scenes usually constructed from
10856-430: The philosophical vision of the Compass Players, while Elaine May was central to the development of the premises for its improvisations. Mike Nichols , Ted Flicker, and Del Close were her most frequent collaborators in this regard. When The Second City opened its doors on December 16, 1959, directed by Paul Sills, his mother Viola Spolin began training new improvisers through a series of classes and exercises which became
10974-436: The physical environment. These activities are also known as endowment . It is the responsibility of the other improvisers to accept the offers that their fellow performers make; to not do so is known as blocking, negation, or denial, which usually prevents the scene from developing. Some performers may deliberately block (or otherwise break out of character) for comedic effect—this is known as gagging —but this generally prevents
11092-714: The promotion's closing in 1991. In the spring of 1984, the WWF purchased Georgia Championship Wrestling (GCW), which had been ailing for some time due to financial mismanagement and internal squabbles. In the deal, the WWF acquired the GCW's timeslot on TBS . McMahon agreed to keep showing Georgia wrestling matches in that timeslot, but he was unable to get his staff to Atlanta every Saturday to fulfill this obligation, so he sold GCW and its TBS timeslot to Jim Crockett Promotions (JCP). JCP started informally calling itself World Championship Wrestling (WCW). In 1988, Ted Turner bought JCP and formally renamed it World Championship Wrestling. During
11210-439: The purpose of providing entertainment to spectators and which does not comprise a bona fide athletic contest or competition. Professional wrestling is not a combative sport. Wrestling constituting bona fide athletic contests and competitions, which may be professional or amateur combative sport, shall not be deemed professional wrestling under this Part. Professional wrestling as used in this Part shall not depend on whether
11328-407: The scene by stepping into or out of the stage center. Many theatre troupes are devoted to staging improvisational performances and growing the improv community through their training centers. In addition to for-profit theatre troupes, there are many college-based improv groups in the United States and around the world. In Europe the special contribution to the theatre of the abstract, the surreal,
11446-400: The scene from advancing and is frowned upon by many improvisers. Accepting an offer is usually accompanied by adding a new offer, often building on the earlier one; this is a process improvisers refer to as Yes, and... and is considered the cornerstone of improvisational technique. Every new piece of information added helps the improvisers to refine their characters and progress the action of
11564-520: The scene. The Yes, and... rule, however, applies to a scene's early stage since it is in this stage that a "base (or shared) reality" is established in order to be later redefined by applying the "if (this is true), then (what else can also be true)" practice progressing the scene into comedy, as explained in the 2013 manual by the Upright Citizens Brigade members. The unscripted nature of improv also implies no predetermined knowledge about
11682-402: The script they were given, their ad libs often becoming part of the standard routine and making their way into their films. Many people, however, make a distinction between ad-libbing and improvising. The British director Mike Leigh makes extensive use of improvisation in the creation of his films, including improvising important moments in the characters' lives that will not even appear in
11800-601: The sixties, Chaikin and the Open Theatre developed full theatrical productions with nothing but the actors, a few chairs, and a bare stage, creating character, time, and place through a series of transformations the actors physicalized and discovered through improvisations. On the west coast, Ruth Zaporah developed Action Theatre , a physically based improvisation form that treats language, movement and voice equally. Action Theatre performances have no scripts, no preplanned ideas and create full-length shows or shorter performances. Longform, dramatic, and narrative-based improvisation
11918-406: The skills and processes of improvisation are also used outside the context of performing arts. This practice, known as applied improvisation , is used in classrooms as an educational tool and in businesses as a way to develop communication skills, creative problem solving, and supportive team-work abilities that are used by improvisational, ensemble players. It is sometimes used in psychotherapy as
12036-440: The stamina for an hours-long fight. Audiences also preferred short matches. Worked matches also carried less risk of injury, which meant shorter recovery. Altogether, worked matches proved more profitable than shoots. By the end of the 19th century, nearly all professional wrestling matches were worked. A major influence on professional wrestling was carnival culture. Wrestlers in the late 19th century worked in carnival shows. For
12154-579: The street at the Intersection for the Arts would drop by and sit in. In 1979, Elk brought shortform to England, teaching workshops at Jacksons Lane Theatre, and he was the first American to perform at The Comedy Store, London , above a Soho strip club. Modern political improvisation's roots include Jerzy Grotowski 's work in Poland during the late 1950s and early 1960s, Peter Brook 's "happenings" in England during
12272-426: The territories of his former NWA peers, now his rivals. By the end of the 1980s, the WWF would become the sole national wrestling promotion in the U.S. This was in part made possible by the rapid spread of cable television in the 1980s. The national broadcast networks generally regarded professional wrestling as too niche an interest, and had not broadcast any national wrestling shows since the 1950s. Before cable TV,
12390-426: The time) who improvised skits based on situations suggested by viewers. In Canada, the series Train 48 was improvised from scripts which contained a minimal outline of each scene, and the comedy series This Sitcom Is...Not to Be Repeated incorporated dialogue drawn from a hat during the course of an episode. The American show Reno 911! also contained improvised dialogue based on a plot outline. Fast and Loose
12508-505: The trial, witnesses testified that most of the "big matches" and all of the championship bouts were fixed. By the 1930s, with the exception of the occasional double-cross or business dispute, shoot matches were essentially nonexistent. In April 1930, the New York State Athletic Commission decreed that all professional wrestling matches held in the state had to be advertised as exhibitions unless certified as contests by
12626-471: The truth, their audiences would desert them. Today's performers don't "protect" the industry like we did, but that's primarily because they've already exposed it by relying on silly or downright ludicrous characters and gimmicks to gain popularity with the fans. It was different in my day, when our product was presented as an authentic, competitive sport. We protected it because we believed it would collapse if we ever so much as implied publicly that it
12744-405: The venue, in a format similar to reality television . Performers generally integrate authentic wrestling techniques and fighting styles with choreography , stunts , improvisation , and dramatic conventions designed to maximize entertainment value and audience engagement. Professional wrestling as a performing art evolved from the common practice of match-fixing among American wrestlers in
12862-535: The way of proceedings: the "in-show" happenings, presented through the shows; and real-life happenings outside the work that have implications, such as performer contracts, legitimate injuries, etc. Because actual life events are often co-opted by writers for incorporation into storylines of performers, the lines between real life and fictional life are often blurred and become confused. Special discern must be taken with people who perform under their own name (such as Kurt Angle and his fictional persona ). The actions of
12980-420: The wrestlers quietly began faking their matches so that they could give their audiences a satisfying spectacle. Fixing matches was also convenient for scheduling. A real ("shoot") match could sometimes last hours, whereas a fixed ("worked") match can be made short, which was convenient for wrestlers on tour who needed to keep appointments or share venues. It also suited wrestlers who were aging and therefore lacked
13098-425: Was Wrestling As You Like It , which printed its first issue in 1946. These magazines were faithful to kayfabe . Before the advent of television, professional wrestling's fanbase largely consisted of children, the elderly, blue-collar workers and minorities. When television arose in the 1940s, professional wrestling got national exposure on prime-time television and gained widespread popularity. Professional wrestling
13216-675: Was active in North Beach during the 1960s. It was founded by alumni of Chicago's Second City, Alan Myerson and his wife Jessica. When The Committee disbanded in 1972, three major companies were formed: The Pitchell Players, The Wing, and Improvisation Inc. The only company that continued to perform Close's Harold was the latter one. Its two former members, Michael Bossier and John Elk, formed Spaghetti Jam in San Francisco's Old Spaghetti Factory in 1976, where shortform improv and Harolds were performed through 1983. Stand-up comedians performing down
13334-488: Was challenges from independent wrestlers. But a cartelized wrestler, if challenged, could credibly use his contractual obligations to his promoter as an excuse to refuse the challenge. Promotions would sometimes respond to challenges with "policemen": powerful wrestlers who lacked the charisma to become stars, but could defeat and often seriously injure any challenger in a shoot match. As the industry trend continued, there were fewer independent wrestlers to make such challenges in
13452-636: Was previously considered a niche interest, but the TV networks at the time were short on content and thus were willing to try some wrestling shows. In the 1960s, however, the networks moved on to more mainstream interests such as baseball, and professional wrestling was dropped. The core audience then shrunk back to a profile similar to that of the 1930s. In 1989, Vince McMahon was looking to exempt his promotion (the World Wrestling Federation ) from sports licensing fees. To achieve this, he testified before
13570-596: Was renamed again to the Zero1-Max International Junior Heavyweight Championship . Finally, when the company changed its name to Pro Wrestling Zero1 in 2008, the championship followed and became known as the Zero1 International Junior Heavyweight Championship . There have been a total of 27 recognized champions, who have had a combined 37 official reigns. The current champion is Seiki Yoshioka who
13688-415: Was something other than what it appeared to be. I'm not sure now the fear was ever justified given the fact that the industry is still in existence today, but the point is no one questioned the need then. "Protecting the business" in the face of criticism and skepticism was the first and most important rule a pro wrestler learned. No matter how aggressive or informed the questioner, you never admitted
13806-549: Was successfully prosecuted twice for allowing her actors to improvise in performance. Until 1968, British law required scripts to be approved by the Lord Chamberlain's Office . The department also sent inspectors to some performances to check that the approved script was performed exactly as approved. In 1987, Annoyance Theatre began as a club in Chicago that emphasizes longform improvisation. The Annoyance Theatre has grown into multiple locations in Chicago and New York City. It
13924-417: Was the "world champion". Before the cartels, there were multiple wrestlers in the U.S. simultaneously calling themselves the "world champion", and this sapped public enthusiasm for professional wrestling. Likewise, the cartel could agree on a common set of match rules that the fans could keep track of. The issue over who got to be the champion and who controlled said champion was a major point of contention among
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